> For the complete documentation index, see [llms.txt](https://chagos.gitbook.io/parish-online/llms.txt). Markdown versions of documentation pages are available by appending `.md` to page URLs; this page is available as [Markdown](https://chagos.gitbook.io/parish-online/parish-online-banter-sessions/251114-14nov25-session-25-46.md).

# 251114 -14Nov25 session 25-46

Devoted mostly to enabling a tree survey using aerial photography - creating layers, adding features, styling them, adding attachments. Tree maintenance in a churchyard likely to require Dean approval

{% embed url="<https://youtu.be/zJ01KAIsK00>" %}

### Video Timeline:

00:00 - 55:05 (end) Instructions for enabling a tree survey using Parish Online

***

### Presentation:

No separate presentation this week - the video ***is*** the presentation!

***

### Meeting Summary:

Nov 14, 2025 01:57 PM London ID: 897 5877 7706

### Quick recap

The meeting focused on technical training and troubleshooting for the Parish Online mapping platform, with participants working through various issues including blank maps and layer management. Maureen received comprehensive guidance from Graham and later Chris on using the platform to create and manage tree survey layers, including adding attributes, importing aerial photography, and adjusting display settings. The session concluded with demonstrations of additional mapping features and systems, including geolocation capabilities, boundary creation, and comprehensive parish mapping tools, with participants sharing practical applications for neighborhood planning and conservation projects.

### Next steps

* [Maureen: Complete the tree survey in Parish Online for the churchyard, including adding tree locations, types, and relevant details using the newly created Tree Survey layer.](https://us02tasks.zoom.us/?meetingId=5dK41TsZSMi8sqzEfqtHEQ%3D%3D\&stepId=36763554-c16b-11f0-b9b2-da772b08301d)
* [Maureen: Create a new layer in Parish Online for the churchyard boundary and map the boundary as a line feature, as demonstrated by Chris and Angie.](https://us02tasks.zoom.us/?meetingId=5dK41TsZSMi8sqzEfqtHEQ%3D%3D\&stepId=3676391b-c16b-11f0-89cd-da772b08301d)
* [Maureen: Increase the size of tree icons in Parish Online for better visibility on the map.](https://us02tasks.zoom.us/?meetingId=5dK41TsZSMi8sqzEfqtHEQ%3D%3D\&stepId=36763ab7-c16b-11f0-a6bc-da772b08301d)
* [Maureen: Use the table view in Parish Online to compile a list of trees and required works, and send instructions to the appointed arborist/contractor as needed.](https://us02tasks.zoom.us/?meetingId=5dK41TsZSMi8sqzEfqtHEQ%3D%3D\&stepId=36763c16-c16b-11f0-bcc2-da772b08301d)
* [Maureen: For any tree works identified in the survey, obtain necessary permissions (e.g., faculty) from the deanery or relevant church authorities before proceeding with work, as advised by Angie.](https://us02tasks.zoom.us/?meetingId=5dK41TsZSMi8sqzEfqtHEQ%3D%3D\&stepId=36763d53-c16b-11f0-8060-da772b08301d)
* [Maureen: Review the Parish Online Knowledge Base and video on geolocation to learn how to use smartphone geolocation features for future surveys.](https://us02tasks.zoom.us/?meetingId=5dK41TsZSMi8sqzEfqtHEQ%3D%3D\&stepId=36763e90-c16b-11f0-97ab-da772b08301d)
* [Angie: (Optional follow-up, not directly assigned but offered) Show Maureen the tree preservation order layer and process if Maureen wishes to see it in more detail.](https://us02tasks.zoom.us/?meetingId=5dK41TsZSMi8sqzEfqtHEQ%3D%3D\&stepId=36763fcc-c16b-11f0-ba9e-da772b08301d)

### Summary

#### Perish Online Platform Technical Issues

The meeting participants discussed technical issues with the Perish Online platform, particularly regarding blank maps that occur when users adjust aerial photography settings. Graham explained that the solution involves turning off the Ordnance Survey map and adjusting transparency settings, and mentioned that this topic would be covered further with Maureen during their discussion.

#### Parish Online Layer Creation Issues

Maureen sought guidance from Graham on using Parish Online to create a new layer for tracking trees as part of a survey. Graham walked her through the process, explaining how to create a new layer, add fields, and save it. However, they encountered technical difficulties with Safari, which Graham attributed to known issues with the browser. Despite multiple attempts to save the layer, it did not work, and Graham suggested trying again or using a different browser.

#### Tree Survey Mapping Training Overview

Maureen received training from Graham on using a mapping tool to create and manage a tree survey layer. They added a new layer, set up attributes including tree type and area, and imported aerial photography. Graham demonstrated how to add individual tree features and adjust their display settings. Before leaving, Graham introduced Maureen to Chris and Angie who would continue her training.

#### Tree Icon Visibility in Aerial Photos

The team discussed how to make tree icons more visible in aerial photography, with Chris guiding Maureen through the process of adjusting layers and settings. They identified two trees in the churchyard, including one that overhangs a neighbor's garden. Chris suggested adding a border around the churchyard and helped Maureen create a new boundary layer named "Churchyard Border." The process of drawing the border was not completed due to technical difficulties, with Angie suggesting a method of clicking and dragging to create the border.

#### Mapping Layer Creation and Management

The group discussed creating and managing layers in a mapping tool, focusing on drawing boundaries as lines rather than points. Chris demonstrated how to create a new layer for a church boundary, emphasizing the importance of aligning features correctly. They also explored the ability to superimpose layers and adjust the size and prominence of icons. Maureen learned about using the tool and Chris offered to share his screen to demonstrate further, though they encountered some technical difficulties with the map display.

#### Tree Preservation Tracking System Demo

Angie demonstrated how she created a detailed map of tree preservation orders in Stoke Mandeville, including specific tree information and documentation. She showed how each tree could be tracked with unique numbers and detailed attachments, including photos and preservation order details. Maureen learned that any tree maintenance work in the churchyard would require approval from the deanery and potentially the Archbishop, even for trimming overhanging branches. Chris shared a similar system for tracking benches in the parish, highlighting the useful table view feature for managing inventory.

***

### Chat:

No entries in zoom's Chat facility this session

***

### Audio-transcript:

WEBVTT

1\
00:00:38.770 --> 00:00:40.209\
Chris Edwards: Good afternoon, Maureen.

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Maureen Holliday: Good afternoon, how are you?

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Chris Edwards: I'm fine, thank you very much. Although, looking out of the window, it is pouring with rain in Somerset.

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Maureen Holliday: It is here, absolutely pouring.

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Chris Edwards: Where… which part of the country are you from?

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Maureen Holliday: Northamptonshire.

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00:00:56.520 --> 00:00:57.950\
Chris Edwards: Alright, fine.

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Maureen Holliday: It's everywhere, I think.

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Graham Stoddart-Stones - Bembridge: Hi, Maureen!

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Maureen Holliday: Bye!

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00:01:02.290 --> 00:01:05.840\
Graham Stoddart-Stones - Bembridge: I've got 20 minutes before my next board meeting starts, so…

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Maureen Holliday: Oh, right!

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00:01:06.600 --> 00:01:08.460\
Graham Stoddart-Stones - Bembridge: I thought I'd come and have some fun.

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Maureen Holliday: Oh, yeah.

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Graham Stoddart-Stones - Bembridge: Draviness. Yes. Oh, wow.

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Maureen Holliday: Always got time.

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00:01:14.320 --> 00:01:27.400\
Chris Edwards: Greg, I'm getting really old, and yesterday, I switched on my invitation to join the meeting, not realizing it was Thursday and not Friday.

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Chris Edwards: So you might have a recording of me only, for wondering, where the hell is everybody?

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Chris Edwards: I'm unrealizing.

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Graham Stoddart-Stones - Bembridge: I was just talking to my brother, just before lunch, and he was telling me that his wife in the bedroom tells him to go to the kitchen and get something out of the fridge, and by the time he gets to the fridge, he's completely forgotten what he.

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Maureen Holliday: Yeah. That is not uncommon. I keep being told the same thing by the younger generations. They're all suffering loss of memory and…

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Graham Stoddart-Stones - Bembridge: Are they?

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Maureen Holliday: Mmm!

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Graham Stoddart-Stones - Bembridge: Whoa!

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00:02:02.100 --> 00:02:14.190\
Maureen Holliday: Yeah, it's absolutely surprising how many people, younger than me, who, you know, in their 50s, are saying… all saying the same thing. We're… we forget, too.

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Chris Edwards: Hmm.

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Graham Stoddart-Stones - Bembridge: Yeah.

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Maureen Holliday: Comforting.

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Graham Stoddart-Stones - Bembridge: Very serious. Yes.

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Maureen Holliday: Hmm. What's a floating reaction?

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Maureen Holliday: Is that one of those things that goes up in the air?

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Graham Stoddart-Stones - Bembridge: Yes, exactly. You can clap your hands or something, and it goes up the screen and lets everyone know that you're clapping or something.

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Graham Stoddart-Stones - Bembridge: But yes.

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Maureen Holliday: I always find this timing quite difficult. Today, I've got the house to myself, but I find 2 o'clock at this time a bit difficult, so it's quite useful, sort of, having the opportunity to go back and look at recordings.

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Graham Stoddart-Stones - Bembridge: Yes, well, I'm not always able to get the recordings done in a timely fashion. Yes, I know. But one of these days, I'll catch up with myself.

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Chris Edwards: But, Graham, last week and yesterday, when I went on to Perish Online, I was maneuvering around with my mouse on the screen.

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Chris Edwards: And the map suddenly goes… blank. It's just a white space.

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Chris Edwards: And why this has happened on two…

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Chris Edwards: on two occasions when I've been using Paris Online, I do not know. Have… has that happened to you?

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Graham Stoddart-Stones - Bembridge: In the training courses that I do, I do mention that, people should be prepared to do a click on the refresh browser button in case it happens to them, but by far the most common reason, I find, is that people who've gone to aerial photography, they've turned down

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Graham Stoddart-Stones - Bembridge: the map.

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Graham Stoddart-Stones - Bembridge: the audience survey map to zero transparency, and then they forget to turn it back up again, and you get a completely blank screen.

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Chris Edwards: Hmm.

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Graham Stoddart-Stones - Bembridge: No.

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Chris Edwards: Right, I'm glad you mentioned that, because I think I might have been guilty of that.

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Graham Stoddart-Stones - Bembridge: Well, we may cover that today with Maureen, because the solution for her is going to involve aerial photography and turning off the ordnance survey bit, so…

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Maureen Holliday: Maybe in the interests of…

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Graham Stoddart-Stones - Bembridge: timeliness, Should we get going on your wishes, Maureen?

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Maureen Holliday: Yes.

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Graham Stoddart-Stones - Bembridge: If other people join in later, they can do.

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Maureen Holliday: Yeah, my problem.

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Graham Stoddart-Stones - Bembridge: So, yes.

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Maureen Holliday: So.

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Graham Stoddart-Stones - Bembridge: So, are you, used to sharing your screen in Zoom?

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Maureen Holliday: No.

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Graham Stoddart-Stones - Bembridge: Okay, so at the bottom of your screen, the Zoom screen, the blue one, when you put your mouse at the bottom, you'll see a big green button saying share.

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Maureen Holliday: Wait a minute, I've got two. Just a minute.

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Maureen Holliday: Oh, I'm peculiar now. Oh, what's happened?

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Maureen Holliday: I'm trying to get Parish Online to show up. I'm not very good at this.

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Graham Stoddart-Stones - Bembridge: This is, well.

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Maureen Holliday: So what am I doing? Oh, share, yes, share.

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Graham Stoddart-Stones - Bembridge: So you found that?

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Maureen Holliday: Yes, sure.

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Graham Stoddart-Stones - Bembridge: Then it comes up with a picture of all of, okay, you're well on the way, you're doing it already. Although I've not often seen it this sort of…

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Maureen Holliday: Ugh, I'm all in half.

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Graham Stoddart-Stones - Bembridge: Yes, aren't you? I think you've got lots of browser windows open at once. If you click on the forward one… oh, you're on a Mac, how wise.

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Graham Stoddart-Stones - Bembridge: So, that one you want to shut down.

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Maureen Holliday: This one.

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Graham Stoddart-Stones - Bembridge: Click on the red button there.

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Maureen Holliday: Yeah.

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Graham Stoddart-Stones - Bembridge: And then that one, you want.

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Maureen Holliday: I know that one. Chats.

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Graham Stoddart-Stones - Bembridge: Yeah.

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Maureen Holliday: Shut most of them down, I think. Yes.

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Graham Stoddart-Stones - Bembridge: Don't shut down the one with Zoom with Parish Online on it.

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Maureen Holliday: Yep.

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Maureen Holliday: Messenger. Oh, dear, should tidy up, shouldn't I?

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Graham Stoddart-Stones - Bembridge: Well, it's… it's…

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Maureen Holliday: It's how it ends up, isn't it? Right, let's have a look, don't need…

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Graham Stoddart-Stones - Bembridge: I have a lovely story that went… once when I was running an IT company, and we had a help desk that got someone who said that their computer was running very slowly, and the help desk said, well, we think it would be a very good idea if you shut some of the windows you've got there. You could hear the sound of the woman walking around the room shutting the windows.

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Maureen Holliday: Oh, no!

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Graham Stoddart-Stones - Bembridge: Good morning, Angie! How lovely to see you!

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Angie Bamford: Bye! Good afternoon!

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Chris Edwards: How are you?

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Angie Bamford: Hi, good, thank you.

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Graham Stoddart-Stones - Bembridge: Good.

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Maureen Holliday: Now, I've got this now.

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Graham Stoddart-Stones - Bembridge: Right, so now you want to go to the browser that's got your, parish online on it.

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Graham Stoddart-Stones - Bembridge: And what browser are you using? Safari? Yeah. Oh, you're in deep trouble.

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Maureen Holliday: Am I?

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Graham Stoddart-Stones - Bembridge: Safari's the one that they say don't use with Parish Online, because it's got some well-known issues. I don't know whether they've all been resolved now. If you click on the green and make that much bigger…

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Graham Stoddart-Stones - Bembridge: The green button to the left.

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Graham Stoddart-Stones - Bembridge: Of that parachute. There you go.

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Maureen Holliday: Yes.

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Graham Stoddart-Stones - Bembridge: Now we're with you, good. And if you shut down the parish report, record on the left, so close the X at the top of the left-hand column?

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Graham Stoddart-Stones - Bembridge: Left-hand column. Left-hand column. Left-hand column.

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Maureen Holliday: column.

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Graham Stoddart-Stones - Bembridge: Another lift, yeah.

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Maureen Holliday: X.

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Graham Stoddart-Stones - Bembridge: Come back to the parish online map, go to.

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Maureen Holliday: Yes.

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Graham Stoddart-Stones - Bembridge: 10 column.

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Graham Stoddart-Stones - Bembridge: Come down to.

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Maureen Holliday: Down, down, down. Oh, this one. Beg your pardon.

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Graham Stoddart-Stones - Bembridge: There we go, now we're all set.

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Maureen Holliday: Can I record this while you're telling me? Because, you know, we're just talking about memory, I'm never going to forget, never going to remember anything.

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Graham Stoddart-Stones - Bembridge: It's all being recorded do a copy afterwards.

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Maureen Holliday: Okay, good, good. Yes.

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Maureen Holliday: Right.

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Graham Stoddart-Stones - Bembridge: Angie, just in terms of planning the process, you're probably full of questions of how do I use Parish Online, right?

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Graham Stoddart-Stones - Bembridge: Is it Angie? Because you can join me on that one. She spotted me on something else.

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Angie Bamford: How old do I use Parish annoyed, did you say?

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Graham Stoddart-Stones - Bembridge: I did, I just wanted to make sure that you weren't brimming full of questions that were.

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Maureen Holliday: For your benefit, Maureen and Angie is probably the most accomplished amongst us for…

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Angie Bamford: I don't think so, I don't think so.

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Graham Stoddart-Stones - Bembridge: Anyway, so, Maureen, it's… your issue is you want to track trees, don't you?

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Maureen Holliday: Yes, yes, not on this particular map here, though.

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Graham Stoddart-Stones - Bembridge: Okay.

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Maureen Holliday: Well, I want to do a tree survey.

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Maureen Holliday: It's two tree surgeons, one who normally does the works in the churchyard that we're looking after now, and another one that somebody wants who

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Maureen Holliday: is cheaper, they say, but the trouble is, he's not as good. So I've got to do a new, tree survey, ask them to come and do the same tree survey. So, how can I have some backup information?

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Graham Stoddart-Stones - Bembridge: Yes, so…

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Graham Stoddart-Stones - Bembridge: there is, as always in Parish Online, there are several ways of doing this, but if you want full control over what you're doing, you need to create a new layer in the parish layers that's going to track your trees for you.

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Maureen Holliday: Right.

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Graham Stoddart-Stones - Bembridge: So if you go to the left-hand column, and just go up one level, and click on that button, that'll just shut that window down. Just click there one, there we go. Go into your parish layers.

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Maureen Holliday: Yes.

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Graham Stoddart-Stones - Bembridge: And there's nothing for trees, there is a good… So, you're going to create a new layer.

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Maureen Holliday: Right. So go up to the top line of your parish online and click on the Create button.

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Graham Stoddart-Stones - Bembridge: In the middle at the top.

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Maureen Holliday: Oh, wait a minute, what am I going? Parish layers, no.

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Graham Stoddart-Stones - Bembridge: Yo, good.

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Maureen Holliday: In the middle at the top, yeah, previous view.

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Graham Stoddart-Stones - Bembridge: Go to the middle now, more to your right, one line up. There you go. You can find create. One level up, go up, one level, there you go.

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Maureen Holliday: Yeah, I can't see.

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Graham Stoddart-Stones - Bembridge: What is that?

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Graham Stoddart-Stones - Bembridge: It says I'm square screen sharing. Right, okay, so, either you need to pull the Parish Online browser down a little…

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Maureen Holliday: Right, so I've got view, print, table. I've got to go higher than that.

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Graham Stoddart-Stones - Bembridge: You know, to the right, it goes Tools and Create, and it's the Create that you want. If you stop there, there you go.

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Maureen Holliday: low. New low. Okay.

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Graham Stoddart-Stones - Bembridge: And give it a name, like, Maureen's Tree Survey, or something.

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Maureen Holliday: I'll just see.

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Maureen Holliday: Yep.

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Graham Stoddart-Stones - Bembridge: And on you go.

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Graham Stoddart-Stones - Bembridge: And it's going to be a point type.

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Graham Stoddart-Stones - Bembridge: So, select point.

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Maureen Holliday: Yeah.

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Graham Stoddart-Stones - Bembridge: And just keep going.

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Graham Stoddart-Stones - Bembridge: And then, do we need to create one column for each sort of data you want to create. So, Maureen, you've probably got an ID, or a name, you've probably got a date, you've probably got, tree type.

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Graham Stoddart-Stones - Bembridge: I think that's at least 3. You may think of others that you may want to do.

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Maureen Holliday: Can I just do Area 1234?

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Graham Stoddart-Stones - Bembridge: Well, area is all you need. You're not filling in the details here, you're just creating the infrastructure. So you want one field called Area. Area. Didn't you… so if you click on the plus sign, top right.

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Maureen Holliday: Yep.

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Graham Stoddart-Stones - Bembridge: The name is the… you can change that to read whatever you wanted to call it, area, did you?

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Maureen Holliday: Yeah.

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Graham Stoddart-Stones - Bembridge: So, yeah, so you can delete the name bit.

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Maureen Holliday: Area.

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Graham Stoddart-Stones - Bembridge: Just… there you go.

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Graham Stoddart-Stones - Bembridge: And then, you want some way of identifying the tree, probably?

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Maureen Holliday: Yes.

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Graham Stoddart-Stones - Bembridge: So, do the plus sign again.

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Graham Stoddart-Stones - Bembridge: Top right.

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Maureen Holliday: Mmm.

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Graham Stoddart-Stones - Bembridge: And change that to tree ID, or something like that, that's this obvious.

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Maureen Holliday: Yeah.

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Graham Stoddart-Stones - Bembridge: And you wanted the tree type, didn't you? So do one more.

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Maureen Holliday: Yep.

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Graham Stoddart-Stones - Bembridge: And you do have the option here, if you wanted to, Maureen, of determining what people are allowed to enter. So you might say sycamore, oak, lime, whatever it's going to be, or you can just leave it to them to fill it in afterwards.

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Maureen Holliday: They can fill it in afterwards, yes.

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Graham Stoddart-Stones - Bembridge: Yeah, okay. So, let's go with that for the moment.

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Graham Stoddart-Stones - Bembridge: You can always add… come back and add things to it later.

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Maureen Holliday: So, finish. Click on finish, yep.

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Graham Stoddart-Stones - Bembridge: And…

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Graham Stoddart-Stones - Bembridge: Oh, it's just like something. What have we got for the names? Oh, you probably need one called name, do you? Can't remember. Can you just go back, add one more layer?

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Graham Stoddart-Stones - Bembridge: Plus…

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Maureen Holliday: And just leave it as name, now click on Finish.

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Graham Stoddart-Stones - Bembridge: Yeah, it's still a problem.

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Graham Stoddart-Stones - Bembridge: Just click on it, finish, and say continue.

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Maureen Holliday: Right.

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Graham Stoddart-Stones - Bembridge: And save any…

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Maureen Holliday: anyway.

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Graham Stoddart-Stones - Bembridge: Yep.

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Maureen Holliday: Right. It doesn't like it.

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Maureen Holliday: Mmm.

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Maureen Holliday: Titles, descriptions, asset, values, stat… Oh.

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Graham Stoddart-Stones - Bembridge: Well, you've done all the right things. I think it's… oh, let's try moving the name to the top level. So if you go back…

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Graham Stoddart-Stones - Bembridge: Click on the name one, and just click on the arrows to your right and move it to the top.

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Graham Stoddart-Stones - Bembridge: Yup, just press it up there. There you go. See if that makes any difference? No.

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Graham Stoddart-Stones - Bembridge: And save, anyway, doesn't do anything. Okay, let's do a refresh, Maureen.

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Graham Stoddart-Stones - Bembridge: And see if that helps. So that's the circular ones at the top.

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Graham Stoddart-Stones - Bembridge: Well, you're on a Mac. Well, I can't even see them myself now. Whoa!

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Maureen Holliday: That's true.

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Graham Stoddart-Stones - Bembridge: Where's your refresh button?

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Graham Stoddart-Stones - Bembridge: Oh, you're in Safari, you've got no idea where Safari Heiso Reef is.

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Maureen Holliday: Hmm, you see, this is the problem, this is.

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Graham Stoddart-Stones - Bembridge: I mean, I found it, I find it. It's up on the URL line.

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Graham Stoddart-Stones - Bembridge: Is that where your share button is? But where it says parishonline.xmap.cloud, can you see that, or is that hidden by the share button? It's there, actually.

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Graham Stoddart-Stones - Bembridge: right of that is a recital, yeah. Oh, right, okay.

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Maureen Holliday: Log in again, that's what it was.

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Graham Stoddart-Stones - Bembridge: We're gonna see whether it saves it, or whether it's killed it.

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Graham Stoddart-Stones - Bembridge: That's fine.

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Maureen Holliday: No, I won't use the location. Has it saved it?

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Graham Stoddart-Stones - Bembridge: Let's just open that up.

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Maureen Holliday: Oh.

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Graham Stoddart-Stones - Bembridge: Davey.

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Maureen Holliday: Hmm.

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Graham Stoddart-Stones - Bembridge: save it. So, go up to the Create menu again. Oh, God, where was that? That's top, top middle of the top line.

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Maureen Holliday: Top line.

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Graham Stoddart-Stones - Bembridge: Go along, condemn… Oop, create, just to the left of there, just to the left of there.

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Maureen Holliday: Yes, it's… I've got this… you are screen sharing in the middle of it.

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Graham Stoddart-Stones - Bembridge: Yeah, I know. He moves slightly to your right, and then click… oops, not that far.

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Maureen Holliday: No, I just can't… it's on top of it.

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Graham Stoddart-Stones - Bembridge: Yes, go… if you, just move sites…

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Maureen Holliday: Thanks.

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Graham Stoddart-Stones - Bembridge: one, next one, a little bit.

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Maureen Holliday: Oh, there we go. I have to work… now everything's gone!

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Graham Stoddart-Stones - Bembridge: Well, I think you've turned off the screen share.

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Maureen Holliday: Oh…

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Graham Stoddart-Stones - Bembridge: That's alright, try turning it back on again.

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Maureen Holliday: So that's the green line, that's the green button at the bottom of the screen.

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Maureen Holliday: Sure.

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Maureen Holliday: Right, share. Next, what? Share.

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Graham Stoddart-Stones - Bembridge: And it'll ask you which window do you want to share, and you can now open up your Safari.

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Maureen Holliday: I can't believe this.

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Graham Stoddart-Stones - Bembridge: And, going to Safari, Bottom left? Yeah, there you go.

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Maureen Holliday: Right.

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Graham Stoddart-Stones - Bembridge: There you are. And… You probably can.

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Maureen Holliday: It says stock share, but it's obviously…

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Graham Stoddart-Stones - Bembridge: just… whoops.

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Maureen Holliday: Yeah.

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Graham Stoddart-Stones - Bembridge: If you…

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Maureen Holliday: Oh, I found it. I can see Create now.

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Graham Stoddart-Stones - Bembridge: Okay, good, we'll just click on Create, then.

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Maureen Holliday: Create.

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Graham Stoddart-Stones - Bembridge: And add a new layer. Yep, there you go.

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Graham Stoddart-Stones - Bembridge: More orange trees, or whatever, tree survey.

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Maureen Holliday: Tree surveys.

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Graham Stoddart-Stones - Bembridge: Next.

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Maureen Holliday: Yep.

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Graham Stoddart-Stones - Bembridge: Geology type is point.

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Maureen Holliday: Yep.

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Graham Stoddart-Stones - Bembridge: Just click on the plus.

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Maureen Holliday: And leave it its name. Now click on the plus again.

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Maureen Holliday: Yep.

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Graham Stoddart-Stones - Bembridge: And change it to, say, Tree Type.

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Maureen Holliday: Type…

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Graham Stoddart-Stones - Bembridge: click on the plus again, and you wanted, an area, didn't you? So change that to area.

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Maureen Holliday: Okay,

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Graham Stoddart-Stones - Bembridge: And… That's enough for the moment, or do you want anything else?

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Maureen Holliday: No, I think that's alright time.

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Graham Stoddart-Stones - Bembridge: Okay, you can't leave two names there, so change the bottom name to Date, or something, just call it Date.

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Graham Stoddart-Stones - Bembridge: date of survey.

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Graham Stoddart-Stones - Bembridge: What dates surveyed, yeah.

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Graham Stoddart-Stones - Bembridge: There you go.

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Graham Stoddart-Stones - Bembridge: And change the middle line.

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Graham Stoddart-Stones - Bembridge: On that one, to date.

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Graham Stoddart-Stones - Bembridge: Just click on the little.

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Maureen Holliday: down now.

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Graham Stoddart-Stones - Bembridge: Oh, yep.

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Maureen Holliday: date.

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Graham Stoddart-Stones - Bembridge: There you go, never called.

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Maureen Holliday: Finish. Finish. Let's hope it works. If not, I'm gonna have to.

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Graham Stoddart-Stones - Bembridge: It did, good.

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Graham Stoddart-Stones - Bembridge: So, if you now go down to the bottom of your parish layers, you've got Tree Survey, just click on that. Go back up, go back up. Well, you were doing fine. Just click on that.

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Maureen Holliday: There it is, yes.

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Graham Stoddart-Stones - Bembridge: Yeah, now go over to the little cogwheel there, and go to Add Feature.

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Maureen Holliday: Yeah.

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Graham Stoddart-Stones - Bembridge: And now you're going to enter a tree somewhere, so you need to move your map to where your trees are going to be that you're going to be surveying.

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Maureen Holliday: Right.

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Maureen Holliday: So, they are… I've got to make this bigger.

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Graham Stoddart-Stones - Bembridge: And then it might be handy to turn on your…

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Graham Stoddart-Stones - Bembridge: Mapping, sorry, your overhead photography when we get there, but let's just put a tree in for the moment.

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Maureen Holliday: Yeah, I did actually get to the… take a picture of the photography, and it had nice shadows of trees.

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Graham Stoddart-Stones - Bembridge: Exactly. So… If that's roughly the right place.

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Maureen Holliday: Yes.

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Graham Stoddart-Stones - Bembridge: Okay, so just click on the tree that you're going to put it in, just click once.

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Graham Stoddart-Stones - Bembridge: Left click, that's it. May I give it a name, please, in the left-hand column?

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Graham Stoddart-Stones - Bembridge: call it tree number 4, or whatever it is, whatever you're going to use the ID, okay? You know what it is, good.

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Maureen Holliday: Yeah.

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Graham Stoddart-Stones - Bembridge: Okay.

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Maureen Holliday: Sycamore War? Oh, yeah, Sycamore, yeah.

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Graham Stoddart-Stones - Bembridge: Yup.

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Maureen Holliday: Yep.

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Graham Stoddart-Stones - Bembridge: Do you have a number for it, or whatever you're gonna…

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Chris Edwards: Child?

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Maureen Holliday: 4. Yeah, it is the churchyard. I'll say Churchyard 4, because it's the corner number 4, yeah.

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Graham Stoddart-Stones - Bembridge: Just click on Save, if you would, please.

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Graham Stoddart-Stones - Bembridge: Alright, so there's your tree.

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Maureen Holliday: Yep.

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Graham Stoddart-Stones - Bembridge: And if you are going to add another tree somewhere, you can use the left-hand column, but if you're not right now, then you want to shut down the left-hand column, because it gets in the way.

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Maureen Holliday: Alright.

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Graham Stoddart-Stones - Bembridge: So, what we could do is change your, icon for the tree

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Graham Stoddart-Stones - Bembridge: To, sorry, change the button, the round thing, to an image of a tree, if that helps you.

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Maureen Holliday: Yes.

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Graham Stoddart-Stones - Bembridge: So, it seems to have disappeared, so can you just refresh again?

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Graham Stoddart-Stones - Bembridge: Sorry, it's a real pain, this, but there you go, well done.

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Graham Stoddart-Stones - Bembridge: And turn on the tree, I mean, the tree layer. You'll go into parish layers, and turn on the trees.

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Graham Stoddart-Stones - Bembridge: Yep, bottom one, good, and there it is. Okay, so now, before you do that, go to the left-hand column, the tick.

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Maureen Holliday: Yes.

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Graham Stoddart-Stones - Bembridge: and change… go to the mini-menu to Style.

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Maureen Holliday: what's…

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Graham Stoddart-Stones - Bembridge: I'll click that setting. Click there, just click there.

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Maureen Holliday: Oh, your style.

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Graham Stoddart-Stones - Bembridge: style.

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Maureen Holliday: Yes.

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Graham Stoddart-Stones - Bembridge: And you want to move up to where it says Shapes at the middle of the third column.

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Graham Stoddart-Stones - Bembridge: And change the shapes. See the word shapes?

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Maureen Holliday: Japes.

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Graham Stoddart-Stones - Bembridge: Yep, just click on that, make it a graphical icon.

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Graham Stoddart-Stones - Bembridge: And then go into the three dots.

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Maureen Holliday: Yep.

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Graham Stoddart-Stones - Bembridge: And type in tree in the search box at the top.

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Graham Stoddart-Stones - Bembridge: And now you've got a whole bunch of trees you can choose, whichever you think is most like a sycamore.

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Maureen Holliday: Let's have that one. Okay.

314\
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Graham Stoddart-Stones - Bembridge: That's it, good?

315\
00:19:26.190 --> 00:19:26.920\
Maureen Holliday: Okay…

316\
00:19:26.920 --> 00:19:29.159\
Graham Stoddart-Stones - Bembridge: And now you can say the whole thing.

317\
00:19:30.490 --> 00:19:31.370\
Graham Stoddart-Stones - Bembridge: Oh.

318\
00:19:31.580 --> 00:19:37.019\
Graham Stoddart-Stones - Bembridge: Yeah, that'll do, but… so that will take you back, and now you can see if you…

319\
00:19:37.020 --> 00:19:37.719\
Maureen Holliday: Many trees.

320\
00:19:37.720 --> 00:19:40.890\
Graham Stoddart-Stones - Bembridge: main, it's actually a tree, which is nice. Yes.

321\
00:19:41.340 --> 00:19:44.700\
Graham Stoddart-Stones - Bembridge: Turn on, if you would, please, the aerial photography.

322\
00:19:45.240 --> 00:19:46.730\
Graham Stoddart-Stones - Bembridge: Please, Maureen?

323\
00:19:48.240 --> 00:19:51.799\
Maureen Holliday: Yeah. Just turn… click on the top one, Aerial Photography Latest.

324\
00:19:52.490 --> 00:19:58.649\
Graham Stoddart-Stones - Bembridge: There you go. And go up to the Ordnance Survey, PSGA, there on the left.

325\
00:19:58.920 --> 00:20:01.240\
Graham Stoddart-Stones - Bembridge: Two green layers up, two up.

326\
00:20:01.500 --> 00:20:02.540\
Maureen Holliday: Where am I going?

327\
00:20:02.540 --> 00:20:03.730\
Graham Stoddart-Stones - Bembridge: Left-hand column.

328\
00:20:03.880 --> 00:20:06.409\
Maureen Holliday: Left-hand column. Oh, a PSGA, yes.

329\
00:20:06.410 --> 00:20:09.030\
Graham Stoddart-Stones - Bembridge: And click on the little tick…

330\
00:20:09.660 --> 00:20:15.160\
Graham Stoddart-Stones - Bembridge: For the, standard one, click on the tick itself, On the ticket itself.

331\
00:20:15.160 --> 00:20:19.859\
Maureen Holliday: Yeah, that one, yup, and Paul is… they're transferring actually down to zero.

332\
00:20:20.120 --> 00:20:22.689\
Graham Stoddart-Stones - Bembridge: To your bullet to your left, there you go. Now you can see…

333\
00:20:22.690 --> 00:20:25.380\
Maureen Holliday: Wow! Now that is good!

334\
00:20:25.380 --> 00:20:26.320\
Graham Stoddart-Stones - Bembridge: Wonderful.

335\
00:20:26.570 --> 00:20:28.540\
Maureen Holliday: Isn't it wonderful? Yes!

336\
00:20:28.540 --> 00:20:32.390\
Graham Stoddart-Stones - Bembridge: So, if we now go down to,

337\
00:20:33.140 --> 00:20:42.230\
Graham Stoddart-Stones - Bembridge: your Parish Online layers, so you can close up the two green ones, just click on the… not that one, that one, yeah.

338\
00:20:42.230 --> 00:20:43.650\
Maureen Holliday: Yeah, yes.

339\
00:20:43.650 --> 00:20:46.439\
Graham Stoddart-Stones - Bembridge: And the one below for the yellow photography, click.

340\
00:20:46.800 --> 00:20:47.360\
Maureen Holliday: Lisa.

341\
00:20:47.360 --> 00:20:51.710\
Graham Stoddart-Stones - Bembridge: And then the tree survey, the question is, where did we put that tree?

342\
00:20:52.600 --> 00:20:53.580\
Maureen Holliday: Let me put it somewhere here.

343\
00:20:53.580 --> 00:20:58.999\
Graham Stoddart-Stones - Bembridge: It's one of there. Oh, it's in there, is it? Yeah. Oh, you've turned it off. Could you turn it back on again?

344\
00:20:59.130 --> 00:21:00.230\
Maureen Holliday: What do you mean I've turned it off?

345\
00:21:00.230 --> 00:21:02.169\
Graham Stoddart-Stones - Bembridge: Toggle on the tree survey layer.

346\
00:21:02.480 --> 00:21:03.040\
Maureen Holliday: Yes.

347\
00:21:03.040 --> 00:21:04.540\
Graham Stoddart-Stones - Bembridge: Yeah, totally wrong. Okay.

348\
00:21:04.540 --> 00:21:05.180\
Maureen Holliday: Okay.

349\
00:21:05.410 --> 00:21:05.970\
Maureen Holliday: Yes.

350\
00:21:05.970 --> 00:21:12.470\
Graham Stoddart-Stones - Bembridge: I think what we should do, Maureen, is go into that tick on the left of the tree survey line.

351\
00:21:12.840 --> 00:21:17.180\
Graham Stoddart-Stones - Bembridge: Go down to where it says, click on the cogwheel, click on the cogwheel. On the cogwheel, yeah.

352\
00:21:17.330 --> 00:21:19.290\
Graham Stoddart-Stones - Bembridge: Go into Table View.

353\
00:21:19.730 --> 00:21:20.390\
Maureen Holliday: Yep.

354\
00:21:20.940 --> 00:21:28.129\
Graham Stoddart-Stones - Bembridge: There's your tree. Highlight your level of the Sycamore 4, just highlight it by clicking on it once. Click on the row that's got Sycamore 4 in it.

355\
00:21:28.130 --> 00:21:28.830\
Maureen Holliday: Yep.

356\
00:21:29.550 --> 00:21:31.389\
Maureen Holliday: And now, click on it once.

357\
00:21:31.390 --> 00:21:42.569\
Graham Stoddart-Stones - Bembridge: Yep. There we go. And then if you, go to full table view, which you do by clicking on the little square halfway down the screen on the right-hand side.

358\
00:21:43.450 --> 00:21:44.429\
Graham Stoddart-Stones - Bembridge: Can you go just…

359\
00:21:44.890 --> 00:21:49.169\
Graham Stoddart-Stones - Bembridge: There we go, yup, that little… oops, come along to the right of that line. Not the X, but the…

360\
00:21:49.170 --> 00:21:50.820\
Maureen Holliday: Well, it's just, I've got these…

361\
00:21:50.820 --> 00:21:55.140\
Graham Stoddart-Stones - Bembridge: I've got the images in front of it. Move the pictures of people.

362\
00:21:55.140 --> 00:21:55.570\
Maureen Holliday: Yes, sir.

363\
00:21:55.570 --> 00:21:57.950\
Graham Stoddart-Stones - Bembridge: Go slightly to your left and down a little bit.

364\
00:21:59.010 --> 00:22:01.700\
Maureen Holliday: I can't see any… I can't see anything.

365\
00:22:01.700 --> 00:22:04.580\
Graham Stoddart-Stones - Bembridge: Well, there's a big black line, but, yeah, but probably…

366\
00:22:04.580 --> 00:22:06.310\
Maureen Holliday: Oh, there's a big black line.

367\
00:22:06.310 --> 00:22:07.980\
Graham Stoddart-Stones - Bembridge: Yeah, sucks.

368\
00:22:07.980 --> 00:22:09.799\
Angie Bamford: Tick, tick, tick, tick, tick, tick!

369\
00:22:09.800 --> 00:22:11.999\
Maureen Holliday: Oh, that one! Yes.

370\
00:22:12.510 --> 00:22:17.260\
Graham Stoddart-Stones - Bembridge: If you now go down to the bottom right and click on the black button saying View on Map.

371\
00:22:17.260 --> 00:22:17.920\
Maureen Holliday: Yeah.

372\
00:22:17.920 --> 00:22:23.809\
Graham Stoddart-Stones - Bembridge: That'll show you where your tree is, and I can't see it for the life of me.

373\
00:22:24.410 --> 00:22:29.450\
Maureen Holliday: Don't know where it's gone. Oh, here's the churchyard, yes, here. And if I go bigger…

374\
00:22:32.570 --> 00:22:39.040\
Graham Stoddart-Stones - Bembridge: So, is that one that your mouse is clicking on? Is that an icon?

375\
00:22:39.650 --> 00:22:40.800\
Maureen Holliday: No.

376\
00:22:40.950 --> 00:22:43.290\
Maureen Holliday: There's nothing… I can't see an icon there.

377\
00:22:43.290 --> 00:22:43.950\
Graham Stoddart-Stones - Bembridge: No.

378\
00:22:43.950 --> 00:22:47.509\
Maureen Holliday: I don't really need a Nikon, I just need that picture of all those trees.

379\
00:22:47.510 --> 00:22:54.580\
Graham Stoddart-Stones - Bembridge: Yes, okay, so all you need to do now, then, is go into… close down the left-hand parish column with the X.

380\
00:22:54.870 --> 00:22:55.380\
Maureen Holliday: Yeah.

381\
00:22:55.380 --> 00:22:58.970\
Graham Stoddart-Stones - Bembridge: Click on your tree tick, tree survey tick.

382\
00:22:59.310 --> 00:23:01.119\
Maureen Holliday: Tree Survey. Tick, yes.

383\
00:23:01.120 --> 00:23:04.179\
Graham Stoddart-Stones - Bembridge: And add feature. No, no, no, no. Anyway…

384\
00:23:05.970 --> 00:23:10.420\
Graham Stoddart-Stones - Bembridge: Go back to your ticket, I'll now click on the little asterisk, and add a feature.

385\
00:23:10.730 --> 00:23:11.920\
Maureen Holliday: Add a feature, yes.

386\
00:23:11.920 --> 00:23:15.469\
Graham Stoddart-Stones - Bembridge: And now you can go and click on each of those trees in time.

387\
00:23:15.840 --> 00:23:19.269\
Graham Stoddart-Stones - Bembridge: In turn, so click on it. Whoa, whoa, whoa, just one at a time.

388\
00:23:19.270 --> 00:23:20.260\
Maureen Holliday: I wanted to do it.

389\
00:23:20.260 --> 00:23:22.089\
Graham Stoddart-Stones - Bembridge: Give it a name to identify it.

390\
00:23:22.090 --> 00:23:24.350\
Maureen Holliday: Oh, I see, then I could call that, yeah, sick call.

391\
00:23:24.350 --> 00:23:25.860\
Graham Stoddart-Stones - Bembridge: Yeah, exactly.

392\
00:23:26.170 --> 00:23:33.040\
Graham Stoddart-Stones - Bembridge: And I'm going to have to leave you, so I'll leave you in the comfortable hands of Chris and Angie, who I'm sure will turn you into an expert in the next video.

393\
00:23:33.040 --> 00:23:34.839\
Maureen Holliday: Okay, thank you very much.

394\
00:23:34.840 --> 00:23:36.510\
Graham Stoddart-Stones - Bembridge: Lovely to see you all. Take care.

395\
00:23:36.510 --> 00:23:38.860\
Chris Edwards: I agree. I agree.

396\
00:23:38.860 --> 00:23:43.410\
Graham Stoddart-Stones - Bembridge: I can't… I can leave, no, I can't end… can end.

397\
00:23:44.090 --> 00:23:52.350\
Graham Stoddart-Stones - Bembridge: I hope this is not going to take you all out. I'm not sure whether it will or not, but I'm going to have to do this. So, if it takes you all out, just rejoin, sorry. Bye!

398\
00:23:52.750 --> 00:23:53.830\
Chris Edwards: Bye!

399\
00:23:53.830 --> 00:23:54.890\
Graham Stoddart-Stones - Bembridge: I can just.

400\
00:23:54.890 --> 00:23:59.290\
Maureen Holliday: Thank your patience. You see why I haven't used it much.

401\
00:24:00.930 --> 00:24:05.290\
Maureen Holliday: You can see why I haven't used it much, I've just, you know, it's so to take in.

402\
00:24:05.290 --> 00:24:06.680\
Chris Edwards: Yes. Yes, ma'am.

403\
00:24:07.070 --> 00:24:09.230\
Maureen Holliday: But this is lovely, this is great.

404\
00:24:09.230 --> 00:24:11.180\
Chris Edwards: Yeah. I'll tell you what…

405\
00:24:11.180 --> 00:24:14.839\
Angie Bamford: order for the parish council. I can show you that if you want later on.

406\
00:24:14.840 --> 00:24:15.590\
Maureen Holliday: And what?

407\
00:24:15.590 --> 00:24:18.240\
Angie Bamford: A tree preservation order for our churchyard, for our…

408\
00:24:18.240 --> 00:24:19.990\
Maureen Holliday: Oh, yes, please, yes.

409\
00:24:20.290 --> 00:24:21.519\
Maureen Holliday: Yeah, that is magnetic.

410\
00:24:21.950 --> 00:24:27.540\
Chris Edwards: Maureen, while you've got that overhead aerial shot of the churchyard.

411\
00:24:27.540 --> 00:24:28.030\
Maureen Holliday: Mmm.

412\
00:24:28.030 --> 00:24:31.179\
Chris Edwards: Go to the… go to the left columns.

413\
00:24:31.180 --> 00:24:31.790\
Maureen Holliday: Yes.

414\
00:24:31.790 --> 00:24:33.570\
Chris Edwards: And come down to Area.

415\
00:24:33.860 --> 00:24:34.700\
Maureen Holliday: Yes.

416\
00:24:34.960 --> 00:24:38.360\
Chris Edwards: And type in, Southwest Corner.

417\
00:24:40.760 --> 00:24:42.979\
Chris Edwards: You can change that later.

418\
00:24:42.980 --> 00:24:43.750\
Maureen Holliday: Yeah.

419\
00:24:43.750 --> 00:24:48.870\
Chris Edwards: Okay, now click on Save at the bottom of the… Yeah.

420\
00:24:49.100 --> 00:24:49.790\
Maureen Holliday: Yeah.

421\
00:24:53.390 --> 00:24:57.439\
Chris Edwards: I then close down the X.

422\
00:24:58.140 --> 00:25:02.110\
Maureen Holliday: X, right there. Feature editor, yeah.

423\
00:25:02.110 --> 00:25:09.879\
Chris Edwards: Yeah, close… yeah, that's right. Now, go down to the tree survey on the left-hand side, click on… right, click on the cog.

424\
00:25:11.050 --> 00:25:12.829\
Chris Edwards: Come across the style.

425\
00:25:15.390 --> 00:25:24.730\
Chris Edwards: Now, go back to where it says icon in the middle of the… of the screen. Do you see the word icon?

426\
00:25:25.690 --> 00:25:31.929\
Chris Edwards: Icon. Yeah, yeah, right, now come down, and come over to the size, which says 12.

427\
00:25:31.930 --> 00:25:32.450\
Maureen Holliday: Yes.

428\
00:25:32.450 --> 00:25:35.650\
Chris Edwards: Go to the top arrow, next to 12.

429\
00:25:35.650 --> 00:25:36.090\
Maureen Holliday: Yes.

430\
00:25:36.090 --> 00:25:39.519\
Chris Edwards: And go up to 20, or 25, or 30.

431\
00:25:39.520 --> 00:25:40.620\
Maureen Holliday: Yeah, 20.

432\
00:25:40.620 --> 00:25:41.010\
Chris Edwards: So…

433\
00:25:41.080 --> 00:25:41.600\
Maureen Holliday: Yeah.

434\
00:25:41.600 --> 00:25:43.809\
Chris Edwards: Right, right. Now go and save that.

435\
00:25:45.120 --> 00:25:45.590\
Maureen Holliday: Yeah.

436\
00:25:45.590 --> 00:25:47.110\
Chris Edwards: But it should stand out.

437\
00:25:47.450 --> 00:25:49.269\
Chris Edwards: Much better than…

438\
00:25:49.490 --> 00:25:54.009\
Chris Edwards: the size that you had before. Now, let's just have a look. No, I can't see it.

439\
00:25:54.010 --> 00:25:55.870\
Maureen Holliday: No, it doesn't look much different, does it?

440\
00:25:55.870 --> 00:25:59.729\
Chris Edwards: Strange. Could you zoom in, please, to that aerial shot?

441\
00:25:59.730 --> 00:26:04.139\
Angie Bamford: I can still… I can see them both there, but they're very small, aren't they? Mmm.

442\
00:26:05.290 --> 00:26:07.719\
Angie Bamford: There's two little… two little icons.

443\
00:26:07.900 --> 00:26:12.159\
Chris Edwards: That's it, that's it. Zoom in, zoom in even more.

444\
00:26:12.350 --> 00:26:14.409\
Maureen Holliday: Mmm. Well, I can see the wall now.

445\
00:26:14.920 --> 00:26:16.869\
Chris Edwards: I can see something, but…

446\
00:26:16.870 --> 00:26:18.369\
Angie Bamford: Yeah, there are two there.

447\
00:26:18.370 --> 00:26:18.850\
Chris Edwards: It's not all.

448\
00:26:18.850 --> 00:26:21.679\
Maureen Holliday: I can only see one. A blue one.

449\
00:26:21.990 --> 00:26:26.300\
Angie Bamford: Okay, okay. And then, like, horizontal to it. Right, okay.

450\
00:26:26.300 --> 00:26:31.689\
Chris Edwards: I'll tell you what to do. Go to the left-hand column and click on the X to get rid of the

451\
00:26:32.240 --> 00:26:33.030\
Chris Edwards: Yeah.

452\
00:26:33.030 --> 00:26:35.950\
Maureen Holliday: Yeah. Now, come down to the…

453\
00:26:35.980 --> 00:26:37.740\
Chris Edwards: aerial photography.

454\
00:26:39.100 --> 00:26:39.755\
Maureen Holliday: Hmm…

455\
00:26:40.720 --> 00:26:43.149\
Chris Edwards: Go up, up, up, up, yeah, right, click on that.

456\
00:26:43.670 --> 00:26:49.699\
Chris Edwards: And turn off the layer below that, where it's got the tick. Just get rid of it.

457\
00:26:49.700 --> 00:26:50.620\
Maureen Holliday: Okay.

458\
00:26:50.620 --> 00:26:54.170\
Chris Edwards: No, not on the cog, just on… next to the cog, yeah, there.

459\
00:26:54.170 --> 00:26:54.880\
Angie Bamford: Go.

460\
00:26:54.880 --> 00:26:57.930\
Chris Edwards: Right, so there are your two trees.

461\
00:26:57.930 --> 00:26:59.090\
Maureen Holliday: Oh, I see, yes.

462\
00:26:59.090 --> 00:27:02.900\
Chris Edwards: Okay, .

463\
00:27:03.490 --> 00:27:07.039\
Maureen Holliday: I'm not too worried about those, but yes.

464\
00:27:07.360 --> 00:27:22.599\
Maureen Holliday: revealed to me, which is very important, on the previous picture, we had the trees, and it showed the boundary, because just in this corner, we've got a tree overhanging somebody's garden we've got to attend to. That's really interesting, yes.

465\
00:27:23.390 --> 00:27:25.809\
Chris Edwards: Do you want to make the Bordeaux more obvious?

466\
00:27:26.010 --> 00:27:29.169\
Maureen Holliday: Yes, you can. With the trees in? Yes.

467\
00:27:29.170 --> 00:27:30.860\
Chris Edwards: Yes, yes, you can do that.

468\
00:27:31.180 --> 00:27:32.440\
Maureen Holliday: So.

469\
00:27:32.810 --> 00:27:45.720\
Chris Edwards: go to… go to the columns on the left-hand side, and click on Aerial Photography. Yeah, just click on it once, right? That's fine. Now go up to Ordnance Survey PSGA.

470\
00:27:46.010 --> 00:27:47.200\
Maureen Holliday: Click on that.

471\
00:27:47.760 --> 00:27:51.749\
Chris Edwards: And click on… The next one down.

472\
00:27:51.750 --> 00:27:52.750\
Maureen Holliday: Standard.

473\
00:27:53.240 --> 00:27:54.420\
Chris Edwards: go to the COG.

474\
00:27:54.860 --> 00:27:58.180\
Maureen Holliday: Oh, go to the cog, try the cog, Maureen.

475\
00:27:58.180 --> 00:27:59.610\
Chris Edwards: Now you've got some color.

476\
00:27:59.610 --> 00:28:00.280\
Maureen Holliday: Yes.

477\
00:28:00.280 --> 00:28:07.160\
Chris Edwards: Now, now zoom out of your map a bit, One more.

478\
00:28:09.250 --> 00:28:15.619\
Chris Edwards: Okay, now, I'm going to suggest that we do a border all the way around the churchyard.

479\
00:28:15.790 --> 00:28:16.620\
Maureen Holliday: Yes.

480\
00:28:16.620 --> 00:28:18.939\
Chris Edwards: Would you know how to do that, Ben?

481\
00:28:18.940 --> 00:28:20.710\
Maureen Holliday: No, I haven't got a clue.

482\
00:28:20.890 --> 00:28:21.990\
Chris Edwards: Okay.

483\
00:28:22.980 --> 00:28:28.669\
Chris Edwards: Let me, let me, let me think. Go into…

484\
00:28:29.350 --> 00:28:39.270\
Chris Edwards: Go onto the left hand, players, and go down to… the trees.

485\
00:28:40.150 --> 00:28:41.120\
Maureen Holliday: Mmm…

486\
00:28:41.120 --> 00:28:43.450\
Chris Edwards: Well, no, no, on the left-hand side.

487\
00:28:43.450 --> 00:28:50.599\
Maureen Holliday: Sorry, I've just moved it. They're down to the trees. Right, okay, all that way down there.

488\
00:28:50.600 --> 00:28:53.230\
Chris Edwards: Right, stop… now go on to Tree Survey.

489\
00:29:00.710 --> 00:29:02.790\
Chris Edwards: Let's say, add feature.

490\
00:29:02.790 --> 00:29:03.550\
Maureen Holliday: Yeah.

491\
00:29:04.950 --> 00:29:08.110\
Chris Edwards: No, that's not what we want. Click on the X.

492\
00:29:09.120 --> 00:29:09.733\
Chris Edwards: I,

493\
00:29:10.040 --> 00:29:12.339\
Angie Bamford: another layer, won't you, Chris?

494\
00:29:12.490 --> 00:29:13.060\
Chris Edwards: What?

495\
00:29:13.060 --> 00:29:16.640\
Angie Bamford: You'd have to have another layer, tree, like a tree boundary, because.

496\
00:29:16.640 --> 00:29:17.230\
Chris Edwards: Oh, dear.

497\
00:29:17.230 --> 00:29:19.430\
Angie Bamford: Because with the tree survey is a point.

498\
00:29:19.430 --> 00:29:20.290\
Chris Edwards: Okay.

499\
00:29:20.890 --> 00:29:23.740\
Chris Edwards: Okay, so click on… click on the cogwheel.

500\
00:29:25.610 --> 00:29:27.470\
Chris Edwards: Go up to Add Feature.

501\
00:29:28.910 --> 00:29:32.790\
Chris Edwards: On the left-hand side at the top,

502\
00:29:33.200 --> 00:29:38.090\
Chris Edwards: We want to get rid of the word tree survey.

503\
00:29:38.090 --> 00:29:38.500\
Maureen Holliday: put in…

504\
00:29:38.500 --> 00:29:39.980\
Chris Edwards: boundary.

505\
00:29:40.820 --> 00:29:46.149\
Chris Edwards: Or put Churchyard Boundary is the better one. Churchyard boundary.

506\
00:29:48.710 --> 00:29:53.149\
Chris Edwards: Now, go down… To name, let's say.

507\
00:29:53.430 --> 00:29:58.869\
Chris Edwards: And put the name of the church, St. Swithens, or All Saints, or whatever it's called.

508\
00:29:59.030 --> 00:30:00.340\
Chris Edwards: Oh, All Saints!

509\
00:30:00.340 --> 00:30:01.540\
Maureen Holliday: There you go.

510\
00:30:01.830 --> 00:30:06.530\
Chris Edwards: And, and just, just in type, just put border.

511\
00:30:07.610 --> 00:30:08.480\
Maureen Holliday: border.

512\
00:30:08.480 --> 00:30:09.050\
Chris Edwards: Hmm.

513\
00:30:09.720 --> 00:30:17.139\
Chris Edwards: Yeah. Now, get your mouse and go over the… go to the map. Now, put a click on the top right corner.

514\
00:30:18.350 --> 00:30:19.020\
Maureen Holliday: Yeah.

515\
00:30:19.340 --> 00:30:22.270\
Chris Edwards: Okay, we'll start there, if you like. Click there.

516\
00:30:23.300 --> 00:30:23.960\
Maureen Holliday: Yeah.

517\
00:30:24.320 --> 00:30:25.240\
Maureen Holliday: And…

518\
00:30:25.240 --> 00:30:29.820\
Chris Edwards: And then pull… pull… pull down… so, yeah, no, no, just…

519\
00:30:29.820 --> 00:30:31.630\
Maureen Holliday: I'm not leaving anything behind.

520\
00:30:32.020 --> 00:30:36.710\
Chris Edwards: Click and drag. No, we're alright. What do we do, Angie? Click and…

521\
00:30:36.920 --> 00:30:45.309\
Angie Bamford: Well, I'm just wondering if, Maureen's got some points there, but should you just click and then use your cursor to go up to the top corner, and then click on every point?

522\
00:30:45.310 --> 00:30:46.289\
Maureen Holliday: Oh, I see.

523\
00:30:46.290 --> 00:30:47.170\
Angie Bamford: I said, click there.

524\
00:30:47.170 --> 00:30:50.290\
Chris Edwards: Click there, and then move your mouse…

525\
00:30:51.380 --> 00:30:54.330\
Angie Bamford: it is, Chris. I think in this.

526\
00:30:54.330 --> 00:30:56.080\
Maureen Holliday: It's moving it. It's moving it.

527\
00:30:56.080 --> 00:31:00.400\
Angie Bamford: In this tree survey, it was down as point.

528\
00:31:00.600 --> 00:31:05.449\
Angie Bamford: And I think you need to do another layer to do it as, oh, yes.

529\
00:31:05.830 --> 00:31:08.010\
Angie Bamford: Oh, how do you call that?

530\
00:31:08.700 --> 00:31:09.490\
Chris Edwards: Yep.

531\
00:31:10.270 --> 00:31:15.080\
Angie Bamford: Can't think of the word. But you can actually do a borderline, rather than a point.

532\
00:31:15.080 --> 00:31:17.760\
Maureen Holliday: Yeah. Oh, right, yes, draw a line rather than.

533\
00:31:17.760 --> 00:31:18.660\
Angie Bamford: Online, yeah.

534\
00:31:18.660 --> 00:31:19.010\
Chris Edwards: Yeah.

535\
00:31:19.010 --> 00:31:27.690\
Angie Bamford: But you can't… on one layer, you can't have a mix, you can't have a point, and a line. So you can actually have one layer that does a line, on one layer that does a point.

536\
00:31:29.440 --> 00:31:31.400\
Angie Bamford: Moment, because you're on points.

537\
00:31:31.400 --> 00:31:34.520\
Chris Edwards: And put in the tree icon, you'll have to create another layer.

538\
00:31:34.520 --> 00:31:39.459\
Angie Bamford: To do a boundary with the feature of the boundary as a line, rather than a point.

539\
00:31:40.050 --> 00:31:44.710\
Angie Bamford: And then can you superimpose the point on top of… You can put one layer on top of another layer, yeah.

540\
00:31:44.710 --> 00:31:48.299\
Chris Edwards: Yes, yeah. Maureen, to give… to give you a break.

541\
00:31:48.670 --> 00:31:50.720\
Maureen Holliday: Oh, I'm learning now!

542\
00:31:50.720 --> 00:31:51.660\
Chris Edwards: Oh, yeah.

543\
00:31:51.820 --> 00:31:56.320\
Chris Edwards: Would you like me to share, or would you… would you like to do a new…

544\
00:31:56.320 --> 00:31:56.640\
Maureen Holliday: No.

545\
00:31:56.640 --> 00:31:57.400\
Chris Edwards: Oh, shit.

546\
00:31:57.400 --> 00:31:59.629\
Maureen Holliday: You do it, then, alright.

547\
00:31:59.630 --> 00:32:04.069\
Chris Edwards: Alright, so if you unshare, Go down to the bottom of the screen.

548\
00:32:04.380 --> 00:32:05.350\
Maureen Holliday: adoption.

549\
00:32:05.710 --> 00:32:06.870\
Chris Edwards: Yep, yep, that's right.

550\
00:32:07.100 --> 00:32:08.140\
Chris Edwards: So…

551\
00:32:12.400 --> 00:32:16.449\
Angie Bamford: I won't let you do two lots of, mix and match. I'll do…

552\
00:32:16.450 --> 00:32:16.850\
Chris Edwards: Right.

553\
00:32:16.850 --> 00:32:17.960\
Angie Bamford: One or the other.

554\
00:32:18.350 --> 00:32:27.280\
Chris Edwards: So, here's my little parish. If I go in, just before I do what I'm going to show you, I'm sure I have got…

555\
00:32:28.930 --> 00:32:31.549\
Chris Edwards: If I pick out trees…

556\
00:32:37.170 --> 00:32:40.319\
Chris Edwards: No, no, it's not… that's not the one.

557\
00:32:41.960 --> 00:32:48.689\
Chris Edwards: I've got so many layers, I'm hoping that it's going to say trees towards the bottom.

558\
00:32:48.990 --> 00:32:51.250\
Angie Bamford: You need to put them in alphabetical order, Chris.

559\
00:32:53.270 --> 00:32:57.290\
Chris Edwards: Oh, dear, oh dear. Oh, I'm so sorry about that.

560\
00:32:57.730 --> 00:32:58.420\
Chris Edwards: Oh.

561\
00:32:59.250 --> 00:33:01.189\
Chris Edwards: So, I'm going to create…

562\
00:33:01.430 --> 00:33:07.760\
Chris Edwards: a new layer, as you would, Maureen. Yes. So, we're going to put here church boundary.

563\
00:33:13.330 --> 00:33:17.519\
Chris Edwards: Next, it's going to be aligned this time. Align.

564\
00:33:17.520 --> 00:33:17.970\
Maureen Holliday: Yeah.

565\
00:33:17.970 --> 00:33:20.000\
Chris Edwards: That's the… that's the crucial thing.

566\
00:33:20.000 --> 00:33:20.450\
Maureen Holliday: Right.

567\
00:33:20.450 --> 00:33:24.819\
Chris Edwards: Next, I'm going to put name, and then finish.

568\
00:33:24.820 --> 00:33:26.210\
Angie Bamford: It's a polygon as well.

569\
00:33:26.750 --> 00:33:27.510\
Chris Edwards: Sorry?

570\
00:33:27.510 --> 00:33:29.610\
Angie Bamford: You can do it as a polygon if you want to.

571\
00:33:30.310 --> 00:33:31.290\
Chris Edwards: Oh, right.

572\
00:33:31.410 --> 00:33:36.750\
Chris Edwards: So, now, I'm going to go down to… my new layer…

573\
00:33:37.430 --> 00:33:43.720\
Chris Edwards: Click on the cogwheel, go to Add Feature, Now, you see it… I've got a blue.

574\
00:33:43.720 --> 00:33:45.750\
Maureen Holliday: Oh, yes, you've got a wiggly one, yes.

575\
00:33:45.750 --> 00:33:46.270\
Chris Edwards: Yeah.

576\
00:33:46.270 --> 00:33:46.590\
Maureen Holliday: Hmm.

577\
00:33:46.590 --> 00:33:53.549\
Chris Edwards: So, I'm just going to sort of play with this. Let's pretend this is a church… no, all right, let's go to the church here.

578\
00:33:55.260 --> 00:34:00.479\
Chris Edwards: Here's our church. Okay. So, I click in the top corner, for instance.

579\
00:34:00.480 --> 00:34:01.310\
Maureen Holliday: Yes.

580\
00:34:01.850 --> 00:34:04.789\
Maureen Holliday: And then, I bring… you see the blue line?

581\
00:34:04.790 --> 00:34:05.550\
Chris Edwards: town.

582\
00:34:05.720 --> 00:34:08.250\
Chris Edwards: So you can do the same in your.

583\
00:34:08.250 --> 00:34:11.120\
Maureen Holliday: Have you clicked at every one of those points? It's moving on.

584\
00:34:11.120 --> 00:34:12.380\
Chris Edwards: Yeah, that's right.

585\
00:34:12.480 --> 00:34:16.949\
Maureen Holliday: So, now, when I come to the end, I double-click, Oh.

586\
00:34:17.610 --> 00:34:19.159\
Chris Edwards: And I saved that.

587\
00:34:20.340 --> 00:34:21.880\
Chris Edwards: And hey, presto.

588\
00:34:21.880 --> 00:34:22.440\
Maureen Holliday: Mmm.

589\
00:34:22.440 --> 00:34:24.820\
Chris Edwards: There's the… there's the board all the way around.

590\
00:34:26.440 --> 00:34:29.320\
Maureen Holliday: You sensibly haven't got any trees in your churchyard.

591\
00:34:29.780 --> 00:34:39.890\
Chris Edwards: I haven't drawn them in. Now then, I want to give some more emphasis to this, so I shall go down again to the cogwheel.

592\
00:34:42.260 --> 00:34:48.520\
Chris Edwards: Click on style, as you have done earlier this afternoon, And…

593\
00:34:48.710 --> 00:34:52.889\
Chris Edwards: The line, I want to make it much…

594\
00:34:53.100 --> 00:34:57.029\
Chris Edwards: more prominent. I'm going to go up to 5. Right. 1.

595\
00:34:57.310 --> 00:35:01.430\
Chris Edwards: And I'm going to save… flat.

596\
00:35:05.580 --> 00:35:06.200\
Chris Edwards: So…

597\
00:35:07.000 --> 00:35:19.019\
Chris Edwards: that border is much more standoutish, so to speak. So that's how you would do a special… a new layer, and then you can go back and click on trees.

598\
00:35:19.520 --> 00:35:21.000\
Chris Edwards: Tree Survey.

599\
00:35:21.000 --> 00:35:21.780\
Maureen Holliday: Yeah.

600\
00:35:22.040 --> 00:35:24.250\
Chris Edwards: And then the two layers will…

601\
00:35:24.250 --> 00:35:25.359\
Angie Bamford: On top of each of them.

602\
00:35:26.190 --> 00:35:33.150\
Chris Edwards: go on top of each other. So, A, you've got the border, B, you've got the two trees that you've put in.

603\
00:35:33.350 --> 00:35:34.080\
Maureen Holliday: Hmm.

604\
00:35:34.080 --> 00:35:43.620\
Chris Edwards: And make… make the… make the symbol larger. And by that, if I just remind you,

605\
00:35:45.680 --> 00:35:56.689\
Chris Edwards: Oh, I can't… no, this is just outline, isn't it? What I was going to suggest is that, you, you increase, you increase the actual size of the icon of the tree.

606\
00:35:57.170 --> 00:36:01.479\
Chris Edwards: Up to the maximum size, so it really does stand out.

607\
00:36:01.680 --> 00:36:02.480\
Maureen Holliday: Hmm.

608\
00:36:02.930 --> 00:36:11.870\
Chris Edwards: I've got… I've got one example of this, so I'm going to go back… Boom.

609\
00:36:14.060 --> 00:36:20.170\
Chris Edwards: How can I get out of… sorry, I've got everybody's photographs in. I'm going to cancel.

610\
00:36:20.520 --> 00:36:22.189\
Chris Edwards: And I'll come back to that.

611\
00:36:22.310 --> 00:36:28.759\
Chris Edwards: Now… Let's just see if I've got trees here. Trees.

612\
00:36:28.760 --> 00:36:29.630\
Maureen Holliday: Hmm.

613\
00:36:30.180 --> 00:36:33.469\
Chris Edwards: So… I'm getting there, bear with me.

614\
00:36:42.040 --> 00:36:50.530\
Chris Edwards: Why… You see, I've lost the map. I was telling Graham earlier this afternoon, my screen goes blank.

615\
00:36:50.710 --> 00:36:56.070\
Chris Edwards: And he says, make sure I've got this

616\
00:36:56.700 --> 00:37:01.809\
Chris Edwards: at a high reading level, but I'm so sorry, I… I've lost my map.

617\
00:37:02.100 --> 00:37:02.900\
Maureen Holliday: Hmm.

618\
00:37:03.660 --> 00:37:05.280\
Chris Edwards: There's a glitch somewhere.

619\
00:37:06.010 --> 00:37:08.819\
Chris Edwards: So, without further ado.

620\
00:37:08.820 --> 00:37:16.399\
Maureen Holliday: I'm gonna stop screen sharing. Angie, you said that you've got something to show us. Would you like to…

621\
00:37:16.760 --> 00:37:18.050\
Angie Bamford: Yeah.

622\
00:37:18.050 --> 00:37:19.940\
Chris Edwards: I've forgotten what it was, actually.

623\
00:37:19.940 --> 00:37:27.810\
Angie Bamford: I say, I did, a tree preservation order, Maureen, for our, I did the neighbourhood plan.

624\
00:37:28.030 --> 00:37:30.200\
Angie Bamford: So,

625\
00:37:30.330 --> 00:37:36.010\
Angie Bamford: I've got, like Chris, I've got several different layers, so let's see if I can bring mine up, and I'll show you mine.

626\
00:37:40.560 --> 00:37:41.530\
Angie Bamford: Oh.

627\
00:37:49.850 --> 00:37:51.989\
Angie Bamford: There were all my trees.

628\
00:37:53.410 --> 00:37:56.760\
Chris Edwards: We can't see a map, Angie.

629\
00:37:56.760 --> 00:37:59.380\
Maureen Holliday: There we are. Oh, that's great, isn't it? Yeah.

630\
00:38:00.120 --> 00:38:07.830\
Angie Bamford: So I… this is… this is Stoke Mandeville, so I… I was tasked with going and finding,

631\
00:38:08.040 --> 00:38:15.750\
Angie Bamford: Going and finding all the, trees that had a preservation order on, and you could do that from your local council.

632\
00:38:16.290 --> 00:38:20.479\
Angie Bamford: So I plotted all of the trees of wherever They are.

633\
00:38:22.460 --> 00:38:23.540\
Angie Bamford: So, and…

634\
00:38:24.070 --> 00:38:31.059\
Angie Bamford: what I did as well, I numbered them, so each, each tree has a number, so I could go into,

635\
00:38:31.190 --> 00:38:32.439\
Angie Bamford: Into the tree.

636\
00:38:33.260 --> 00:38:36.959\
Angie Bamford: Double-click on that, and it will come up with a tree preservation order.

637\
00:38:37.780 --> 00:38:45.179\
Angie Bamford: And I put my data here so I could see that 323 is, 11 Winterson Drive.

638\
00:38:46.200 --> 00:38:47.540\
Angie Bamford: And then I can go…

639\
00:38:51.210 --> 00:38:52.410\
Angie Bamford: the attachment.

640\
00:38:56.270 --> 00:38:57.660\
Angie Bamford: Fun.

641\
00:39:02.240 --> 00:39:03.420\
Angie Bamford: outcome.

642\
00:39:03.880 --> 00:39:05.639\
Angie Bamford: Hopefully you can still see this.

643\
00:39:05.820 --> 00:39:25.289\
Angie Bamford: All the information about it, so it's 11 Winterton Drive, it's Tree Preservation Order 1996, number 19, it's a weeping willow and a silver birch, or the date was 1996, and all that malarkey, so I've got all the information on that tree as an attachment.

644\
00:39:27.130 --> 00:39:28.019\
Chris Edwards: That's great.

645\
00:39:29.030 --> 00:39:30.430\
Maureen Holliday: Very good, very good.

646\
00:39:30.880 --> 00:39:33.050\
Angie Bamford: It's just keeping a track of

647\
00:39:33.730 --> 00:39:39.190\
Angie Bamford: and the status of it, they've all got different classes, so this is a status C, but on the, on the,

648\
00:39:39.440 --> 00:39:56.630\
Angie Bamford: when you go to the council, whichever council it is, their tree preservation order, it'll come up with all this information and the tree preservation order number, so you've got the TP5694 or whatever, you know exactly where it is, you know the order number, you know the status of it,

649\
00:39:57.190 --> 00:39:59.980\
Angie Bamford: So, yeah, that was quite handy for us to know.

650\
00:40:00.190 --> 00:40:01.710\
Angie Bamford: What we've got, where.

651\
00:40:01.820 --> 00:40:03.069\
Angie Bamford: And each one…

652\
00:40:03.280 --> 00:40:09.560\
Angie Bamford: It's slightly different, so it could be a sycamore, it could be an oak, it could be an elm, it could be a… whatever.

653\
00:40:10.070 --> 00:40:18.590\
Angie Bamford: It was quite handy to detail each one, not just to put the symbol, which we put as a tree, but to put some information about that.

654\
00:40:18.790 --> 00:40:23.809\
Angie Bamford: Tree as well, because like, like you, some of our trees are overhanging neighbors.

655\
00:40:23.810 --> 00:40:24.190\
Maureen Holliday: Hmm.

656\
00:40:24.190 --> 00:40:26.049\
Angie Bamford: And the neighbours are not too happy.

657\
00:40:27.060 --> 00:40:30.000\
Angie Bamford: Some of the trees that we could cut down.

658\
00:40:30.420 --> 00:40:40.429\
Angie Bamford: Oh, trim. Yes. And some of the trees, we couldn't. We had to put an order in to, to do any maintenance to the tree.

659\
00:40:40.970 --> 00:40:44.430\
Angie Bamford: So, but that was quite handy for me to log each one.

660\
00:40:44.490 --> 00:40:47.539\
Maureen Holliday: Independently, to find out the information.

661\
00:40:47.670 --> 00:40:48.890\
Angie Bamford: through each one.

662\
00:40:49.040 --> 00:40:53.140\
Maureen Holliday: Yeah, and you can record information for future purposes as well.

663\
00:40:53.140 --> 00:40:58.020\
Angie Bamford: Yeah, and you can add an attachment, you can add a photo, you can add… Anything that you want.

664\
00:40:58.360 --> 00:41:00.409\
Angie Bamford: You know, a photo of the tree, you can…

665\
00:41:00.540 --> 00:41:08.210\
Angie Bamford: you can do… wait, whatever, whatever you fancy. You can add some attachment. I just did the, the information from the tree preservation.

666\
00:41:08.460 --> 00:41:10.459\
Angie Bamford: borders on there.

667\
00:41:10.840 --> 00:41:11.710\
Maureen Holliday: Okay.

668\
00:41:11.710 --> 00:41:13.520\
Angie Bamford: That, that was quite handy to do.

669\
00:41:16.860 --> 00:41:21.320\
Angie Bamford: I'll stop sharing. I just thought I'd show you some of the things that you can do.

670\
00:41:21.320 --> 00:41:24.369\
Maureen Holliday: That's interesting, yes. That's really interesting.

671\
00:41:25.010 --> 00:41:35.490\
Chris Edwards: Thank you, Angie. You're welcome. My mouse is not playing up now. I've changed the battery in it twice, and it's just a pain in the back, so I just didn't have one. Yeah.

672\
00:41:35.490 --> 00:41:42.760\
Angie Bamford: Yeah, it's loads of different things you can do, and then that was the tree preservation order, then we did historic buildings as well, so you could

673\
00:41:43.300 --> 00:41:54.870\
Angie Bamford: you know, have the tree preservation order layer on, you can have the historic buildings on, you can have memorials on, you can have whatever. You can build up, build up layer upon layer upon layer, then you can see the whole picture.

674\
00:41:55.050 --> 00:41:55.650\
Maureen Holliday: Mmm.

675\
00:41:55.770 --> 00:41:56.540\
Maureen Holliday: Really good.

676\
00:41:57.380 --> 00:41:58.140\
Maureen Holliday: Yeah.

677\
00:41:59.020 --> 00:42:14.599\
Chris Edwards: Another thing, Maureen, supposing you appoint a contractor or an arborist, or whoever, to look after some of the trees and cut down overhanging branches and that sort of thing.

678\
00:42:14.740 --> 00:42:18.339\
Chris Edwards: Let… let me just share once again…

679\
00:42:19.390 --> 00:42:29.139\
Angie Bamford: But you'll just say, Maureen, what you'll need to do as well, if they do need cutting, you'll have to speak to the deanery as well, for them to give commission.

680\
00:42:29.750 --> 00:42:30.920\
Maureen Holliday: Hmm, right.

681\
00:42:30.920 --> 00:42:33.700\
Angie Bamford: And you might have to go up to Archbishop, you never know, you know.

682\
00:42:33.700 --> 00:42:35.470\
Maureen Holliday: Well, even for trimming?

683\
00:42:35.470 --> 00:42:36.110\
Angie Bamford: Yeah.

684\
00:42:36.890 --> 00:42:38.450\
Maureen Holliday: Mmm.

685\
00:42:38.450 --> 00:42:39.570\
Chris Edwards: I'm afraid so.

686\
00:42:40.130 --> 00:42:40.720\
Maureen Holliday: Hmm.

687\
00:42:41.520 --> 00:42:48.410\
Angie Bamford: Even though your neighbor might say they're overhanging, cut it, you can't just go and cut it, because you might be in an awful lot of trouble.

688\
00:42:48.580 --> 00:42:58.220\
Maureen Holliday: Right, okay, so whatever information I get together, when I get the tree survey, I need to know what the works are and get them approved.

689\
00:42:58.220 --> 00:42:58.780\
Angie Bamford: Yeah.

690\
00:42:59.010 --> 00:42:59.850\
Angie Bamford: Yeah.

691\
00:43:00.410 --> 00:43:03.470\
Maureen Holliday: Oh, it's what they call a faculty, is it? Yep.

692\
00:43:03.470 --> 00:43:05.850\
Chris Edwards: That's right, yes, yes.

693\
00:43:08.930 --> 00:43:20.660\
Angie Bamford: It depends, again, what type of tree it is, and if they are protected, if they're not. I mean, if it's just a, you know, just a normal tree that's just got too big, then with ivy going over, or bramble… Yeah.

694\
00:43:20.660 --> 00:43:31.759\
Maureen Holliday: I mean, it is… it's in the churchyard, and the churchyard a few years ago was, would you believe it? A Saxon church in our village, and the churchyard wasn't included in the conservation area.

695\
00:43:33.520 --> 00:43:48.700\
Maureen Holliday: Absolutely crackers. Anyway, it is now, so, and we've got a very amenable tree guy in the council, so he would just say, that's fine. Yeah.

696\
00:43:48.980 --> 00:43:51.199\
Angie Bamford: To see, you could be in trouble, that's all.

697\
00:43:51.200 --> 00:43:51.740\
Maureen Holliday: Yeah.

698\
00:43:53.360 --> 00:43:57.660\
Chris Edwards: Now, I've… I've forgotten what this is all about, tree planting.

699\
00:43:57.760 --> 00:44:05.600\
Chris Edwards: Oh, dear. It's something I started, but I didn't finish, unfortunately. So.

700\
00:44:05.600 --> 00:44:06.900\
Maureen Holliday: Carry on, then.

701\
00:44:06.900 --> 00:44:13.280\
Chris Edwards: Look, I tell you what, one thing which is really…

702\
00:44:14.640 --> 00:44:21.860\
Chris Edwards: No, which is really interesting. I'm going to… I'm not going to use trees, I'm going to use…

703\
00:44:22.070 --> 00:44:24.450\
Chris Edwards: Something that we have a lot of.

704\
00:44:24.850 --> 00:44:29.600\
Chris Edwards: Benches.

705\
00:44:29.780 --> 00:44:34.569\
Maureen Holliday: Oh, okay. Now, pretend this is a tree, okay? So, in our parish…

706\
00:44:34.700 --> 00:44:39.569\
Chris Edwards: we've got a number. I'm going to click on one in particular.

707\
00:44:40.420 --> 00:44:51.369\
Chris Edwards: And then that will give you all the details, like a reference number, like a tree number, it's going to be Sycamore number 26, or oak number 3.

708\
00:44:51.370 --> 00:44:51.810\
Maureen Holliday: Yeah.

709\
00:44:51.810 --> 00:44:57.210\
Chris Edwards: With the description, and so on. And then you can build up as,

710\
00:44:57.410 --> 00:45:00.410\
Chris Edwards: Angie says you can build up photographs.

711\
00:45:00.520 --> 00:45:07.940\
Chris Edwards: But the thing I'm trying to, sort of, try and, mention, which I find very helpful.

712\
00:45:08.770 --> 00:45:13.050\
Chris Edwards: If I go into the cogwheel on, in this case, benches.

713\
00:45:13.050 --> 00:45:13.540\
Maureen Holliday: -

714\
00:45:13.540 --> 00:45:16.559\
Chris Edwards: Table view is extremely good.

715\
00:45:16.680 --> 00:45:17.740\
Maureen Holliday: And…

716\
00:45:18.170 --> 00:45:28.619\
Chris Edwards: This will give you an idea of all the items in that category. We're talking about, of course, benches in this case, but it could be trees.

717\
00:45:28.790 --> 00:45:29.849\
Chris Edwards: Yeah. No.

718\
00:45:30.570 --> 00:45:33.059\
Chris Edwards: You, you could, you could print this off.

719\
00:45:33.170 --> 00:45:35.909\
Maureen Holliday: And send it to your arborist.

720\
00:45:35.910 --> 00:45:42.770\
Chris Edwards: to say, I want you to go to Tree number ANSS3.

721\
00:45:43.190 --> 00:45:46.600\
Chris Edwards: And it's in Woodford Green, blah blah blah.

722\
00:45:46.800 --> 00:45:52.109\
Chris Edwards: Could you please cut off the branch overhanging the footpath?

723\
00:45:53.230 --> 00:45:56.570\
Maureen Holliday: Next on the job is ANS…

724\
00:45:57.100 --> 00:46:00.960\
Chris Edwards: ANSS6. That's at Coombeottom.

725\
00:46:01.170 --> 00:46:07.260\
Chris Edwards: Please go and, cut off a fallen limb, or whatever it is.

726\
00:46:07.260 --> 00:46:08.739\
Maureen Holliday: Cut out the dead wood.

727\
00:46:08.740 --> 00:46:14.410\
Chris Edwards: Yeah, precisely, precisely. So, I make use of these table views.

728\
00:46:14.570 --> 00:46:27.430\
Chris Edwards: And send… send an instruction to the laborer, saying, please go to item number 2, then number 5, then number 8, and do the necessary work, blah blah blah.

729\
00:46:28.170 --> 00:46:30.969\
Chris Edwards: So, that's just a tip that I can give you.

730\
00:46:31.110 --> 00:46:38.130\
Chris Edwards: Where you can actually share the information with… with volunteers, or…

731\
00:46:38.130 --> 00:46:49.210\
Maureen Holliday: Yeah. Oh, that's interesting, too. Yes, that list is very helpful. I could list all the trees in the churchyard, or all the… even the ivy on the wall, and say these are the jobs, and this is where it's bad.

732\
00:46:49.210 --> 00:46:54.859\
Chris Edwards: Yes, yeah. Now, did you have a question that you might have posed to Graham?

733\
00:46:55.430 --> 00:47:00.219\
Chris Edwards: Not today, but earlier, about using geolocation.

734\
00:47:00.470 --> 00:47:02.820\
Chris Edwards: With your smartphone, no?

735\
00:47:03.340 --> 00:47:08.210\
Chris Edwards: Because he did say that somebody was going… was going to join our meeting this afternoon.

736\
00:47:08.400 --> 00:47:17.070\
Chris Edwards: Who wanted to know how to use, geolocation… Feature on Parish Online.

737\
00:47:19.410 --> 00:47:21.659\
Chris Edwards: If it wasn't you, then we'll forget.

738\
00:47:21.660 --> 00:47:23.660\
Maureen Holliday: But I would like to know it anyway.

739\
00:47:23.940 --> 00:47:30.479\
Chris Edwards: Okay, forgive me for hogging.

740\
00:47:30.480 --> 00:47:31.633\
Maureen Holliday: No, no.

741\
00:47:32.210 --> 00:47:41.150\
Chris Edwards: So… what I want to show you is… can you see my, cursor?

742\
00:47:41.150 --> 00:47:41.620\
Maureen Holliday: Yes.

743\
00:47:41.620 --> 00:47:42.889\
Chris Edwards: Hovering over Help.

744\
00:47:42.890 --> 00:47:43.670\
Maureen Holliday: Yes.

745\
00:47:43.670 --> 00:47:46.899\
Chris Edwards: Okay, this is the tip. If you click on Help.

746\
00:47:47.060 --> 00:47:47.390\
Maureen Holliday: Yeah.

747\
00:47:47.390 --> 00:47:49.279\
Chris Edwards: go to Knowledge Base.

748\
00:47:49.280 --> 00:47:50.430\
Maureen Holliday: Wow, yes.

749\
00:47:51.330 --> 00:47:59.469\
Chris Edwards: And then here is… you could actually pose a question, or simply put in a word. So I'm going to put geolocation.

750\
00:48:03.730 --> 00:48:10.789\
Chris Edwards: And up comes this, using derocation, GPS positioning. Click on that.

751\
00:48:12.300 --> 00:48:15.879\
Chris Edwards: And then, there's a very helpful video

752\
00:48:16.070 --> 00:48:29.819\
Chris Edwards: I'm not going to click on that now, but Chris Mews from… the CEO of Parish Online, will talk you through how to use your smartphone, go up to the tree.

753\
00:48:29.990 --> 00:48:41.770\
Chris Edwards: Take a photograph, And then that will be added to your Parish Online computer… Info.

754\
00:48:41.770 --> 00:48:48.909\
Maureen Holliday: Yeah. Now, coming across to the right-hand side, if you click on any of these, it'll go into detail.

755\
00:48:48.990 --> 00:48:53.850\
Chris Edwards: in… How to go about using geolocation.

756\
00:48:55.270 --> 00:48:56.430\
Chris Edwards: notes…

757\
00:48:56.920 --> 00:49:06.190\
Chris Edwards: First of all, log in. Second, click on something. Go on to something else. Go on to something else. And this is extremely helpful.

758\
00:49:06.190 --> 00:49:07.030\
Maureen Holliday: Right.

759\
00:49:07.030 --> 00:49:10.870\
Chris Edwards: So, if you want to spend time in Europe, you know.

760\
00:49:11.340 --> 00:49:12.430\
Maureen Holliday: In my spare time.

761\
00:49:12.430 --> 00:49:15.020\
Chris Edwards: And you'll spend time.

762\
00:49:15.020 --> 00:49:16.789\
Angie Bamford: Whenever you get spare time.

763\
00:49:16.790 --> 00:49:25.999\
Chris Edwards: Yeah, that would be a tip. But going back to the video, Unfortunately, he recorded this

764\
00:49:27.170 --> 00:49:29.109\
Chris Edwards: Right next to a main road.

765\
00:49:29.110 --> 00:49:29.460\
Maureen Holliday: No worries.

766\
00:49:29.460 --> 00:49:32.500\
Chris Edwards: of traffic going by, it just drives you mad.

767\
00:49:32.840 --> 00:49:36.139\
Chris Edwards: You just have to… you'll have to put up with that, I'm afraid.

768\
00:49:36.140 --> 00:49:37.980\
Maureen Holliday: He should have done it on a Sunday.

769\
00:49:37.980 --> 00:49:40.300\
Chris Edwards: Yeah, quite, quite.

770\
00:49:40.710 --> 00:49:44.350\
Chris Edwards: Right. I've exhausted my… my…

771\
00:49:44.350 --> 00:49:51.650\
Maureen Holliday: Oh, no, that's really interesting. That's very… I mean, I haven't used it very much, because I look at it and I think, oh my god, where do you start?

772\
00:49:51.650 --> 00:49:52.050\
Chris Edwards: Yes.

773\
00:49:52.050 --> 00:50:03.330\
Maureen Holliday: That's the difficulty, and it's only when you have a need that you can actually probably get into it. Yes, indeed. But I'm really impressed in what people do. Sure, sure.

774\
00:50:03.710 --> 00:50:06.669\
Chris Edwards: Have you got another question that you…

775\
00:50:06.670 --> 00:50:17.330\
Maureen Holliday: Well, not that I can think of at the moment, but I'm sure I've got millions, but this is my main point now, and if I can get on top of this, I'll probably, do all sorts of things all over the village.

776\
00:50:17.330 --> 00:50:18.459\
Chris Edwards: Yes, I guess.

777\
00:50:18.460 --> 00:50:32.760\
Maureen Holliday: Yeah, but it's showing the way in. I mean, good old-fashioned training courses are very good, actually. I mean, I had to see Chris at one of the Parish Clark's conferences.

778\
00:50:32.760 --> 00:50:50.270\
Maureen Holliday: Because something that he was doing… I said, no, there's a damn great hole of information in there. You just can't do it. And I said, I've spent ages trying to work through it. And, oh, no, no, no, no, you know, he's so confident. And then, eventually, it came out, oh, yes, there is.

779\
00:50:50.270 --> 00:50:58.579\
Maureen Holliday: Dolly good, yeah, yeah. Well, do join… do join us in further, Friday afternoon sessions, because we're…

780\
00:50:58.680 --> 00:51:03.109\
Chris Edwards: You know, we encourage people to just keep on asking questions.

781\
00:51:03.110 --> 00:51:12.519\
Maureen Holliday: Yes. I do drop in when I can. As I just said to, Graham, that it's often a difficult time at that time on a Friday afternoon.

782\
00:51:12.520 --> 00:51:14.519\
Chris Edwards: But I was…

783\
00:51:14.690 --> 00:51:18.040\
Maureen Holliday: Today, I've got an absolutely clear day, so it's wonderful.

784\
00:51:18.260 --> 00:51:18.639\
Chris Edwards: You don't.

785\
00:51:18.640 --> 00:51:20.440\
Maureen Holliday: I'll now go and do things.

786\
00:51:20.440 --> 00:51:33.009\
Chris Edwards: Splendid. And don't forget to, as Angie said, you can build up one layer on top of another, on top of another, so keep on adding features. Your trees could do with a point.

787\
00:51:33.130 --> 00:51:37.059\
Chris Edwards: The boundary, you can have to go into a line.

788\
00:51:37.060 --> 00:51:37.520\
Maureen Holliday: line.

789\
00:51:37.520 --> 00:51:46.750\
Chris Edwards: or further afield, if you're doing a field. Sorry, if you're doing a bigger area with fields, then you can go on to a polygon.

790\
00:51:46.990 --> 00:51:47.370\
Maureen Holliday: Yeah.

791\
00:51:47.880 --> 00:51:51.260\
Chris Edwards: So you can, you can do those for each separate layer.

792\
00:51:51.530 --> 00:51:52.300\
Maureen Holliday: Hmm.

793\
00:51:52.320 --> 00:51:56.939\
Chris Edwards: Oh, that's great, thank you very much indeed. That's a pleasure. Really helpful.

794\
00:51:56.940 --> 00:51:57.739\
Maureen Holliday: Whereabouts are you?

795\
00:51:57.740 --> 00:51:58.170\
Chris Edwards: review.

796\
00:51:58.170 --> 00:52:00.139\
Maureen Holliday: Well, whereabouts did you say you were?

797\
00:52:00.340 --> 00:52:03.530\
Chris Edwards: Somerset, so near, near Yeovil.

798\
00:52:04.200 --> 00:52:05.200\
Maureen Holliday: Are you in…

799\
00:52:05.660 --> 00:52:06.910\
Maureen Holliday: Stagersi.

800\
00:52:07.490 --> 00:52:11.390\
Chris Edwards: No, that's… that's quite a long way away to the north of where we are.

801\
00:52:11.390 --> 00:52:13.949\
Maureen Holliday: Okay, yeah. Where are you, Angie?

802\
00:52:13.950 --> 00:52:15.420\
Angie Bamford: We're in Buckinghamshire.

803\
00:52:15.420 --> 00:52:19.580\
Maureen Holliday: Oh, you're only down the road from me? Oh, listen, I might come see you.

804\
00:52:19.580 --> 00:52:20.420\
Angie Bamford: Where are you wearing?

805\
00:52:20.840 --> 00:52:21.770\
Maureen Holliday: Northamptonshire.

806\
00:52:21.980 --> 00:52:23.630\
Maureen Holliday: Oh, that's only about an hour away.

807\
00:52:23.800 --> 00:52:25.970\
Maureen Holliday: Yeah, that's right, Northampton, just outside Northampton.

808\
00:52:25.970 --> 00:52:32.130\
Angie Bamford: Yeah, they're back in here, so, yeah, I've spent, oh, goodness, how many years doing the neighbourhood plan, so,

809\
00:52:32.130 --> 00:52:32.930\
Maureen Holliday: Oh…

810\
00:52:32.930 --> 00:52:39.230\
Angie Bamford: lots of developments, lots of, new builds, lots of link roads, HS2.

811\
00:52:39.230 --> 00:52:39.620\
Maureen Holliday: Thank you.

812\
00:52:39.620 --> 00:52:42.270\
Angie Bamford: with HS2 coming your way, or you can.

813\
00:52:42.270 --> 00:52:44.730\
Maureen Holliday: South of us, yes. South north.

814\
00:52:44.730 --> 00:52:46.740\
Angie Bamford: That's us.

815\
00:52:46.740 --> 00:52:47.190\
Maureen Holliday: Yeah.

816\
00:52:48.020 --> 00:52:52.149\
Maureen Holliday: So, yeah, lots of development going on, and lots of changes, so.

817\
00:52:52.150 --> 00:53:07.019\
Angie Bamford: lots of, like Chris said, lots of layers. Yeah. Lots and lots and lots of layers. And then you can build one on top of the other thing and say, okay, that's where the cemetery was, and then that's what the house is going to be put there.

818\
00:53:07.340 --> 00:53:13.580\
Angie Bamford: You got your old artifacts from all sorts of things they had to dig up, and they found.

819\
00:53:14.510 --> 00:53:23.279\
Angie Bamford: Lots of things that they've had to put in, because there was an old churchyard, they had to go through the old churchyard and resume all the bodies from the old churchyard.

820\
00:53:24.340 --> 00:53:25.440\
Maureen Holliday: What did you do with them?

821\
00:53:25.920 --> 00:53:30.149\
Angie Bamford: Well, they put me in the marquee temporarily, but

822\
00:53:30.430 --> 00:53:33.589\
Angie Bamford: They are going to put them in the new churchyard, but .

823\
00:53:33.590 --> 00:53:36.110\
Maureen Holliday: Well, bury them one by one.

824\
00:53:36.260 --> 00:53:38.129\
Maureen Holliday: The cost of doing that?

825\
00:53:38.130 --> 00:53:41.179\
Angie Bamford: HS2, that's what we're paying our money for.

826\
00:53:41.180 --> 00:53:41.750\
Maureen Holliday: Yeah.

827\
00:53:42.210 --> 00:53:44.719\
Angie Bamford: All our council taxes will go to them.

828\
00:53:44.720 --> 00:53:46.010\
Maureen Holliday: Yes.

829\
00:53:46.220 --> 00:53:49.690\
Angie Bamford: Yeah, so, but it's handy to have it all layer upon layer upon layer.

830\
00:53:50.320 --> 00:53:52.080\
Maureen Holliday: Mmm, really weird.

831\
00:53:52.080 --> 00:53:53.490\
Angie Bamford: Let me show you, if you got tired of them.

832\
00:53:53.490 --> 00:53:56.240\
Maureen Holliday: Oh, yes, please do, yes, I'd love to see it.

833\
00:53:56.240 --> 00:53:56.750\
Angie Bamford: Mr.

834\
00:53:56.750 --> 00:54:02.659\
Maureen Holliday: The more I actually see things, practical things, I can actually piece things together, then.

835\
00:54:02.660 --> 00:54:07.970\
Angie Bamford: You have to bear me… my mouse is very temperamental at the moment. So I've still got my,

836\
00:54:09.070 --> 00:54:12.389\
Angie Bamford: Still got my trees on the go, so.

837\
00:54:12.390 --> 00:54:13.860\
Maureen Holliday: That's good too, yeah.

838\
00:54:14.380 --> 00:54:21.220\
Angie Bamford: Neighbourhoods, these are… The additional…

839\
00:54:21.390 --> 00:54:25.329\
Angie Bamford: buildings that were going on. The only buildings we got, really, were here.

840\
00:54:25.580 --> 00:54:27.190\
Angie Bamford: See if you can go in.

841\
00:54:27.470 --> 00:54:29.100\
Maureen Holliday: buildings protected.

842\
00:54:29.100 --> 00:54:31.670\
Angie Bamford: No, sorry, this is, this is the housing, then.

843\
00:54:31.670 --> 00:54:32.300\
Maureen Holliday: Oh.

844\
00:54:32.300 --> 00:54:36.050\
Angie Bamford: So we've got that, this is… this is Stoke Mandeville, this is the village of Stoke Mandeville.

845\
00:54:36.500 --> 00:54:38.130\
Angie Bamford: Surrounded by fields.

846\
00:54:38.580 --> 00:54:43.520\
Angie Bamford: And, Aylesby is to the north, and then you've got Wendover, whoever.

847\
00:54:43.520 --> 00:54:44.170\
Maureen Holliday: Hmm.

848\
00:54:44.170 --> 00:54:45.639\
Angie Bamford: To the… to the south.

849\
00:54:45.750 --> 00:54:52.090\
Angie Bamford: So, these are the developments that are going on at the moment. Well, this is… this is going back 5 years, so they got bigger.

850\
00:54:52.380 --> 00:54:58.520\
Angie Bamford: Then we wanted a green buffer, we wanted a buffer in between the village and the new build.

851\
00:54:58.650 --> 00:55:03.440\
Maureen Holliday: Yeah. And there's a garden way that was gonna link one air side to the other.

852\
00:55:03.990 --> 00:55:08.709\
Angie Bamford: This is how you build it all up. HS2 was going in there as well.

853\
00:55:09.080 --> 00:55:10.749\
Angie Bamford: Come out a bit.

854\
00:55:13.760 --> 00:55:21.099\
Angie Bamford: Going across there… That's the original neighbourhood. Oop, come out of that.

855\
00:55:24.120 --> 00:55:27.770\
Angie Bamford: And there's another route for the Southeast Link Road.

856\
00:55:28.590 --> 00:55:29.930\
Angie Bamford: And then the biker.

857\
00:55:30.130 --> 00:55:35.289\
Angie Bamford: Oh, it's still going… that's built now, that's the one I showed Chris last week. That's the one that's been built.

858\
00:55:36.200 --> 00:55:46.770\
Angie Bamford: And then the bypass off there, that's the new roundabout, so… so it was linking one side of the parish to the other side with the link road, and then a bypass going off up there.

859\
00:55:46.770 --> 00:55:47.730\
Maureen Holliday: Yes, yes.

860\
00:55:48.610 --> 00:55:49.090\
Maureen Holliday: Mmm.

861\
00:55:49.190 --> 00:55:59.340\
Angie Bamford: Then we had a country… we decided we wanted a country, area, but, that to go through the Bale of Aylesbury, local planning, everything else.

862\
00:55:59.690 --> 00:56:02.809\
Angie Bamford: Then we had the settlement boundary.

863\
00:56:03.650 --> 00:56:09.130\
Angie Bamford: We decided, like, this is the settlement boundary, nobody's gonna build anymore.

864\
00:56:09.130 --> 00:56:09.840\
Maureen Holliday: Yeah.

865\
00:56:09.840 --> 00:56:11.030\
Angie Bamford: around that.

866\
00:56:11.220 --> 00:56:19.949\
Angie Bamford: Then we had another corridor, allocated land by, the Vale of Assbury Housing. This is the purple.

867\
00:56:20.160 --> 00:56:24.490\
Angie Bamford: So this is the… the purple was they allocated lands to build on.

868\
00:56:25.080 --> 00:56:27.280\
Angie Bamford: To all of our lovely fields.

869\
00:56:27.280 --> 00:56:28.099\
Maureen Holliday: I mean, that all day.

870\
00:56:29.950 --> 00:56:34.650\
Angie Bamford: parish area, so we had the Hawks Lane, Stokely's, Stoke Range.

871\
00:56:36.540 --> 00:56:40.270\
Angie Bamford: We've already got the bypass, haven't we? Got the bypass in there.

872\
00:56:40.270 --> 00:56:42.420\
Maureen Holliday: That's lovely, that really is good.

873\
00:56:42.760 --> 00:56:44.560\
Angie Bamford: the development area.

874\
00:56:44.770 --> 00:56:49.920\
Angie Bamford: And inside the different… oh, we've got landowners as well, which is quite…

875\
00:56:50.080 --> 00:56:54.600\
Angie Bamford: Anyway, there's lots of them, but inside the nan donors, I'll put that one on as well.

876\
00:56:55.980 --> 00:57:01.580\
Angie Bamford: That's a really good one, because every piece of land I… we logged.

877\
00:57:01.680 --> 00:57:05.259\
Maureen Holliday: Yes. We can go into… Found out who owns it.

878\
00:57:05.260 --> 00:57:08.050\
Angie Bamford: Yeah, so each one, we can get that…

879\
00:57:08.300 --> 00:57:13.890\
Angie Bamford: the development as well. We've got Richborough Homes, we've got Manor Oak Homes, so we can go and find out

880\
00:57:14.070 --> 00:57:20.370\
Angie Bamford: How many houses they were going to build, where they were going to build them, what style of building, and everything.

881\
00:57:20.780 --> 00:57:23.350\
Angie Bamford: And donors with, mapped,

882\
00:57:24.880 --> 00:57:30.799\
Angie Bamford: say each, that's 37A there, 37B, or we can go in there and find out.

883\
00:57:31.800 --> 00:57:33.769\
Angie Bamford: Parishes and donors.

884\
00:57:34.750 --> 00:57:43.280\
Angie Bamford: the land ownership, and I can go onto the attachments, I can see a map, I can see the land joining, so I can put all my information

885\
00:57:44.340 --> 00:57:46.259\
Angie Bamford: In there.

886\
00:57:47.270 --> 00:57:48.819\
Angie Bamford: I don't think I did that.

887\
00:57:54.090 --> 00:58:02.369\
Angie Bamford: That'll give us, going to, land registry, then you can go in to find the BM number.

888\
00:58:02.370 --> 00:58:07.800\
Maureen Holliday: Yes, I've done that, but that's been very useful. Who owns what land, and… Mmm.

889\
00:58:07.800 --> 00:58:11.469\
Angie Bamford: And everything like that. So, you know, it's all quite handy.

890\
00:58:11.690 --> 00:58:12.470\
Maureen Holliday: Hmm.

891\
00:58:12.890 --> 00:58:13.390\
Maureen Holliday: Brilliant.

892\
00:58:13.390 --> 00:58:21.059\
Angie Bamford: When you add them all together, layer upon layer upon layer, it gives you a really good picture of what's going on in your parish.

893\
00:58:21.500 --> 00:58:33.720\
Maureen Holliday: Mmm, that's wonderful, that's a really great picture. In my village, my home village, where I've been Chairman Clark Councillor, I'm now a councillor. We did do the neighbourhood plan.

894\
00:58:33.720 --> 00:58:34.230\
Angie Bamford: Yeah.

895\
00:58:34.230 --> 00:58:41.550\
Maureen Holliday: And, I could actually practice it. Practice your… practice it by creating something like you've done.

896\
00:58:41.550 --> 00:58:42.320\
Angie Bamford: Yeah, yeah.

897\
00:58:42.320 --> 00:58:49.079\
Maureen Holliday: Because a lot of the time, you've got Parish online, but you can't see a use for it. Yeah.

898\
00:58:49.470 --> 00:58:51.000\
Maureen Holliday: Do what you've done there.

899\
00:58:51.000 --> 00:58:57.549\
Angie Bamford: Yeah, it takes the time, but it's well… well worth it if you just spend a bit of time,

900\
00:58:58.360 --> 00:59:11.340\
Angie Bamford: you know, just doing layer after… but I would recommend a different layer for a different thing, otherwise it gets confused, and you can just show one layer at a time, or take off a layer, you know, and it's just so much easier.

901\
00:59:11.540 --> 00:59:15.050\
Angie Bamford: To see… What's what, meaning.

902\
00:59:15.050 --> 00:59:15.600\
Maureen Holliday: Yes.

903\
00:59:16.180 --> 00:59:17.770\
Maureen Holliday: Yeah. Take them off.

904\
00:59:21.380 --> 00:59:27.269\
Angie Bamford: Well, that's the historic buildings as well. Land ownership, take that off. That's my listed buildings as well.

905\
00:59:27.270 --> 00:59:29.160\
Maureen Holliday: Yeah, that's really good too.

906\
00:59:29.160 --> 00:59:32.050\
Angie Bamford: Like the trees, he never listed buildings.

907\
00:59:32.570 --> 00:59:34.980\
Angie Bamford: And use the same concept, really.

908\
00:59:35.290 --> 00:59:44.439\
Maureen Holliday: So you could just go in there, and just say, I want to look at the listed buildings, or I want to look at, the consortium master plan. Yeah.

909\
00:59:46.020 --> 00:59:51.089\
Angie Bamford: Again, you can put the… I haven't… don't think I've got anything in that one at the moment, but

910\
00:59:51.400 --> 00:59:53.870\
Angie Bamford: Yeah, you just build it out, build it up, build it out.

911\
00:59:54.620 --> 00:59:56.379\
Maureen Holliday: Hmm. That's wonderful.

912\
00:59:56.760 --> 00:59:59.809\
Maureen Holliday: Where's the Disneyland theme park going to go?

913\
01:00:01.290 --> 01:00:03.309\
Angie Bamford: There isn't any room for it.

914\
01:00:05.060 --> 01:00:08.390\
Angie Bamford: It's absolutely chocker now.

915\
01:00:10.270 --> 01:00:12.979\
Chris Edwards: Well, thanks, Angie, that was… that was very helpful.

916\
01:00:12.980 --> 01:00:14.540\
Maureen Holliday: Very helpful, yes.

917\
01:00:14.540 --> 01:00:16.550\
Angie Bamford: It's quite handy, Maureen, because you just…

918\
01:00:17.000 --> 01:00:22.990\
Angie Bamford: You have to concentrate on one layer at a time, and put as much information in there as possible, because…

919\
01:00:23.200 --> 01:00:42.949\
Angie Bamford: say, part… my… on behalf of the parish council, they were doing the neighborhood plan, and you get the big boys, you get the… we were meeting with the developers, we were meeting with the council, we were meeting with everybody, and they'll try and get you by, you know, a little point, and you say, okay, well, I've looked into that, I know who owns that land, I know how big it is, I know…

920\
01:00:43.000 --> 01:00:52.200\
Angie Bamford: you know, what trees are there, what buildings are there, what everything? And then they can't come back to you and say, well, you haven't done your research, because yes, you have.

921\
01:00:53.050 --> 01:00:54.390\
Maureen Holliday: That's right.

922\
01:00:54.590 --> 01:01:07.399\
Maureen Holliday: Yes, and I've got a… in the churchyard itself, I've got, we need a shed, and because it's in the conservation area, and we've got a real Hitler of a conservation officer.

923\
01:01:07.450 --> 01:01:29.489\
Maureen Holliday: So I've had to wait until now to see what new growth, there is, so that it cannot be seen. Looking over the field towards the church, this shed cannot be seen, because the foliage has actually grown more now, and it's evergreen, so it should be okay. So I've got to go and mark it all down now. So I could use this to create a site

924\
01:01:29.490 --> 01:01:31.669\
Maureen Holliday: In the churchyard, which is good.

925\
01:01:31.670 --> 01:01:32.030\
Angie Bamford: Yep.

926\
01:01:32.030 --> 01:01:33.539\
Maureen Holliday: Oh, you've got me going now.

927\
01:01:35.210 --> 01:01:43.040\
Angie Bamford: Listen to this! As soon as you get started, you say, oh, I could do that, I could map that, like, like Chris's benches, or bins, dog bins, or, you know, all those sort of things that,

928\
01:01:43.800 --> 01:01:46.170\
Angie Bamford: Hmm, that's brilliant. Okay, useful.

929\
01:01:46.170 --> 01:01:47.549\
Maureen Holliday: Thank you very much indeed.

930\
01:01:47.550 --> 01:01:47.950\
Angie Bamford: You're welcome.

931\
01:01:47.950 --> 01:01:50.950\
Chris Edwards: Okie dokie. Well, should we wind up?

932\
01:01:50.950 --> 01:01:51.330\
Maureen Holliday: Yes.

933\
01:01:51.330 --> 01:01:54.570\
Angie Bamford: I hope we could all meet again on a future session.

934\
01:01:54.570 --> 01:01:56.270\
Maureen Holliday: Thank you.

935\
01:01:56.270 --> 01:01:56.840\
Chris Edwards: Okay.

936\
01:01:56.840 --> 01:01:57.850\
Maureen Holliday: Okay, bye!

937\
01:01:57.850 --> 01:02:00.439\
Chris Edwards: Bye! Bye. Bye.