> For the complete documentation index, see [llms.txt](https://chagos.gitbook.io/parish-online/llms.txt). Markdown versions of documentation pages are available by appending `.md` to page URLs; this page is available as [Markdown](https://chagos.gitbook.io/parish-online/parish-online-banter-sessions/260904-04sep26-session26-37.md). # 260904 - 04Sep26 - session26-37 data on building floors, SuperAdmin portal, use Parish Online and Google Maps to site a solar panel, issues with Parish Layers, adding football pitches {% embed url="" %} #### Video Timeline: 00:00 - 05:46 entering data on building floors\ 05:46m - 25:45 Using Super-Admin portal (not applicable to PO users)\ 25:45 - 39:25 Using Parish Online to site a solar panel for under-bridge lighting\ 39:25 - 58:10 Resolving issues with Parish Layers - measuring areas\ 58:10 - 70:33 (end) Adding football pitches *** #### Presentation: Scenes from the video showing topics covered:
Entering data on building floors
Advanced Admin portal (XMAP -type: Bridgwater only)
Looking to site a solar panel - combining Parish Online and Google maps
Early steps in siting a football pitch
Final result - two sizes of pitch in place *** #### Meeting Summary: Sep 04, 2026 01:59 PM LondonID: 897 5877 7706 ### Quick recap The meeting focused on Parish Online usage, with Scott demonstrating progress in plotting building assets (fire infrastructure) on a floor plan uploaded as a DWG, and discussing the need for better reporting on asset maintenance. Scott also worked through setting up an advanced admin panel to archive layers, with Graham and Stuart guiding him on collections, profiles, and permissions. Belinda sought help on assessing solar panel placement for a bridge light, and the group reviewed site constraints due to trees and shadows. Belinda was then shown how to create and manage layers, measure areas with polygons, and use instant draw for football pitches, including styling by size and colour. ### Next steps #### Belinda * Obtain permission from the church to place the solar panel and battery kit on the allotment land, as the proposed location may be on church-owned property. * Use the new polygon layer to outline the football pitches for contracting purposes, utilizing the instant draw feature for accurate sizing and orientation. * Consider using the Public Maps feature to share the outlined areas with contractors. #### Scott * Continue developing the plotting of building assets within Parish Online, including refining symbols and exploring the potential for exporting data for compliance and auditing purposes. * Test the advanced admin panel functionality to archive layers, ensuring the new "Archive Parish Layers" collection is correctly set up and accessible to relevant users. * Investigate the possibility of creating additional profiles alongside the Master Profile to control user access to archived layers. ### Summary #### Building Asset Mapping Progress Scott presented progress on plotting building assets, specifically demonstrating the upload of a town hall ground floor floor plan and initial placement of fire safety equipment. He explained that while the project is still in early development, the goal is to eventually plot assets across their dozen buildings. Scott also discussed a separate issue regarding archiving layers in the system, particularly seeking a way to preserve historical data like grass rounds without deleting it from active layers. #### Archive Parish Layers Implementation Scott discussed his need to archive Parish layers and mentioned that Chris suggested switching to an advanced admin panel to achieve this. Graham and Stuart helped guide Scott through the process of using the advanced admin panel to create a new "Archive Parish Layers" collection and move existing layers into it. They discovered that while Scott had created the collection and moved some layers, the changes weren't appearing properly in the interface, leading them to investigate further steps including checking profiles and master collections. #### Parish Online Access and Mapping The team discussed how to set up access to archived layers in Parish Online, with Graham explaining that users need to be assigned to specific profiles to control access. Scott learned that currently all users on the master profile have access to the new archived layers, and he can create additional profiles using different email addresses or email variants with plus signs. The discussion then shifted to helping Belinda with a solar panel installation project under the A34 bridge in Hampshire, where they analysed sun exposure and positioning challenges using the mapping tool. Finally, Belinda sought help with managing layers in Parish Online, specifically understanding how to properly save and delete temporary map markings. #### Layer Management in Parish Online Belinda discussed her frustration with saving and managing layers in Parish Online, specifically wanting to annotate and save layers for future use without them appearing every time she logs in. Graham guided Belinda through the process of creating a new layer, demonstrating how to add a line layer and name it. When it was clear that measuring the area of the object was prime, they restarted the process using a polygon layer instead. #### Maps Test Polygon Feature Tutorial Graham guided Belinda through creating and using a maps test polygon feature, demonstrating how to draw an area, save it, and measure the area in square meters. He showed how to edit the polygon for greater accuracy by zooming in and using the pencil icon to enter edit mode. Graham also explained how to manage layers, including deleting unwanted layers and using pre-existing test layers (polygon, line, and point) for future measurements without creating new ones each time. #### Football Pitch Mapping System Guidance Belinda received guidance on using the system to create and manage polygon layers for mapping areas, including how to set up a new layer for football pitch mowing contracts. Graham explained the Public Maps feature, which allows sharing map information with contractors through a URL. Stuart demonstrated how to use the instant draw tool with pre-defined football pitch sizes and shapes, and advised Belinda to add a "size" column to differentiate between different pitch types. #### Football Pitch Mapping Configuration The meeting focused on demonstrating how to create and configure football pitches in a mapping system. Stuart and Graham guided Belinda through the process of adding and orienting pitches, including setting different sizes and colors. They explained how to use the feature editor to name and configure pitches, with options to classify them by size and color. Belinda learned how to create both adult and children's pitches, though she had to leave before completing the full setup due to a personal commitment. *** #### Chat: No chat this session *** #### Audio-transcript: 7 \ 00:00:24.070 --> 00:00:30.280 \ Graham Stoddart-Stones: Hello. Always lovely to see you, because you have all the most fascinating questions. How are you? 8 \ 00:00:30.280 --> 00:00:33.110 \ Scott Mason: Good, thank you, yeah, I'm here to test you. 9 \ 00:00:33.110 --> 00:00:35.070 \ Graham Stoddart-Stones: Midwater drowned out yet? 10 \ 00:00:35.070 --> 00:00:38.850 \ Scott Mason: Not… no, I mean, it's starting to green up again a little bit, but… 11 \ 00:00:39.100 --> 00:00:42.970 \ Graham Stoddart-Stones: Okay, there's been lots of water here, that's why I'm asking. 12 \ 00:00:43.410 --> 00:00:44.150 \ Scott Mason: It is… 13 \ 00:00:44.150 --> 00:00:48.100 \ Graham Stoddart-Stones: My daughter lives and works in Bridgewater, so I don't know if she's drowned yet. 14 \ 00:00:48.100 --> 00:00:52.070 \ Scott Mason: No, we're doing okay. 15 \ 00:00:52.070 --> 00:00:54.880 \ Graham Stoddart-Stones: Alright. Did you get your sound back, Stuart? 16 \ 00:00:55.070 --> 00:00:56.719 \ Stuart Bacon: Yes, yeah, now I'm here now. 17 \ 00:00:56.720 --> 00:00:57.810 \ Graham Stoddart-Stones: Okay, good. 18 \ 00:00:58.200 --> 00:01:04.459 \ Graham Stoddart-Stones: Well… Scott, amazingly, you are the first of hundreds of people coming today. 19 \ 00:01:05.269 --> 00:01:07.459 \ Graham Stoddart-Stones: So why don't you zoom ahead? 20 \ 00:01:07.710 --> 00:01:11.260 \ Graham Stoddart-Stones: And tell us what is exciting in your life. 21 \ 00:01:11.740 --> 00:01:25.409 \ Scott Mason: Okay, let me share my screen. So there's… there's one thing I just wanted to show you, first of all, was a bit of progress we've made with plotting assets within buildings. I thought that might be useful. And then, my second one is, an issue I've got. 22 \ 00:01:25.530 --> 00:01:28.189 \ Scott Mason: that I will share with you. 23 \ 00:01:29.100 --> 00:01:33.119 \ Scott Mason: I'm not great with Zoom, can you see? 24 \ 00:01:33.430 --> 00:01:39.430 \ Stuart Bacon: We can see… what can we see now? Yep, your browser, and yeah. 25 \ 00:01:40.410 --> 00:01:40.990 \ Scott Mason: Okay. 26 \ 00:01:41.420 --> 00:01:44.889 \ Scott Mason: I'm too used to Teams, that's the trouble. Okay. 27 \ 00:01:46.400 --> 00:01:54.449 \ Scott Mason: So, something we've been working on at the minute, which I… I think we might be the first, in terms of how we can plot assets within buildings, so… 28 \ 00:01:54.450 --> 00:01:55.230 \ Graham Stoddart-Stones: All right. 29 \ 00:01:55.230 --> 00:02:02.979 \ Scott Mason: we… have uploaded a floor plan of our… the ground floor of our town hall. 30 \ 00:02:03.160 --> 00:02:06.169 \ Scott Mason: Which was not the simplest to do, but we've. 31 \ 00:02:06.170 --> 00:02:07.889 \ Graham Stoddart-Stones: Where did you get this from? 32 \ 00:02:07.890 --> 00:02:12.880 \ Scott Mason: So that's a DWG drawing that was being supplied to us by some consultants, because we've got some work going on at the minute. 33 \ 00:02:12.880 --> 00:02:13.760 \ Graham Stoddart-Stones: Okay, right. 34 \ 00:02:13.760 --> 00:02:21.699 \ Scott Mason: We provided that, we had a meeting with Chris, and provided that to him, and he was able to upload this, just for the ground floor to… initially, it's a three-storey building. 35 \ 00:02:22.000 --> 00:02:27.090 \ Scott Mason: Just to see how it might sit, and just trying to get all of the lines 36 \ 00:02:27.270 --> 00:02:34.199 \ Scott Mason: to align with the base map was interesting, but got there in the end. And then, 37 \ 00:02:34.340 --> 00:02:42.499 \ Scott Mason: I mean, I've not got very far with it, because this is very hot off the press, but I've managed to begin plotting in some of our, fire infrastructure. 38 \ 00:02:42.970 --> 00:02:44.300 \ Scott Mason: Now, the… 39 \ 00:02:44.490 --> 00:02:50.079 \ Scott Mason: symbols don't necessarily represent what I want them to look like, but that, again, that's something we can change with Chris in the future. 40 \ 00:02:50.080 --> 00:02:51.259 \ Graham Stoddart-Stones: Like a burning building. 41 \ 00:02:51.300 --> 00:02:56.260 \ Scott Mason: Yeah, not, not, you know, maybe not the symbol you want for fire, but, 42 \ 00:02:56.830 --> 00:02:58.560 \ Scott Mason: What we've got is to… 43 \ 00:02:58.560 --> 00:03:02.060 \ Graham Stoddart-Stones: When the police ask me, do you know this arsonist? I can say… 44 \ 00:03:02.060 --> 00:03:03.180 \ Scott Mason: Yes, he gave me. 45 \ 00:03:03.180 --> 00:03:05.970 \ Graham Stoddart-Stones: He gave every hint that he was interested in. 46 \ 00:03:05.970 --> 00:03:17.220 \ Scott Mason: Yeah. So we've got, as far as plotting a couple of call points in our sort of reception lobby area, and then all the yellows are our detectors, essentially, so we've gone around and got some reference numbers off them. 47 \ 00:03:17.220 --> 00:03:29.769 \ Scott Mason: the types that they are, whether they've got sound is integrated, all that sort of stuff. So, it's really early phase development, like, it's as far as I've got with it, just because just getting the drawings into the base plan was a big job, so… 48 \ 00:03:29.770 --> 00:03:37.139 \ Graham Stoddart-Stones: That's actually very interesting. So, are you foreseeing that this could be something we could all use, if Chris wants to? 49 \ 00:03:37.140 --> 00:03:48.989 \ Scott Mason: I think so. I think, really, we're the guinea pigs for it to see how far we can go with it, and how useful it becomes, and like I said, there's going to be some work to do in terms of getting the right symbols and things on here, but I can see it going really far in terms of, you know. 50 \ 00:03:48.990 --> 00:03:49.440 \ Graham Stoddart-Stones: And… 51 \ 00:03:49.440 --> 00:03:54.620 \ Scott Mason: facilities falls under my remit, so I want all of our building assets plotted in here, essentially. 52 \ 00:03:54.620 --> 00:03:58.439 \ Graham Stoddart-Stones: Right. So, did you say you could only get the first floor? 53 \ 00:03:58.630 --> 00:04:05.880 \ Scott Mason: At the minute, we're just on the ground floor, but there's no reason why we couldn't have an additional layer, so it's ground floor master, we could have first floor master. 54 \ 00:04:05.880 --> 00:04:06.360 \ Graham Stoddart-Stones: Okay. 55 \ 00:04:06.360 --> 00:04:11.999 \ Scott Mason: And obviously, it's a case of then turning on the relevant layers according to the floor you want to look at. 56 \ 00:04:12.580 --> 00:04:20.630 \ Stuart Bacon: Presumably, that would then mean you would have to amend your fire alarm stuff to be first floor fire, second floor fire. 57 \ 00:04:20.959 --> 00:04:25.840 \ Stuart Bacon: And whatever, because otherwise they'd overlap and not necessarily sit in the right… Possibly. 58 \ 00:04:25.840 --> 00:04:27.450 \ Scott Mason: Possibly. Possibly. 59 \ 00:04:28.030 --> 00:04:30.729 \ Scott Mason: Don't know, haven't got that far. 60 \ 00:04:30.730 --> 00:04:36.609 \ Graham Stoddart-Stones: Do you have test routines for the fires? Do you have to sort of demonstrate that they've been tested once a month? 61 \ 00:04:36.610 --> 00:04:47.589 \ Scott Mason: Yes, yeah, we see we do weekly call point checks, again, it could be a filter, an option we put into our data, couldn't it? You know, last date tested, which we can export as well. 62 \ 00:04:47.860 --> 00:04:51.610 \ Graham Stoddart-Stones: Well, the reason I'm asking is because I've always wondered 63 \ 00:04:51.890 --> 00:05:05.729 \ Graham Stoddart-Stones: why Parish Online is so light on reporting. You know, you've got all this information in there, in the assets and maintenance layer of when the next inspection is due, but you can't get a report out that says when the next inspection is due. 64 \ 00:05:05.920 --> 00:05:13.299 \ Scott Mason: No, no. I think, yeah, I think that's the next level, isn't it? Being able to export that data to provide to auditors and for compliance, really. 65 \ 00:05:13.300 --> 00:05:13.930 \ Graham Stoddart-Stones: Yes. 66 \ 00:05:14.440 --> 00:05:29.020 \ Scott Mason: That was just, yeah, just an opportunity just to show how far we've got with it. Like I say, it's not been a quick project to get this far. And then, again, if successful, we want to roll it out until we've got about a dozen buildings, so it'd be nice to have something to plot all of them on here. 67 \ 00:05:29.400 --> 00:05:36.880 \ Graham Stoddart-Stones: So, when you said the alignment was tricky, so Chris did the import, and then did you have to move things around? 68 \ 00:05:37.210 --> 00:05:51.050 \ Scott Mason: No, so it was more trying to get the import lined up with the base map, and I think the scale of the DWG drawing needed altering a little bit to get… because he doesn't know the building, obviously, and it's a very complex building. Probably wasn't the best one to start with, to be honest. 69 \ 00:05:51.050 --> 00:05:53.450 \ Stuart Bacon: Oh, it'd get easier, it makes life… Yeah, you're right. 70 \ 00:05:53.450 --> 00:06:01.320 \ Scott Mason: You're right, you're right. You know, just to try and find your reference points from the DWG to here was, fun. 71 \ 00:06:01.460 --> 00:06:02.789 \ Scott Mason: To say the least. 72 \ 00:06:03.440 --> 00:06:06.280 \ Graham Stoddart-Stones: It was a very interesting thought, thank you. 73 \ 00:06:06.280 --> 00:06:10.390 \ Scott Mason: Yeah, yeah, so anyway, that's buildings. Now, 74 \ 00:06:10.490 --> 00:06:15.980 \ Scott Mason: I'm just gonna pull up some correspondence I've had with Chris around, 75 \ 00:06:16.800 --> 00:06:21.349 \ Scott Mason: So this relates to archiving layers. So my request to him was. 76 \ 00:06:21.470 --> 00:06:29.149 \ Scott Mason: Can we archive but not delete layers, or have a new subheading to add them to, so they're not within our Parish layers? 77 \ 00:06:29.390 --> 00:06:49.299 \ Scott Mason: A great deal of work goes into populating some of our layers, but then changes come along, and we may need to refer to them again in the future. So we've… particularly grass rounds, when we first devolved a load of services from Somerset to us, we spent hours and hours populating grass rounds. Over time, we're tweaking and adjusting those, so I still want to retain that data, but I don't really want it sat in my Paris layers. 78 \ 00:06:49.370 --> 00:07:02.959 \ Scott Mason: Right. For everyone to access. So, my workaround at the minute is, if I just share with you… let me pull back up Parish… is I've renamed them, quite cleverly, to Archived, and chucked them at the bottom of my list. 79 \ 00:07:03.120 --> 00:07:18.620 \ Scott Mason: But my question to Chris was, what else can we do? So he came back and said, we don't have an archiving option at the moment, but we could switch you to an advanced admin panel, where you can decide on the collections and layers that are shown. 80 \ 00:07:18.790 --> 00:07:23.980 \ Scott Mason: This will allow you to have layers in your account that aren't visible in the application, which essentially archives them. 81 \ 00:07:24.390 --> 00:07:38.940 \ Scott Mason: The downsides to the advanced admin panel are, if we add new collections, you'll need to add them to your profile manually, whereas at the moment, they're automatically added. When you create new layers, you'll need to set permissions and add them to a collection manually, so it swings around about, but happy to apply it and have a play with it. 82 \ 00:07:39.240 --> 00:07:41.110 \ Scott Mason: So he has applied that for me. 83 \ 00:07:41.540 --> 00:07:50.539 \ Scott Mason: And now I'm stuck. So I… I didn't know if any of you had an advanced admin panel that might be able to shed some light on… 84 \ 00:07:50.540 --> 00:07:52.699 \ Graham Stoddart-Stones: I think it sounds very much like XMAP. 85 \ 00:07:53.350 --> 00:07:54.220 \ Scott Mason: Okay. 86 \ 00:07:54.220 --> 00:07:57.920 \ Graham Stoddart-Stones: You've got some of the applications in from XMAP, so can you… 87 \ 00:07:57.920 --> 00:08:01.679 \ Scott Mason: My admin panel looks different to how it did before. 88 \ 00:08:01.680 --> 00:08:04.570 \ Graham Stoddart-Stones: Yeah, that's… that's straight out of XMAP. 89 \ 00:08:04.580 --> 00:08:05.530 \ Scott Mason: Is it? Okay. 90 \ 00:08:05.530 --> 00:08:07.270 \ Graham Stoddart-Stones: Yes, so this is easy. 91 \ 00:08:08.050 --> 00:08:15.500 \ Scott Mason: So what I got as far as collections, and then I made one called Archive Parish Layers, hoping that that would appear in my list, but I can't seem to find it anywhere, so… 92 \ 00:08:15.500 --> 00:08:25.890 \ Graham Stoddart-Stones: You can't have collections without layers that go in them. So, have you created the archive Parish layer? 93 \ 00:08:26.570 --> 00:08:27.820 \ Scott Mason: No. 94 \ 00:08:27.820 --> 00:08:33.369 \ Graham Stoddart-Stones: You know, that's what you need to do. So, see on the right, where it says layers, select a collection? 95 \ 00:08:33.370 --> 00:08:33.890 \ Scott Mason: Yeah. 96 \ 00:08:34.299 --> 00:08:36.989 \ Graham Stoddart-Stones: And you could go, 97 \ 00:08:37.600 --> 00:08:41.299 \ Stuart Bacon: Do you need to… Click on the archived Parish layers first. 98 \ 00:08:42.340 --> 00:08:42.950 \ Graham Stoddart-Stones: Yep. 99 \ 00:08:45.680 --> 00:08:49.479 \ Scott Mason: So is this then selecting the ones that I've renamed, archived, and moving them into there? 100 \ 00:08:51.290 --> 00:08:53.319 \ Graham Stoddart-Stones: Which you already have done, you're saying? 101 \ 00:08:53.320 --> 00:08:57.570 \ Scott Mason: what I've done in the minutes, if I go back to my… I've just renamed my. 102 \ 00:08:57.570 --> 00:08:58.030 \ Graham Stoddart-Stones: Yeah, it… 103 \ 00:08:58.030 --> 00:08:59.699 \ Scott Mason: Parish layers archived, and that's as far. 104 \ 00:08:59.700 --> 00:09:02.419 \ Graham Stoddart-Stones: Right, but you want to move them out of that parish lair, don't you? 105 \ 00:09:02.420 --> 00:09:07.750 \ Scott Mason: Ideally, into a separate… another little grey heading that's called Archive Layers would be my preference, really. 106 \ 00:09:08.140 --> 00:09:11.440 \ Graham Stoddart-Stones: So, you need to create that new layer. 107 \ 00:09:11.780 --> 00:09:12.560 \ Scott Mason: Hmm. 108 \ 00:09:12.590 --> 00:09:22.070 \ Graham Stoddart-Stones: But I'm not quite sure why it won't go into… oh, you created a new collection, that's right. So, if you go back to your, admin panel. 109 \ 00:09:22.720 --> 00:09:23.320 \ Scott Mason: Yep. 110 \ 00:09:24.670 --> 00:09:29.070 \ Graham Stoddart-Stones: So, that box on the left called Collections, that layer. 111 \ 00:09:29.370 --> 00:09:29.820 \ Scott Mason: Yep. 112 \ 00:09:29.820 --> 00:09:39.059 \ Graham Stoddart-Stones: will have your usual parish layers, and then you've got your archive Parish layers. Oh, yeah. So what you want to move is move the stuff from the Parish layer to the archive layer. 113 \ 00:09:39.330 --> 00:09:39.900 \ Scott Mason: Okay. 114 \ 00:09:40.090 --> 00:09:42.690 \ Graham Stoddart-Stones: I think you do it, 115 \ 00:09:43.470 --> 00:09:48.769 \ Graham Stoddart-Stones: We'll try the route that Stuart was suggesting. If you click on Archive, 116 \ 00:09:49.450 --> 00:09:52.529 \ Graham Stoddart-Stones: Can you go into the layers panel at the top right? 117 \ 00:09:54.130 --> 00:09:56.589 \ Graham Stoddart-Stones: And now select the layers you want to move. 118 \ 00:09:56.980 --> 00:10:02.810 \ Graham Stoddart-Stones: Like, all the archived ones. Just select them as you do in the public map, so just hit… yeah, there you go, just hit them when those… 119 \ 00:10:02.810 --> 00:10:05.750 \ Scott Mason: I'll start with those a minute, because that's the obvious ones to me, yeah. 120 \ 00:10:06.490 --> 00:10:07.070 \ Graham Stoddart-Stones: safe. 121 \ 00:10:07.180 --> 00:10:10.060 \ Graham Stoddart-Stones: Right, so now, yep, exactly. 122 \ 00:10:13.070 --> 00:10:18.390 \ Graham Stoddart-Stones: And now, if you go back to regular Parish Online. 123 \ 00:10:21.050 --> 00:10:24.900 \ Graham Stoddart-Stones: Does the new map show up, the new collection show up? Not yet. 124 \ 00:10:25.810 --> 00:10:30.420 \ Stuart Bacon: Where does it show up on the list? Because it may not show up… I could do so. 125 \ 00:10:30.420 --> 00:10:31.269 \ Scott Mason: of the dome. 126 \ 00:10:34.360 --> 00:10:38.840 \ Graham Stoddart-Stones: Well, you can do a search for it with a magnifying glass, just do a search for archived. 127 \ 00:10:41.300 --> 00:10:42.300 \ Scott Mason: None. 128 \ 00:10:42.300 --> 00:10:46.530 \ Graham Stoddart-Stones: Yeah. Okay, so let's go back to your admin portal. 129 \ 00:10:48.660 --> 00:10:52.409 \ Graham Stoddart-Stones: I think there's a step that involves the data. Can we go into data? 130 \ 00:10:54.710 --> 00:11:01.930 \ Graham Stoddart-Stones: Oh, actually, in your profile, does it mention the collections? No, you're just the master. Okay, that's fair enough. 131 \ 00:11:03.720 --> 00:11:07.099 \ Graham Stoddart-Stones: So if you go down into data… oh, sorry, Layers. 132 \ 00:11:09.750 --> 00:11:14.560 \ Graham Stoddart-Stones: Right, so they are… they're there… that's the usual Parish layers, okay. 133 \ 00:11:14.560 --> 00:11:15.210 \ Scott Mason: Yeah. 134 \ 00:11:15.210 --> 00:11:16.839 \ Graham Stoddart-Stones: So if you go into Data. 135 \ 00:11:19.760 --> 00:11:24.069 \ Graham Stoddart-Stones: Right, file upload… oh, that was just where we did the file upload, that's right, okay, 136 \ 00:11:26.130 --> 00:11:32.999 \ Graham Stoddart-Stones: There's one more step I'm trying to think of. It's been a couple of months since I went into XMAP. 137 \ 00:11:36.120 --> 00:11:41.889 \ Stuart Bacon: Is it… is there another step within collections? Are we miss… did we miss a box in there? 138 \ 00:11:41.890 --> 00:11:44.289 \ Graham Stoddart-Stones: We might have done, I wouldn't be surprised. 139 \ 00:11:44.290 --> 00:11:48.880 \ Stuart Bacon: So if you click on Archives Parish Layers, And scroll down… 140 \ 00:11:52.150 --> 00:11:54.439 \ Graham Stoddart-Stones: Yeah, that's just the ordering which they appear. 141 \ 00:11:56.590 --> 00:12:03.510 \ Graham Stoddart-Stones: What hap… the archive… Parish Raire hasn't arrived in the collections on the… 142 \ 00:12:03.510 --> 00:12:10.409 \ Stuart Bacon: Where it says Archived Parish Layers as the grey box, if you click on that, what does it do? 143 \ 00:12:10.870 --> 00:12:11.530 \ Scott Mason: Just color. 144 \ 00:12:11.530 --> 00:12:15.670 \ Stuart Bacon: It just changes the color. Okay, so that sets the background for… 145 \ 00:12:15.670 --> 00:12:16.260 \ Scott Mason: Yeah. 146 \ 00:12:16.460 --> 00:12:18.129 \ Stuart Bacon: The tab when it appears. 147 \ 00:12:18.310 --> 00:12:18.800 \ Scott Mason: Yep. 148 \ 00:12:18.800 --> 00:12:26.300 \ Stuart Bacon: Okay, and then if you click on layers on the top right… There's nothing… 149 \ 00:12:26.510 --> 00:12:30.849 \ Stuart Bacon: Further down, no tick box or anything at the bottom of the list. 150 \ 00:12:31.120 --> 00:12:31.890 \ Scott Mason: No. 151 \ 00:12:32.100 --> 00:12:33.150 \ Stuart Bacon: No. 152 \ 00:12:35.850 --> 00:12:40.270 \ Graham Stoddart-Stones: Let me just go into XMAP a second, whilst you're there, Scott. 153 \ 00:12:40.360 --> 00:12:41.709 \ Scott Mason: Yeah, no worries, yeah. 154 \ 00:12:42.720 --> 00:12:45.919 \ Scott Mason: I'd like to give you a challenge. 155 \ 00:12:46.210 --> 00:12:49.960 \ Graham Stoddart-Stones: That's why I welcomed your arrival. Let me just say hi to John. Hello, John. 156 \ 00:12:54.940 --> 00:12:59.239 \ Stuart Bacon: Within utilities, is there anything there? On the bottom left? 157 \ 00:13:07.260 --> 00:13:10.180 \ Stuart Bacon: And then if you sync that, re-sync that. 158 \ 00:13:13.410 --> 00:13:14.750 \ Scott Mason: Try going back to Maps. 159 \ 00:13:15.000 --> 00:13:15.610 \ Stuart Bacon: Yeah. 160 \ 00:13:20.370 --> 00:13:21.120 \ Scott Mason: No. 161 \ 00:13:22.110 --> 00:13:24.580 \ Stuart Bacon: It's go… Yeah. 162 \ 00:13:25.250 --> 00:13:25.940 \ Scott Mason: No. 163 \ 00:13:25.940 --> 00:13:27.429 \ Stuart Bacon: No. Huh. 164 \ 00:13:28.200 --> 00:13:29.529 \ Stuart Bacon: That's a nuisance. 165 \ 00:13:31.570 --> 00:13:38.270 \ Stuart Bacon: But your grass… Because that, I mean, it's noticeable that on… as you look there at your parish layers. 166 \ 00:13:38.270 --> 00:13:38.780 \ Scott Mason: Yeah. 167 \ 00:13:38.780 --> 00:13:44.170 \ Stuart Bacon: Those archived layers that you, have moved. 168 \ 00:13:44.370 --> 00:13:44.870 \ Scott Mason: Yeah. 169 \ 00:13:44.870 --> 00:13:45.970 \ Stuart Bacon: haven't moved. 170 \ 00:13:46.550 --> 00:13:47.350 \ Scott Mason: No. 171 \ 00:13:48.210 --> 00:13:49.800 \ Scott Mason: That, yes, these three here. 172 \ 00:13:49.800 --> 00:14:01.199 \ Stuart Bacon: It's a sinking issue, somehow, to say… We need to, sort of… Resync from what Was to what is. 173 \ 00:14:03.830 --> 00:14:05.280 \ Stuart Bacon: So… 174 \ 00:14:08.530 --> 00:14:11.650 \ Stuart Bacon: Yeah, come back to the admin panel. 175 \ 00:14:26.880 --> 00:14:28.920 \ Stuart Bacon: Unused layers. 176 \ 00:14:29.170 --> 00:14:35.359 \ Stuart Bacon: Scroll down your… Middle of the page, where it's got unused letters. 177 \ 00:14:40.060 --> 00:14:46.530 \ Stuart Bacon: Oh, gosh, now this is gonna be awkward, because there's 675 of those, so that's a lot of scrolling. 178 \ 00:14:47.020 --> 00:14:48.929 \ Stuart Bacon: Yeah, 179 \ 00:14:51.810 --> 00:14:53.810 \ Scott Mason: Do you think it could be one of the unused? 180 \ 00:14:54.470 --> 00:14:56.760 \ Stuart Bacon: I was just wondering if it could, yeah. 181 \ 00:14:56.760 --> 00:14:59.509 \ Scott Mason: Don't think it's not something you can search on either, is it? 182 \ 00:14:59.680 --> 00:15:07.929 \ Stuart Bacon: No, and it's not something you can filter to alphabetical or anything either, it's total… Run with Natural. 183 \ 00:15:07.930 --> 00:15:09.520 \ Scott Mason: Ctrl-F, would it find it that way? 184 \ 00:15:09.770 --> 00:15:12.899 \ Stuart Bacon: Well, sounds like an option, certainly. 185 \ 00:15:15.970 --> 00:15:18.049 \ Scott Mason: No, it's only got the one-on-one there. 186 \ 00:15:22.390 --> 00:15:28.020 \ Stuart Bacon: Try scrolling down… All the way to the bottom, and see… just… 187 \ 00:15:28.300 --> 00:15:31.319 \ Stuart Bacon: when… and then do CTRL-F again. 188 \ 00:15:31.480 --> 00:15:35.479 \ Stuart Bacon: And see if that sort of picks it up, because if it highlights the, 189 \ 00:15:36.440 --> 00:15:37.990 \ Scott Mason: Yeah, it's gone back up to that one. 190 \ 00:15:38.290 --> 00:15:39.050 \ Stuart Bacon: Okay. 191 \ 00:15:39.380 --> 00:15:43.449 \ Stuart Bacon: It doesn't seem… Okay, so it's not there. It cuts that one out as an option. 192 \ 00:15:43.690 --> 00:15:45.870 \ Graham Stoddart-Stones: Okay, so, I think I found it. 193 \ 00:15:46.570 --> 00:15:51.210 \ Graham Stoddart-Stones: If you go into Profiles, Yep. 194 \ 00:15:51.530 --> 00:15:52.070 \ Stuart Bacon: Yep. 195 \ 00:15:52.420 --> 00:15:58.440 \ Graham Stoddart-Stones: And, click on Master Profile. I think you have to add the new collection there. 196 \ 00:15:58.790 --> 00:16:03.190 \ Graham Stoddart-Stones: So, you need to… Yeah, manager collection. 197 \ 00:16:03.970 --> 00:16:10.389 \ Graham Stoddart-Stones: And… No, I think it'll show up. 198 \ 00:16:11.530 --> 00:16:15.120 \ Graham Stoddart-Stones: Because it'll be in your profile now, it wasn't in your profile before. 199 \ 00:16:19.330 --> 00:16:21.379 \ Scott Mason: Sorry, it's a bit slow. It's Friday. 200 \ 00:16:24.520 --> 00:16:25.710 \ Scott Mason: There we go. 201 \ 00:16:25.950 --> 00:16:28.160 \ Graham Stoddart-Stones: Have you told your computer it's Friday? 202 \ 00:16:29.140 --> 00:16:31.749 \ Scott Mason: I always tell it when it's Friday. 203 \ 00:16:32.560 --> 00:16:37.010 \ Stuart Bacon: So, does that now mean for Scott to achieve what he wants to? 204 \ 00:16:37.110 --> 00:16:42.939 \ Stuart Bacon: In some people having access to these archived layers and some not. 205 \ 00:16:43.110 --> 00:16:51.340 \ Stuart Bacon: That he needs to set up, an additional profile alongside the master profile, so that other users don't have access to… 206 \ 00:16:52.350 --> 00:16:53.700 \ Stuart Bacon: those tears. 207 \ 00:16:53.700 --> 00:17:01.359 \ Graham Stoddart-Stones: That's the way it works in XMAP, yes. So, you've got to set the users who may access the profile. 208 \ 00:17:02.150 --> 00:17:06.990 \ Scott Mason: Okay, so how would I… because there are probably a few members of staff that still need access to that archived section. 209 \ 00:17:06.990 --> 00:17:11.909 \ Graham Stoddart-Stones: Okay, so if you go… go back to administration, or the portal, or whatever you call it. 210 \ 00:17:15.589 --> 00:17:16.559 \ Stuart Bacon: Profiles. 211 \ 00:17:17.030 --> 00:17:18.670 \ Graham Stoddart-Stones: And I think… yeah. 212 \ 00:17:19.160 --> 00:17:24.020 \ Graham Stoddart-Stones: And then you've got a master profile. You can do an ad one, I think. 213 \ 00:17:24.220 --> 00:17:32.269 \ Graham Stoddart-Stones: But before we do that, let's just work out where the permissions are. I'm not sure they're… if you go into Master Profile, just click on it. 214 \ 00:17:32.880 --> 00:17:38.589 \ Graham Stoddart-Stones: And then… Tools, does it mention who's allowed to use them? 215 \ 00:17:39.040 --> 00:17:39.739 \ Graham Stoddart-Stones: Oh, no. 216 \ 00:17:39.740 --> 00:17:42.590 \ Stuart Bacon: Well, I think… I think that… I think that sits in collections, doesn't it? 217 \ 00:17:42.590 --> 00:17:43.409 \ Graham Stoddart-Stones: Okay, I'll go down. 218 \ 00:17:43.410 --> 00:17:47.579 \ Stuart Bacon: Or was it users? I saw it as we were flicking around before. 219 \ 00:17:47.580 --> 00:17:50.149 \ Graham Stoddart-Stones: Okay, so if you go into the collection. 220 \ 00:17:52.100 --> 00:17:52.990 \ Scott Mason: Collections, yeah. 221 \ 00:17:52.990 --> 00:17:58.450 \ Graham Stoddart-Stones: And select your archive Parish layers, then… go down a bit. 222 \ 00:18:00.550 --> 00:18:07.099 \ Graham Stoddart-Stones: Go back to Archive Parish, there's the left-hand The choice at the top? 223 \ 00:18:07.600 --> 00:18:11.439 \ Graham Stoddart-Stones: So… Next, sorry, right-hand column called Layers. 224 \ 00:18:11.690 --> 00:18:12.160 \ Scott Mason: Oh, there. 225 \ 00:18:12.160 --> 00:18:12.720 \ Graham Stoddart-Stones: That one, yeah. 226 \ 00:18:13.930 --> 00:18:15.409 \ Graham Stoddart-Stones: Oh, the other one, whichever way you go. 227 \ 00:18:15.410 --> 00:18:16.590 \ Stuart Bacon: Oh, oh, up a bit, up a bit. 228 \ 00:18:16.590 --> 00:18:17.850 \ Graham Stoddart-Stones: This one's current, yeah. 229 \ 00:18:18.580 --> 00:18:19.370 \ Scott Mason: Buh. 230 \ 00:18:19.370 --> 00:18:19.920 \ Stuart Bacon: Yep. 231 \ 00:18:21.000 --> 00:18:24.729 \ Graham Stoddart-Stones: Yeah, so… That owner is all. 232 \ 00:18:26.340 --> 00:18:28.229 \ Graham Stoddart-Stones: And I think you can change that. 233 \ 00:18:29.460 --> 00:18:34.149 \ Graham Stoddart-Stones: Bear in my mind, I'm just gonna go back to… I need that. 234 \ 00:18:35.060 --> 00:18:38.020 \ Stuart Bacon: Yeah, click on… click on that, Scott, and see… 235 \ 00:18:45.900 --> 00:18:48.200 \ Scott Mason: Oh, so it's got… Shared. 236 \ 00:18:57.320 --> 00:19:03.759 \ Scott Mason: I don't necessarily have a problem with everyone having access to the archived stuff, I just wanted it very much separate from our parent players. 237 \ 00:19:03.760 --> 00:19:10.740 \ Graham Stoddart-Stones: Well, I think… I'm just… if you… if you wanted to specifically give access, or deny access to people. 238 \ 00:19:10.740 --> 00:19:11.350 \ Scott Mason: Yeah. 239 \ 00:19:11.400 --> 00:19:13.549 \ Graham Stoddart-Stones: I think it's all to do with the profile. 240 \ 00:19:14.710 --> 00:19:15.140 \ Scott Mason: Okay. 241 \ 00:19:15.840 --> 00:19:20.080 \ Scott Mason: But as it stands, everyone can act… everyone will now see that new collection, will they? 242 \ 00:19:21.070 --> 00:19:24.159 \ Graham Stoddart-Stones: That's a very good question. I don't know, 243 \ 00:19:24.310 --> 00:19:27.910 \ Graham Stoddart-Stones: Because have you signed on as admin at the moment? 244 \ 00:19:28.590 --> 00:19:32.559 \ Scott Mason: Whatever my… whatever my details are, my permissions are. 245 \ 00:19:32.560 --> 00:19:36.730 \ Stuart Bacon: Click on users, and let's have a… A perusal. 246 \ 00:19:37.580 --> 00:19:42.390 \ Graham Stoddart-Stones: Because if you create… Sort of a read-only user. 247 \ 00:19:43.080 --> 00:19:44.280 \ Graham Stoddart-Stones: Scott, and then… 248 \ 00:19:44.280 --> 00:19:45.000 \ Scott Mason: master profile. 249 \ 00:19:45.000 --> 00:19:47.229 \ Graham Stoddart-Stones: Sign in as him and see what he can see. 250 \ 00:19:47.690 --> 00:19:51.639 \ Scott Mason: Oh, I see, so set somebody else up, then I'd need another email address to do that, wouldn't I? 251 \ 00:19:52.220 --> 00:19:57.710 \ Graham Stoddart-Stones: Well, you can use this… what sort of email address are you using at the moment? Is it an Outlook one, or something stupid like that? 252 \ 00:19:57.710 --> 00:20:02.020 \ Scott Mason: my… my Bridgewater hyphen TC1. 253 \ 00:20:02.540 --> 00:20:09.710 \ Graham Stoddart-Stones: Right. Usually, you can create a false thing by putting in a plus sign on the left-hand side of the at sign. 254 \ 00:20:09.890 --> 00:20:16.119 \ Graham Stoddart-Stones: So if you sign in as Scott at Bridgewater Minions, if you sign in as Scott plus Reid. 255 \ 00:20:16.570 --> 00:20:19.149 \ Graham Stoddart-Stones: at Bridgewater, then it's… 256 \ 00:20:19.450 --> 00:20:25.949 \ Graham Stoddart-Stones: Parish Online thinks it's a different person, but, your email system will think it's the same person. 257 \ 00:20:26.550 --> 00:20:28.020 \ Scott Mason: Right, okay. 258 \ 00:20:28.020 --> 00:20:35.269 \ Graham Stoddart-Stones: That sounds right. That works for Gmail. I don't actually know if it works for whatever email system you're using. 259 \ 00:20:36.540 --> 00:20:38.529 \ Graham Stoddart-Stones: Do you know what your email system is? 260 \ 00:20:38.890 --> 00:20:43.180 \ Scott Mason: No, just Outlook 365, like, Microsoft 365, I don't know any more than that. 261 \ 00:20:47.700 --> 00:20:50.200 \ Stuart Bacon: Switch it to Advanced View. 262 \ 00:20:52.600 --> 00:20:53.079 \ Scott Mason: Where am I going? 263 \ 00:20:53.080 --> 00:20:55.970 \ Stuart Bacon: Just under it says users, in that second column. 264 \ 00:20:57.280 --> 00:21:02.489 \ Stuart Bacon: Okay, so that's just given me the user ID. 265 \ 00:21:09.750 --> 00:21:22.959 \ Stuart Bacon: I thought it gave, profile details there. And let's… actually, scroll down to the bottom, yeah, I think that's where it is. That scroller to the, scroll bar, move that across to the right, 266 \ 00:21:23.070 --> 00:21:26.649 \ Stuart Bacon: And yeah, they're on Master Pro… they're all on Master Profile. 267 \ 00:21:27.980 --> 00:21:30.520 \ Stuart Bacon: As their profile, so you can… 268 \ 00:21:32.010 --> 00:21:39.530 \ Stuart Bacon: If you set up an alternative profile, you can change individuals from one profile to the other in the user level. 269 \ 00:21:40.020 --> 00:21:44.049 \ Scott Mason: I can… I can get a colleague to log in and check, it's probably easier. 270 \ 00:21:44.220 --> 00:21:46.780 \ Scott Mason: See what they can see, if they're all master profiles. 271 \ 00:21:47.350 --> 00:21:52.010 \ Stuart Bacon: Yeah, from that, to me, that says everybody's got access to that now. 272 \ 00:21:52.470 --> 00:21:56.340 \ Scott Mason: And then everyone would have the same view down the left-hand side as me. 273 \ 00:21:56.360 --> 00:21:57.140 \ Stuart Bacon: Yeah. 274 \ 00:22:00.980 --> 00:22:01.770 \ Scott Mason: Okay. 275 \ 00:22:05.310 --> 00:22:11.920 \ Scott Mason: So… to do that, I just need to make sure that's clear in my head. I go to Administration and Collections. 276 \ 00:22:12.520 --> 00:22:13.830 \ Scott Mason: Archived. 277 \ 00:22:15.590 --> 00:22:19.820 \ Scott Mason: No, not that one, that's the color. Somewhere I added them in, wasn't it? On the card? 278 \ 00:22:19.820 --> 00:22:24.550 \ Stuart Bacon: Yeah, layers. The tab… yeah, the tab layer on top there. 279 \ 00:22:24.550 --> 00:22:26.660 \ Scott Mason: And I was moved them across, and then… 280 \ 00:22:27.470 --> 00:22:28.609 \ Stuart Bacon: And then save it. 281 \ 00:22:28.690 --> 00:22:33.620 \ Scott Mason: So there's another one, so I can move that across, save… Save… 282 \ 00:22:35.910 --> 00:22:38.010 \ Scott Mason: Back to Maps, and just check that's worked. 283 \ 00:22:39.830 --> 00:22:44.480 \ Stuart Bacon: It's just double-checking as to know whether that's… So that's gone in. Yeah. 284 \ 00:22:44.650 --> 00:22:48.320 \ Scott Mason: Fine. And then that shouldn't technically be under Paris layers anymore, should it? 285 \ 00:22:49.380 --> 00:22:50.170 \ Stuart Bacon: No. 286 \ 00:22:50.170 --> 00:22:51.620 \ Scott Mason: It's fine, it's gone. Yeah. 287 \ 00:22:53.720 --> 00:22:54.799 \ Stuart Bacon: So, yeah, you've… 288 \ 00:22:54.800 --> 00:22:55.949 \ Scott Mason: Oh, no, is there? 289 \ 00:22:56.870 --> 00:23:02.199 \ Scott Mason: It's there, 1, 2, those 3, and that one there, still in Parish layers. 290 \ 00:23:02.200 --> 00:23:05.250 \ Stuart Bacon: Okay, so let's go back in. 291 \ 00:23:05.510 --> 00:23:13.359 \ Stuart Bacon: do that under Admin again, because I think I'd see where that comes from. If you go to Collections. 292 \ 00:23:13.830 --> 00:23:15.669 \ Stuart Bacon: And go to Parish Layers. 293 \ 00:23:15.960 --> 00:23:16.540 \ Scott Mason: Yep. 294 \ 00:23:16.920 --> 00:23:20.750 \ Stuart Bacon: Go to Layers, No. 295 \ 00:23:23.550 --> 00:23:25.090 \ Stuart Bacon: Scroll down… 296 \ 00:23:25.970 --> 00:23:27.120 \ Scott Mason: So that's one of them. 297 \ 00:23:27.280 --> 00:23:29.410 \ Stuart Bacon: Yeah, so, call that one out. 298 \ 00:23:30.710 --> 00:23:33.660 \ Scott Mason: Okay. Same with the others. Yeah. 299 \ 00:23:37.540 --> 00:23:41.949 \ Graham Stoddart-Stones: And then you need to pull those new ones. There's one at the top, several down there, right? 300 \ 00:23:43.350 --> 00:23:47.699 \ Scott Mason: That's one, that's one. I've just got to make sure I do the right ones. 301 \ 00:23:47.830 --> 00:23:48.600 \ Graham Stoddart-Stones: No, right. 302 \ 00:23:48.600 --> 00:23:52.410 \ Scott Mason: That's… That's 3 of the 4 I've just seen. 303 \ 00:23:52.410 --> 00:23:54.680 \ Stuart Bacon: Was it all grass areas? Is that the… is the… 304 \ 00:23:54.680 --> 00:23:56.229 \ Scott Mason: No, I don't think so, I think… 305 \ 00:23:56.620 --> 00:23:58.490 \ Scott Mason: Bear with me, I think it's the urban one. 306 \ 00:23:58.780 --> 00:23:59.890 \ Scott Mason: We'll get back, I think that should have… 307 \ 00:23:59.890 --> 00:24:04.070 \ Stuart Bacon: If you skip over, just go down to the archived layers on that list, you should. 308 \ 00:24:04.070 --> 00:24:05.099 \ Scott Mason: Oh, I see. 309 \ 00:24:09.990 --> 00:24:12.249 \ Scott Mason: And they won't be at the bottom of this list, will they? 310 \ 00:24:12.710 --> 00:24:14.679 \ Scott Mason: Yeah, they've gone from there, that's fine. 311 \ 00:24:15.000 --> 00:24:21.580 \ Stuart Bacon: Yeah. So, you can add them into this new layer that you've created, but you've also got to take them out of the… 312 \ 00:24:21.820 --> 00:24:24.779 \ Stuart Bacon: Fine. The Parish lair and whatever for… yeah. 313 \ 00:24:25.890 --> 00:24:27.199 \ Scott Mason: Okay, I can do that. 314 \ 00:24:27.500 --> 00:24:32.709 \ Graham Stoddart-Stones: Let me just, say hello to Belinda, who feels otherwise that she may be being ignored. 315 \ 00:24:34.980 --> 00:24:38.659 \ Graham Stoddart-Stones: Sorry, Belinda, we've just been scattering around on something else. 316 \ 00:24:38.660 --> 00:24:47.300 \ Belinda Baker: No, no, I'm fine, I'm just, amusing, yes, you're struggling there, so keep going, I'm sure you'll solve it. 317 \ 00:24:49.190 --> 00:24:58.600 \ Graham Stoddart-Stones: Well, it's a bit of a one-off, actually. Scott is clearly unique insofar as he's the only person using Parish Online that has this facility. 318 \ 00:24:59.320 --> 00:25:01.760 \ Graham Stoddart-Stones: So, you have to, sort of. 319 \ 00:25:02.010 --> 00:25:07.100 \ Graham Stoddart-Stones: Get down on your knees when you're talking to him, just because he's reverence, or otherwise. 320 \ 00:25:07.100 --> 00:25:09.440 \ Belinda Baker: So, I'm very impressed, Scott. 321 \ 00:25:11.990 --> 00:25:21.330 \ Belinda Baker: I'm an amateur of… I'm not an amateur of the highest level in comparison. I bow down. I'm slightly embarrassed to ask what I'm going to ask. 322 \ 00:25:21.330 --> 00:25:23.610 \ Scott Mason: Do you use many layers at all within… 323 \ 00:25:24.560 --> 00:25:32.519 \ Belinda Baker: No, and I find it very frustrating. One of the things I find frustrating is I don't use enough layers, and I haven't worked out how to delete, how to… 324 \ 00:25:32.660 --> 00:25:36.380 \ Belinda Baker: had to hold the layers so I could just go back, which is… 325 \ 00:25:36.380 --> 00:25:40.830 \ Graham Stoddart-Stones: Well, we can certainly get to that in a second. Scott, do we have anything else that we haven't covered? 326 \ 00:25:41.090 --> 00:25:42.870 \ Scott Mason: That's it for this week, thank you. 327 \ 00:25:42.870 --> 00:25:47.080 \ Graham Stoddart-Stones: So we're full of admiration for your two new events. 328 \ 00:25:47.090 --> 00:25:47.800 \ Scott Mason: You will. 329 \ 00:25:47.800 --> 00:25:56.100 \ Graham Stoddart-Stones: We've got an X map like Portal, which is magic, which everyone has been asking for. Don't tell Andrew Clegg whatever we do, otherwise he'll go green. 330 \ 00:25:56.500 --> 00:26:01.480 \ Graham Stoddart-Stones: And, and congratulations on your new 3D building plan, whatever it called it. 331 \ 00:26:01.480 --> 00:26:04.360 \ Scott Mason: Work in progress, yeah. 332 \ 00:26:04.360 --> 00:26:04.830 \ Graham Stoddart-Stones: Good luck. 333 \ 00:26:04.830 --> 00:26:06.530 \ Scott Mason: Thanks, you all, nice to see you all. 334 \ 00:26:06.690 --> 00:26:07.360 \ Graham Stoddart-Stones: Take care. 335 \ 00:26:07.360 --> 00:26:07.970 \ Scott Mason: Cheers, bye-bye. 336 \ 00:26:07.970 --> 00:26:08.520 \ Stuart Bacon: Nope. 337 \ 00:26:08.760 --> 00:26:09.270 \ Scott Mason: late. 338 \ 00:26:10.940 --> 00:26:15.120 \ Graham Stoddart-Stones: So, Belinda, please forgive me, I've forgotten what part of the country you're in. 339 \ 00:26:15.120 --> 00:26:16.180 \ Belinda Baker: Hampshire. 340 \ 00:26:16.860 --> 00:26:18.190 \ Graham Stoddart-Stones: You poor person. 341 \ 00:26:22.520 --> 00:26:27.139 \ Graham Stoddart-Stones: So we now switched down to a less exalted mode. 342 \ 00:26:27.140 --> 00:26:27.900 \ Belinda Baker: Yes. 343 \ 00:26:27.900 --> 00:26:30.929 \ Graham Stoddart-Stones: We're all happier to work with you. 344 \ 00:26:31.200 --> 00:26:42.599 \ Belinda Baker: Thank you. What I was wondering… what I've got is that there is a bridge, an A3… the A34 bridge goes across the parish. We wanted to put in a light under that bridge. 345 \ 00:26:42.620 --> 00:26:55.719 \ Belinda Baker: Hampshire has said, you can't put an electric light, you can only put in solar panels. So I want to work out where the sunlight is going to go around where they are wanting to put the panels. 346 \ 00:26:55.900 --> 00:26:57.300 \ Belinda Baker: Okay. 347 \ 00:26:57.890 --> 00:26:58.710 \ Belinda Baker: Yup. 348 \ 00:26:59.520 --> 00:27:01.179 \ Belinda Baker: And I thought you might be able to help! 349 \ 00:27:01.650 --> 00:27:03.430 \ Stuart Bacon: Sounds like an interesting challenge. 350 \ 00:27:03.980 --> 00:27:20.210 \ Graham Stoddart-Stones: Actually, Tristram, who is the chairman of Parish Online, is doing this a lot at the moment, because he's trying to find all the roofs in the United Kingdom that would be suitable for solar panels, but aren't at the moment. So he needs to find all the ones that face south and west. 351 \ 00:27:20.210 --> 00:27:21.090 \ Belinda Baker: Hmm. 352 \ 00:27:21.090 --> 00:27:29.139 \ Graham Stoddart-Stones: And he's got AI helping him to do that, but in your case, I'm sure we can help. Would you like to… are you familiar with sharing a screen in Zoom? 353 \ 00:27:29.140 --> 00:27:31.069 \ Belinda Baker: Yeah, that's fine, I'll put it up. 354 \ 00:27:31.070 --> 00:27:34.320 \ Graham Stoddart-Stones: Share your screen and put us into your parish online. 355 \ 00:27:34.320 --> 00:27:37.949 \ Belinda Baker: How do I sh- oh, share screen is share screen, isn't it? There we are. 356 \ 00:27:38.240 --> 00:27:39.210 \ Belinda Baker: share. 357 \ 00:27:39.590 --> 00:27:41.360 \ Belinda Baker: And then it gives you. 358 \ 00:27:41.360 --> 00:27:45.040 \ Graham Stoddart-Stones: all your open browser windows, and you select the one that's got Parish Online in it. 359 \ 00:27:45.040 --> 00:27:46.240 \ Belinda Baker: Have you got, have you got it? 360 \ 00:27:46.560 --> 00:27:49.320 \ Stuart Bacon: It's opening now, yep, it's just starting to come through. 361 \ 00:27:49.320 --> 00:27:50.540 \ Belinda Baker: Okay, so… 362 \ 00:27:50.540 --> 00:27:51.300 \ Graham Stoddart-Stones: Yeah, we've got it. 363 \ 00:27:51.300 --> 00:27:54.439 \ Belinda Baker: Can you see, so it's this bridge here, is that right? Have you got that? 364 \ 00:27:54.440 --> 00:27:56.010 \ Graham Stoddart-Stones: Oh, yes, absolutely. 365 \ 00:27:56.010 --> 00:28:01.200 \ Belinda Baker: So what Hampshire's saying is they're going to put in a solar panel thing here. 366 \ 00:28:02.150 --> 00:28:03.630 \ Stuart Bacon: Passively unfortunate. 367 \ 00:28:03.630 --> 00:28:10.530 \ Belinda Baker: And I'm just looking at it going, I just… I just don't think you're gonna have the light to be able to light underneath that. 368 \ 00:28:11.130 --> 00:28:14.879 \ Stuart Bacon: It's a shame they couldn't do it on the other side of the bridge. 369 \ 00:28:14.880 --> 00:28:23.559 \ Belinda Baker: Well, that's what I want to be able to say, actually, funnily enough. But, I mean, there were allotments here, so they're assuming that these allotments are… 370 \ 00:28:23.660 --> 00:28:30.190 \ Belinda Baker: Parish, actually, they're not. So… I, I, I. 371 \ 00:28:30.190 --> 00:28:37.450 \ Graham Stoddart-Stones: Have they said… have they said, Belinda, how they anticipate mounting these panels? Are they going to be on a pole, for instance? 372 \ 00:28:37.450 --> 00:28:41.260 \ Belinda Baker: Well, they didn't say that… I can just check back on the emails. 373 \ 00:28:41.670 --> 00:28:42.270 \ Belinda Baker: July. 374 \ 00:28:42.270 --> 00:28:44.190 \ Graham Stoddart-Stones: It doesn't really matter where it is, they can just make. 375 \ 00:28:44.190 --> 00:28:44.960 \ Belinda Baker: Yeah, this… 376 \ 00:28:44.960 --> 00:28:45.300 \ Graham Stoddart-Stones: Paste. 377 \ 00:28:45.300 --> 00:28:55.339 \ Belinda Baker: Yeah, the size of the third panel is 740x82mm… 18mm. The battery is incorporated with… and is not a separate component. 378 \ 00:28:55.340 --> 00:28:56.100 \ Graham Stoddart-Stones: Right. 379 \ 00:28:56.100 --> 00:28:58.900 \ Belinda Baker: And… 380 \ 00:28:58.900 --> 00:28:59.310 \ Graham Stoddart-Stones: But we've. 381 \ 00:28:59.310 --> 00:29:04.799 \ Belinda Baker: It says to provide a 4-meter post fitted with a solar panel and battery kit. 382 \ 00:29:10.240 --> 00:29:12.119 \ Belinda Baker: So it's a 4 meter post. 383 \ 00:29:12.450 --> 00:29:18.589 \ Graham Stoddart-Stones: Could I just ask you to turn on your aerial photography? Let's just see what else is in there, in the way. 384 \ 00:29:18.850 --> 00:29:20.680 \ Belinda Baker: Okay, photography latest. 385 \ 00:29:20.680 --> 00:29:22.000 \ Graham Stoddart-Stones: Yep. 386 \ 00:29:22.000 --> 00:29:25.650 \ Stuart Bacon: And then if you go up to the PSGA and turn that to… 387 \ 00:29:26.340 --> 00:29:27.410 \ Graham Stoddart-Stones: Zero-ish. 388 \ 00:29:27.650 --> 00:29:30.750 \ Stuart Bacon: Change that to white, rather than standard. 389 \ 00:29:33.840 --> 00:29:35.530 \ Stuart Bacon: And turn the standard one off. 390 \ 00:29:36.190 --> 00:29:37.339 \ Belinda Baker: Okay, okay. 391 \ 00:29:39.700 --> 00:29:40.360 \ Stuart Bacon: I hit it. 392 \ 00:29:42.840 --> 00:29:48.650 \ Graham Stoddart-Stones: So, their panel is going to be, they're suggesting, on that right-hand side, which is in the middle of a bunch of trees. 393 \ 00:29:49.060 --> 00:29:50.630 \ Belinda Baker: Well, yes. 394 \ 00:29:51.360 --> 00:29:53.869 \ John Roberts: I've cheated, and I've brought up Google. 395 \ 00:29:57.170 --> 00:30:00.450 \ John Roberts: The whole area is surrounded by forest, basically. 396 \ 00:30:00.450 --> 00:30:01.240 \ Graham Stoddart-Stones: Yes. 397 \ 00:30:02.160 --> 00:30:07.879 \ Graham Stoddart-Stones: Yeah, it's very interesting, isn't it? I suppose there is room on that little triangle. You say that's allotments down there. 398 \ 00:30:07.880 --> 00:30:10.789 \ Belinda Baker: Yeah, the slot was there, this whole thing's allotments. 399 \ 00:30:12.830 --> 00:30:14.960 \ John Roberts: Springvale Road Allotment. 400 \ 00:30:15.230 --> 00:30:16.010 \ Belinda Baker: Yeah. 401 \ 00:30:21.690 --> 00:30:26.860 \ John Roberts: I'm guessing that they want to attach it on, or as near to the bridge as they can. 402 \ 00:30:27.100 --> 00:30:28.410 \ Belinda Baker: Yeah, I think so. 403 \ 00:30:33.480 --> 00:30:38.149 \ Belinda Baker: I'm gonna do this, this photograph's got a nice little shadow, looks like evening shadow, doesn't it? 404 \ 00:30:40.280 --> 00:30:42.009 \ Stuart Bacon: Morning! It's east. 405 \ 00:30:42.010 --> 00:30:43.490 \ Graham Stoddart-Stones: I think it's morning, yes. 406 \ 00:30:44.320 --> 00:30:46.009 \ Graham Stoddart-Stones: The sun's back on your right hand. 407 \ 00:30:46.010 --> 00:30:48.079 \ Belinda Baker: Well, there we are, I've learned something already! 408 \ 00:30:52.470 --> 00:30:56.760 \ Stuart Bacon: Yeah, no, that'd be… that'd be a… a sort of 9 o'clock shadow, kind of. 409 \ 00:30:57.560 --> 00:31:05.759 \ Graham Stoddart-Stones: Could you just do me a favor, please, Belinda? Could you, go to the OS Premium stack white, and just turn the transparency down to zero? 410 \ 00:31:06.080 --> 00:31:08.480 \ Belinda Baker: So, this… No, what am I. 411 \ 00:31:08.480 --> 00:31:11.950 \ Graham Stoddart-Stones: Yeah, there we go, that's right. Yeah, well, take… you put it back again now. 412 \ 00:31:12.490 --> 00:31:14.960 \ Belinda Baker: Okay, so I'm going to… is that right? No. 413 \ 00:31:14.960 --> 00:31:17.740 \ Graham Stoddart-Stones: No, no, you click on the cogwheel. 414 \ 00:31:17.990 --> 00:31:19.420 \ Belinda Baker: Oh, sorry, Mike, that's… 415 \ 00:31:19.420 --> 00:31:21.010 \ Graham Stoddart-Stones: Transparency to zero. 416 \ 00:31:22.260 --> 00:31:28.720 \ Graham Stoddart-Stones: There we go, because I'm just looking to see… so it's that little… A bit under the bridge. 417 \ 00:31:28.720 --> 00:31:29.180 \ Belinda Baker: Yeah. 418 \ 00:31:29.180 --> 00:31:33.280 \ Graham Stoddart-Stones: Here and now we have got all those markings in. Yeah. 419 \ 00:31:35.440 --> 00:31:40.879 \ Graham Stoddart-Stones: So you've got your post, which… did they say you're going to mount it on the side of the bridge? 420 \ 00:31:41.520 --> 00:31:57.339 \ Belinda Baker: Well, they didn't… well, they were just vague about that, obviously. Providing is still a 4-meter post fitted with a solar panel and battery kit in the Parish Council-owned allotment on the north side of the A34 bridge. 421 \ 00:31:57.340 --> 00:31:59.470 \ Graham Stoddart-Stones: Oh, in the alliance, I'm sorry, I missed that. 422 \ 00:31:59.470 --> 00:31:59.880 \ Belinda Baker: Yeah. 423 \ 00:31:59.880 --> 00:32:05.040 \ Graham Stoddart-Stones: Okay, so if it's in the allotments, and you're on a post, then you don't have a problem, do you? 424 \ 00:32:05.470 --> 00:32:13.140 \ Belinda Baker: Well, I don't know, I mean, how much… I mean, how much sunlight is gonna… the… I mean, I was more worried about the… the… the, 425 \ 00:32:13.140 --> 00:32:26.530 \ Belinda Baker: the A34, how much sunlight was going to reach it. I mean, I don't know, I mean, we haven't got permission from the allotments, so I was assuming I was going to have to put it on the side to minimise disturbance from the allotments, because it's not our allotments. 426 \ 00:32:28.200 --> 00:32:29.230 \ Graham Stoddart-Stones: Whoa. 427 \ 00:32:29.230 --> 00:32:30.500 \ John Roberts: Who owns the allotment? 428 \ 00:32:30.990 --> 00:32:31.920 \ Belinda Baker: The church. 429 \ 00:32:32.740 --> 00:32:33.829 \ John Roberts: God, yeah, alright. 430 \ 00:32:34.770 --> 00:32:38.030 \ Stuart Bacon: Can you… Can you get it… 431 \ 00:32:38.320 --> 00:32:56.460 \ Stuart Bacon: Set up… I'm just trying to think of options. Can you get it set up where it's double-wired, and you've got a post on the northeast side in the allotments, and one on the southwest side in that field? 432 \ 00:32:56.460 --> 00:32:58.720 \ Graham Stoddart-Stones: Yeah, but you double up the cost, haven't you? 433 \ 00:32:58.720 --> 00:33:04.560 \ Stuart Bacon: I appreciate that that doubles up the cost, but it solves the… problem of… 434 \ 00:33:04.670 --> 00:33:09.319 \ Stuart Bacon: If you haven't got enough power in one side, then it's powered from the other. 435 \ 00:33:09.570 --> 00:33:20.700 \ Belinda Baker: Yeah, that's what I'm thinking, is to powering a light underneath, and I am very concerned. If you put this up, it's going to cost 22 grand, and it's just, just not going to do the job, especially in winter. 436 \ 00:33:20.870 --> 00:33:23.769 \ Belinda Baker: You need the light in winter, but you just don't get the power. 437 \ 00:33:23.770 --> 00:33:28.259 \ Graham Stoddart-Stones: There's a lot of trees there, too, aren't there? Yeah, there's a lot of trees, and yeah. 438 \ 00:33:28.890 --> 00:33:31.819 \ John Roberts: Can I ask a favor a minute? May I share my screen? 439 \ 00:33:32.090 --> 00:33:32.600 \ Belinda Baker: Yeah. 440 \ 00:33:33.030 --> 00:33:35.400 \ Belinda Baker: How do I do that? Do I stop share here? 441 \ 00:33:35.400 --> 00:33:36.350 \ Stuart Bacon: Yeah, and, yeah. 442 \ 00:33:44.400 --> 00:33:45.780 \ John Roberts: That's what you're looking at. 443 \ 00:33:45.940 --> 00:33:46.320 \ Belinda Baker: Yes. 444 \ 00:33:46.320 --> 00:33:47.580 \ Graham Stoddart-Stones: Seed you, yes. 445 \ 00:33:47.830 --> 00:33:48.530 \ Belinda Baker: Yeah. 446 \ 00:33:48.880 --> 00:33:49.989 \ Belinda Baker: That's exactly it. 447 \ 00:33:49.990 --> 00:33:51.430 \ Graham Stoddart-Stones: Really tricky, isn't it? 448 \ 00:33:51.430 --> 00:33:52.609 \ John Roberts: There's the allotments. 449 \ 00:33:52.610 --> 00:33:53.310 \ Belinda Baker: Yeah. 450 \ 00:33:54.980 --> 00:33:58.699 \ John Roberts: I mean, there's nothing that hasn't got a tree on it. 451 \ 00:33:59.210 --> 00:34:02.110 \ Graham Stoddart-Stones: I can see your concern, Belinda. 452 \ 00:34:05.800 --> 00:34:13.550 \ John Roberts: Well, I mean, if the… If you get permission from the church to put it in the allotment, 453 \ 00:34:15.050 --> 00:34:16.350 \ Graham Stoddart-Stones: That would be helpful, wouldn't it? 454 \ 00:34:16.350 --> 00:34:18.649 \ Belinda Baker: Yeah, that's the only way you're gonna do it, isn't it? 455 \ 00:34:18.650 --> 00:34:22.149 \ Stuart Bacon: I mean, presumably it could go in the Verge there as well, just outside the. 456 \ 00:34:22.150 --> 00:34:24.720 \ John Roberts: I was gonna say, if it went on this edge here… 457 \ 00:34:26.239 --> 00:34:30.710 \ Graham Stoddart-Stones: Isn't… is there a tree trunk in the middle of the allotments, left-hand side-ish? What's… 458 \ 00:34:30.719 --> 00:34:31.289 \ John Roberts: there. 459 \ 00:34:31.290 --> 00:34:32.929 \ Graham Stoddart-Stones: Can you stick it on top of the tree? 460 \ 00:34:35.229 --> 00:34:39.430 \ John Roberts: I think that's… too far into the allotments. If it… 461 \ 00:34:39.580 --> 00:34:42.799 \ John Roberts: There's… I'm assuming that's the entrance to the allotment. 462 \ 00:34:42.989 --> 00:34:50.899 \ Belinda Baker: I don't know. No, I think it's the other side, actually, the entrance, but that might be… that might be… dude, God knows what that is. 463 \ 00:34:50.900 --> 00:34:54.739 \ Stuart Bacon: Can you move it… can you move your… Pin along any, John. 464 \ 00:34:55.280 --> 00:34:56.179 \ John Roberts: In which way? 465 \ 00:34:56.520 --> 00:34:58.690 \ Stuart Bacon: Just, just towards that, 466 \ 00:34:58.690 --> 00:34:59.780 \ Graham Stoddart-Stones: Go to the right. 467 \ 00:34:59.780 --> 00:35:00.430 \ Stuart Bacon: Yeah. 468 \ 00:35:02.190 --> 00:35:03.240 \ Graham Stoddart-Stones: So, yeah. 469 \ 00:35:06.520 --> 00:35:09.330 \ Belinda Baker: Yeah, you could put it in there, couldn't you? 470 \ 00:35:10.370 --> 00:35:14.179 \ Graham Stoddart-Stones: Nick, I think your trees are going to be shadowing from the south and southwesterly sun. 471 \ 00:35:15.970 --> 00:35:19.340 \ Belinda Baker: Is that… that's best, wouldn't it? South and southwesterly? 472 \ 00:35:19.550 --> 00:35:20.870 \ Graham Stoddart-Stones: I think so, yes. 473 \ 00:35:22.000 --> 00:35:26.989 \ Stuart Bacon: What you would have as a problem, though, the further away from the bridge you get. 474 \ 00:35:27.400 --> 00:35:29.209 \ Stuart Bacon: You've got cable droop. 475 \ 00:35:30.390 --> 00:35:31.010 \ Graham Stoddart-Stones: Yep. 476 \ 00:35:32.030 --> 00:35:33.500 \ Stuart Bacon: So… 477 \ 00:35:33.500 --> 00:35:34.629 \ John Roberts: Not go underground? 478 \ 00:35:34.630 --> 00:35:36.430 \ Graham Stoddart-Stones: It'll be an underlying cable, surely. 479 \ 00:35:36.430 --> 00:35:42.529 \ Stuart Bacon: Well, I was gonna say, it all depends how it's set up, whether it's an underground cable or not. 480 \ 00:35:42.530 --> 00:35:43.100 \ Belinda Baker: Mmm. 481 \ 00:35:43.100 --> 00:35:45.870 \ Stuart Bacon: If it is… if it's a raised cable. 482 \ 00:35:46.150 --> 00:35:50.940 \ Stuart Bacon: The further away you are, the more of a problem that… could become. 483 \ 00:35:51.370 --> 00:35:58.700 \ John Roberts: I don't think there… sorry. I don't think there's anywhere on the other side that's practical, to be honest. 484 \ 00:35:58.700 --> 00:35:59.500 \ Belinda Baker: No. 485 \ 00:36:01.010 --> 00:36:01.750 \ Belinda Baker: Well. 486 \ 00:36:01.750 --> 00:36:02.170 \ Graham Stoddart-Stones: Whoa. 487 \ 00:36:02.170 --> 00:36:03.660 \ Belinda Baker: That wall. 488 \ 00:36:03.660 --> 00:36:09.199 \ Graham Stoddart-Stones: That verge on the right, on the left-hand side there is all going to be looking towards the southwest, isn't it? 489 \ 00:36:09.200 --> 00:36:10.830 \ Belinda Baker: And what about that wall? 490 \ 00:36:12.700 --> 00:36:16.110 \ Stuart Bacon: Yeah, that wall would be superb, wouldn't it? On the right-hand side. 491 \ 00:36:16.110 --> 00:36:16.880 \ John Roberts: Fair. 492 \ 00:36:17.100 --> 00:36:17.830 \ Belinda Baker: Yeah. 493 \ 00:36:20.290 --> 00:36:21.020 \ Graham Stoddart-Stones: That's pretty good. 494 \ 00:36:21.020 --> 00:36:23.930 \ John Roberts: If you were looking… if you were looking that way, yeah. 495 \ 00:36:24.480 --> 00:36:27.330 \ Belinda Baker: But that's it, but yeah, but where's the sun coming around? 496 \ 00:36:27.330 --> 00:36:31.240 \ Stuart Bacon: The sun would come at it from down the road. 497 \ 00:36:31.240 --> 00:36:31.830 \ Graham Stoddart-Stones: Yeah. 498 \ 00:36:32.060 --> 00:36:37.809 \ Stuart Bacon: And over the field to the left, wouldn't it? For an evening side, it would come from the field to… 499 \ 00:36:38.030 --> 00:36:38.629 \ Stuart Bacon: to the left. 500 \ 00:36:38.630 --> 00:36:41.600 \ Graham Stoddart-Stones: Well, no, in the summer, it's going to be over the other side of the bridge. 501 \ 00:36:41.810 --> 00:36:44.950 \ Graham Stoddart-Stones: For the, sort of, the northwesterly place. 502 \ 00:36:47.640 --> 00:36:49.120 \ John Roberts: So you're back to that again. 503 \ 00:36:49.120 --> 00:36:49.960 \ Belinda Baker: Yeah. 504 \ 00:36:50.690 --> 00:36:55.600 \ Belinda Baker: I think it's gonna be… I think they're gonna have to buy… provide us with batteries. 505 \ 00:36:57.150 --> 00:36:58.330 \ Belinda Baker: Or some sort of… 506 \ 00:36:58.330 --> 00:37:01.020 \ Graham Stoddart-Stones: More battery. Would you say it's got a built-in battery? 507 \ 00:37:01.020 --> 00:37:04.049 \ Belinda Baker: No, I don't think it has, actually. Well, it must be. 508 \ 00:37:04.050 --> 00:37:08.679 \ Stuart Bacon: What you read earlier said the panels had got batteries built in? 509 \ 00:37:08.680 --> 00:37:10.570 \ Belinda Baker: Okay, then it has, sorry. 510 \ 00:37:11.310 --> 00:37:14.159 \ Belinda Baker: Solar panel and battery kit, yes, you're right. 511 \ 00:37:16.200 --> 00:37:18.400 \ Graham Stoddart-Stones: Well, I think that from… 512 \ 00:37:18.400 --> 00:37:20.140 \ John Roberts: I'll stop sharing in a minute. 513 \ 00:37:20.630 --> 00:37:26.430 \ Graham Stoddart-Stones: Well… It looks like that southerly wall is not a bad position, at least to start with. 514 \ 00:37:27.650 --> 00:37:28.400 \ Belinda Baker: Hmm. 515 \ 00:37:30.050 --> 00:37:41.450 \ Graham Stoddart-Stones: And I would have thought that if you could go a bit further down the verge on the south side, so that it's… you've got a post that's free of trees and shadows and things, you get a lot more sun. 516 \ 00:37:42.200 --> 00:37:44.020 \ Belinda Baker: And is the sun gonna come round? 517 \ 00:37:44.860 --> 00:37:46.839 \ Belinda Baker: The song's gonna… well… 518 \ 00:37:46.840 --> 00:37:51.410 \ Graham Stoddart-Stones: Well, it's going to start… if you take your wall that's facing south at the moment, there's somewhere. 519 \ 00:37:51.410 --> 00:37:51.800 \ Belinda Baker: Yeah. 520 \ 00:37:51.800 --> 00:37:55.949 \ Graham Stoddart-Stones: off, way over to the right, so it won't be much use to you early in the morning. 521 \ 00:37:56.170 --> 00:38:03.929 \ Graham Stoddart-Stones: But as it comes round towards, I don't know, 10 o'clock in the morning, you probably start getting it on that wall, and you get it through there until… 522 \ 00:38:04.180 --> 00:38:06.910 \ Graham Stoddart-Stones: 4 or 5 o'clock when it goes too far west. 523 \ 00:38:07.210 --> 00:38:07.630 \ Belinda Baker: Yeah. 524 \ 00:38:07.660 --> 00:38:13.979 \ Graham Stoddart-Stones: So, I think you're really cutting down the time in the summer, but of course the summer isn't the time you really need it. 525 \ 00:38:14.430 --> 00:38:16.430 \ Belinda Baker: True. True. 526 \ 00:38:16.430 --> 00:38:18.169 \ Graham Stoddart-Stones: Well, not so much wise, anyway. 527 \ 00:38:18.310 --> 00:38:19.000 \ Belinda Baker: Yeah. 528 \ 00:38:20.210 --> 00:38:22.660 \ Belinda Baker: Okay, thank you, that's very helpful. 529 \ 00:38:23.700 --> 00:38:24.650 \ Belinda Baker: And since I. 530 \ 00:38:24.650 --> 00:38:26.010 \ Graham Stoddart-Stones: bodies. 531 \ 00:38:26.010 --> 00:38:34.769 \ Belinda Baker: Well, it's quite a lot of money, 25 grand, and you can just see it's gonna go… if you don't get enough light, it's just a complete waste. 532 \ 00:38:35.500 --> 00:38:36.150 \ Graham Stoddart-Stones: Right. 533 \ 00:38:37.260 --> 00:38:40.030 \ Belinda Baker: Right, now, can I talk to you about layers? 534 \ 00:38:40.570 --> 00:38:43.579 \ Graham Stoddart-Stones: Yes, do. We are all about layers. 535 \ 00:38:43.580 --> 00:38:47.609 \ Belinda Baker: Okay, I'm gonna go back to my Parish online, because I fi- well, no, hold on. 536 \ 00:38:47.970 --> 00:38:59.940 \ Belinda Baker: I'm finding that when I put in a… when I'm… look, for instance, if I'm asked to do… provide a map, or an area, and I make my little area up on a layer, and I print it. 537 \ 00:39:00.840 --> 00:39:15.729 \ Belinda Baker: when I come back later, when I come back a couple days later, that is still there, and I've got to delete it so that I can work on my… to do something else. Now, I'm obviously doing something wrong. What is it? What am I missing? 538 \ 00:39:15.730 --> 00:39:23.060 \ Graham Stoddart-Stones: You've left your layer turned on, and you should… although each time you restart Parish Online, it shouldn't start automatically, that's interesting. 539 \ 00:39:23.060 --> 00:39:26.309 \ Stuart Bacon: So, screen share with us, and we can have a look. 540 \ 00:39:26.310 --> 00:39:27.339 \ Graham Stoddart-Stones: just shows it. 541 \ 00:39:27.340 --> 00:39:28.740 \ Belinda Baker: Not… okay. 542 \ 00:39:37.050 --> 00:39:39.669 \ Belinda Baker: Right, so I'm gonna go back to… 543 \ 00:39:40.780 --> 00:39:43.249 \ Belinda Baker: What have I got? Pages 30? Pages… 544 \ 00:39:43.250 --> 00:39:48.909 \ Graham Stoddart-Stones: If you want to turn off the aerial… the overhead aerial photography. 545 \ 00:39:50.000 --> 00:39:50.850 \ Belinda Baker: Okay. 546 \ 00:39:50.850 --> 00:39:53.680 \ Graham Stoddart-Stones: Yeah, and turn back on your normal, 547 \ 00:39:54.220 --> 00:39:55.290 \ Belinda Baker: PGSA. 548 \ 00:39:55.470 --> 00:39:56.709 \ Stuart Bacon: Yeah, the standard one. 549 \ 00:39:56.710 --> 00:39:58.670 \ Graham Stoddart-Stones: Okay. Yep. 550 \ 00:39:58.670 --> 00:39:59.170 \ Belinda Baker: Right. 551 \ 00:39:59.170 --> 00:39:59.980 \ Graham Stoddart-Stones: There you go. 552 \ 00:40:00.490 --> 00:40:01.980 \ Belinda Baker: So if I've gone in. 553 \ 00:40:04.000 --> 00:40:07.890 \ Stuart Bacon: So if you just minimize the… those… sections… 554 \ 00:40:10.910 --> 00:40:22.369 \ Belinda Baker: Okay, so if I've gone in to do something like assets and maintenance, and I've put my… those are quite straightforward on the assets and maintenance. 555 \ 00:40:22.550 --> 00:40:34.310 \ Belinda Baker: But, I've actually had to delete all the recent ones, but I had, you know, I put in a line around here, because I wanted to save it. I wanted to present a map, so I… 556 \ 00:40:34.310 --> 00:40:47.739 \ Belinda Baker: printed the map using print, saved it on my computer, used it for what I needed to do. But when I came back, and for instance, I wanted to put in a, a defibrillator. 557 \ 00:40:48.090 --> 00:40:50.389 \ Belinda Baker: It… it just popped up again. 558 \ 00:40:51.980 --> 00:40:57.810 \ Belinda Baker: So, I'm doing something wrong, so I'm not saving my layers properly, so that 559 \ 00:40:58.210 --> 00:40:59.540 \ Belinda Baker: Which is what I want to do. 560 \ 00:41:00.020 --> 00:41:03.520 \ Graham Stoddart-Stones: Can you show us the layer in which you do have that area stored? 561 \ 00:41:03.520 --> 00:41:06.309 \ Belinda Baker: I've actually deleted it all in frustration. 562 \ 00:41:09.250 --> 00:41:13.889 \ Stuart Bacon: So, is… you've got a defibrillator there when you click on that at the moment? 563 \ 00:41:13.890 --> 00:41:23.120 \ Belinda Baker: Yeah, so that's right. So if I go on to… so if you look at playground equipment, I've got… I've got my playground equipment done. 564 \ 00:41:23.780 --> 00:41:28.680 \ Belinda Baker: I haven't got trees or war memorials, but haven't got any. Playground areas are up and running. 565 \ 00:41:29.290 --> 00:41:45.059 \ Belinda Baker: But I'm just… so if I'm popping in and doing… and just checking something, and then I create a layer, I… I want to be able to put that layer to one side when I nix… want to do the same thing again. Do you see what I'm trying to say? 566 \ 00:41:45.600 --> 00:41:54.969 \ Belinda Baker: so if I want to make a map, or take a, take a, a detailed area, and then I want to, to… 567 \ 00:41:55.070 --> 00:42:00.189 \ Belinda Baker: put that to one side, so when I come back again, it's clear. But it doesn't, it tends to be there. 568 \ 00:42:00.640 --> 00:42:03.420 \ Stuart Bacon: So… log out. 569 \ 00:42:04.710 --> 00:42:05.400 \ Belinda Baker: Log out. 570 \ 00:42:05.900 --> 00:42:09.460 \ Stuart Bacon: Yeah, yeah, log out of Parish Online. 571 \ 00:42:10.770 --> 00:42:15.299 \ Stuart Bacon: And log back in, and show us what you mean. So click on the… on the cogs. 572 \ 00:42:16.110 --> 00:42:16.940 \ Belinda Baker: Okay. 573 \ 00:42:16.940 --> 00:42:18.640 \ Stuart Bacon: In the top right, log out. 574 \ 00:42:20.100 --> 00:42:22.860 \ Stuart Bacon: And then if you logged back in again… 575 \ 00:42:28.220 --> 00:42:30.640 \ Belinda Baker: Oh, for God's sake, no, I hate putting in my password in. 576 \ 00:42:37.580 --> 00:42:39.670 \ Graham Stoddart-Stones: Yeah, and save it, then you wouldn't have to. 577 \ 00:42:40.460 --> 00:42:43.889 \ Belinda Baker: Yeah, that… Tali, I kind of… I… 578 \ 00:42:44.100 --> 00:42:51.740 \ Belinda Baker: Sometimes I want to go back, and I've had to delete it, it is quite frustrating. I know I'm doing it wrong, I don't want to do it wrong. 579 \ 00:42:52.660 --> 00:42:55.830 \ Stuart Bacon: So… Your layers have disappeared now. 580 \ 00:42:56.330 --> 00:42:56.970 \ Belinda Baker: Yeah. 581 \ 00:42:59.620 --> 00:43:02.910 \ Stuart Bacon: So… I'm not seeing… 582 \ 00:43:03.560 --> 00:43:11.569 \ Belinda Baker: Well, they've disappeared because I've deleted it, so what I'm… I suppose what I'm trying to say is, how do I save a layer, and, and, 583 \ 00:43:11.990 --> 00:43:23.199 \ Belinda Baker: how can I annotate a layer and then save it so that it isn't… doesn't come up every time as the layer that I'm looking at? I want to be able to annotate it and put it to one side. 584 \ 00:43:23.200 --> 00:43:27.159 \ Graham Stoddart-Stones: Yeah, well, that's just creating a new layer, so if you go up into the Parish layers… 585 \ 00:43:28.100 --> 00:43:28.760 \ Belinda Baker: Yep. 586 \ 00:43:28.970 --> 00:43:34.019 \ Graham Stoddart-Stones: And, go up to the Create menu at the top. 587 \ 00:43:35.090 --> 00:43:38.490 \ Graham Stoddart-Stones: So, black line on the top, create is in the middle. 588 \ 00:43:39.340 --> 00:43:40.410 \ Belinda Baker: Oh, yeah, okay. 589 \ 00:43:40.410 --> 00:43:42.169 \ Graham Stoddart-Stones: Add a layer, new layer. 590 \ 00:43:42.680 --> 00:43:43.490 \ Belinda Baker: Oh. 591 \ 00:43:44.320 --> 00:43:46.689 \ Graham Stoddart-Stones: And call it something, whatever you want to. 592 \ 00:43:46.810 --> 00:43:47.670 \ Graham Stoddart-Stones: Cool it. 593 \ 00:43:48.300 --> 00:43:54.009 \ Graham Stoddart-Stones: whatever this section is, you're going to highlight. Just call it Belinda's Test, if you like, I don't mind. 594 \ 00:43:57.070 --> 00:43:58.500 \ Graham Stoddart-Stones: Okay. Max? 595 \ 00:43:58.760 --> 00:44:01.519 \ Stuart Bacon: And do this as maps test line. 596 \ 00:44:02.630 --> 00:44:07.380 \ Graham Stoddart-Stones: It's gonna be an area, isn't it? Isn't it gonna be a polygon? 597 \ 00:44:07.930 --> 00:44:08.870 \ Graham Stoddart-Stones: W. 598 \ 00:44:08.870 --> 00:44:12.179 \ Stuart Bacon: Well, I was gonna say we could do both, and then you've got the option. 599 \ 00:44:12.180 --> 00:44:16.720 \ Graham Stoddart-Stones: That's true. Alright, so this is a line. So, if you click on next, then, Belinda… 600 \ 00:44:17.910 --> 00:44:20.860 \ Graham Stoddart-Stones: And select the geometry type as a line layer. 601 \ 00:44:23.580 --> 00:44:24.720 \ Belinda Baker: Okay. 602 \ 00:44:24.720 --> 00:44:27.840 \ Graham Stoddart-Stones: And just say in the description, this is the line test. 603 \ 00:44:28.850 --> 00:44:29.610 \ Graham Stoddart-Stones: Yes. 604 \ 00:44:31.220 --> 00:44:32.150 \ Graham Stoddart-Stones: Perfect. 605 \ 00:44:34.140 --> 00:44:34.810 \ Graham Stoddart-Stones: Next. 606 \ 00:44:36.130 --> 00:44:41.519 \ Graham Stoddart-Stones: Now, what sort of information do you want to stand? You can give it a name, do you want to give it anything else? 607 \ 00:44:42.300 --> 00:44:43.350 \ Graham Stoddart-Stones: Do you mean? 608 \ 00:44:43.350 --> 00:44:44.509 \ Belinda Baker: No, just name, yeah. 609 \ 00:44:44.510 --> 00:44:47.699 \ Graham Stoddart-Stones: Okay, so if you go up to the plus sign on the top right. 610 \ 00:44:47.700 --> 00:44:48.590 \ Belinda Baker: Hmm. 611 \ 00:44:48.590 --> 00:44:50.520 \ Graham Stoddart-Stones: And… just click on it. 612 \ 00:44:51.580 --> 00:44:54.789 \ Graham Stoddart-Stones: And now finish. That's all you've done, that's all you need. 613 \ 00:44:57.680 --> 00:44:58.160 \ Graham Stoddart-Stones: Brilliant. 614 \ 00:44:58.160 --> 00:45:04.920 \ Belinda Baker: Okay, so, if I then… put in a map, so say I'm going to do… 615 \ 00:45:04.920 --> 00:45:05.980 \ Graham Stoddart-Stones: Is this right? 616 \ 00:45:05.980 --> 00:45:07.350 \ Belinda Baker: You know, very social, I'm like… 617 \ 00:45:07.400 --> 00:45:12.370 \ Graham Stoddart-Stones: Go back down, in Parish Layers, you've got that new one called Maps Test Line. 618 \ 00:45:12.370 --> 00:45:13.809 \ Belinda Baker: Oh, see what you mean, okay. 619 \ 00:45:13.810 --> 00:45:15.510 \ Graham Stoddart-Stones: Yes, now if you click on that. 620 \ 00:45:15.750 --> 00:45:16.100 \ Belinda Baker: Yeah. 621 \ 00:45:16.100 --> 00:45:19.280 \ Graham Stoddart-Stones: Click on the cogwheel and do Add Feature. 622 \ 00:45:20.290 --> 00:45:27.289 \ Graham Stoddart-Stones: And now you can outline the area that you wanted to with your line, so just… you click once with the dot, and then. 623 \ 00:45:27.290 --> 00:45:27.740 \ Belinda Baker: Yeah. 624 \ 00:45:27.740 --> 00:45:28.860 \ Graham Stoddart-Stones: Yeah, there you go. 625 \ 00:45:34.980 --> 00:45:42.019 \ Stuart Bacon: But if you're doing that… if you're trying to create a polygon with that, which is what it looks like, that's where we need to redo 626 \ 00:45:42.360 --> 00:45:48.100 \ Stuart Bacon: this. This is just for more straight lines, not for creating shapes. 627 \ 00:45:49.350 --> 00:45:56.300 \ Belinda Baker: Okay, because what I wanted to do was to outline it all and find the area. That's why I originally set this up. 628 \ 00:45:56.300 --> 00:46:04.829 \ Stuart Bacon: Okay, yeah, yeah, no, I see where you're coming from, and I think I've misdirected you in what I was doing in saying, do that as a line. So, click on the… 629 \ 00:46:04.830 --> 00:46:05.380 \ John Roberts: Right. 630 \ 00:46:06.800 --> 00:46:08.859 \ John Roberts: I think you're right doing it as a lie. 631 \ 00:46:09.310 --> 00:46:09.970 \ Graham Stoddart-Stones: No… 632 \ 00:46:09.970 --> 00:46:14.749 \ John Roberts: Because… If you do it as a polygon, you're gonna have a regular polygon, aren't you? 633 \ 00:46:15.790 --> 00:46:21.219 \ Stuart Bacon: Yeah, but if Belinda wants to create the area, you're not going to create… calculate the area from a line. 634 \ 00:46:21.420 --> 00:46:22.130 \ Graham Stoddart-Stones: Correct. 635 \ 00:46:22.560 --> 00:46:29.300 \ Belinda Baker: I mean, I did it before, and it was quite difficult. I mean, you can see there that it's quite, annotated, but I got 636 \ 00:46:29.830 --> 00:46:33.349 \ Belinda Baker: all the way round and came up with it, and then, yeah, then I've just deleted it again. 637 \ 00:46:33.350 --> 00:46:40.210 \ Graham Stoddart-Stones: So, let's go back to the original way of doing it, Belinda, and click on the X at the top of the left-hand column. 638 \ 00:46:40.410 --> 00:46:41.250 \ Belinda Baker: That one. 639 \ 00:46:42.980 --> 00:46:45.320 \ Graham Stoddart-Stones: And just say continue. 640 \ 00:46:47.090 --> 00:46:49.460 \ Graham Stoddart-Stones: And now go up to Create again. 641 \ 00:46:51.070 --> 00:46:52.500 \ Graham Stoddart-Stones: Add a new lab. 642 \ 00:46:53.880 --> 00:46:56.650 \ Graham Stoddart-Stones: And this time, it's a test Matt. 643 \ 00:46:56.650 --> 00:47:01.010 \ Stuart Bacon: Maps test, maps test, Polygon. 644 \ 00:47:09.860 --> 00:47:11.090 \ Stuart Bacon: Geometry time. 645 \ 00:47:11.090 --> 00:47:13.029 \ Graham Stoddart-Stones: The majority type is a polygon. 646 \ 00:47:14.230 --> 00:47:15.440 \ Belinda Baker: Oh, okay. 647 \ 00:47:15.890 --> 00:47:18.290 \ Graham Stoddart-Stones: And is this the test polygon? 648 \ 00:47:18.810 --> 00:47:20.760 \ Graham Stoddart-Stones: Let's do a description of it, yeah. 649 \ 00:47:24.450 --> 00:47:29.139 \ Graham Stoddart-Stones: Okay, next, and give it a name, so just add plus, top right. 650 \ 00:47:30.250 --> 00:47:32.819 \ Graham Stoddart-Stones: And finish. That's all you need to do. 651 \ 00:47:34.860 --> 00:47:36.620 \ Stuart Bacon: No, no, no, no, no, no, no. 652 \ 00:47:36.620 --> 00:47:37.860 \ Graham Stoddart-Stones: No, no, no, no, no. 653 \ 00:47:37.860 --> 00:47:39.150 \ Belinda Baker: No, just leave it at that. 654 \ 00:47:39.940 --> 00:47:41.100 \ Stuart Bacon: Give me that his name? 655 \ 00:47:41.100 --> 00:47:42.600 \ Belinda Baker: Okay. 656 \ 00:47:43.580 --> 00:47:44.760 \ Belinda Baker: And then what? 657 \ 00:47:44.760 --> 00:47:45.810 \ Graham Stoddart-Stones: Click on finish. 658 \ 00:47:46.380 --> 00:47:47.120 \ Belinda Baker: Okay. 659 \ 00:47:50.880 --> 00:47:57.630 \ Graham Stoddart-Stones: Okay, just pause gently whilst… so there it is. Now you can go into Maps Test Polygon. Turn off your Maps Test line there. 660 \ 00:47:59.270 --> 00:48:01.009 \ Graham Stoddart-Stones: And go into that feature. 661 \ 00:48:02.290 --> 00:48:05.450 \ Graham Stoddart-Stones: On the match test polygon, click on the tick. 662 \ 00:48:05.780 --> 00:48:06.540 \ Belinda Baker: Okay. 663 \ 00:48:06.540 --> 00:48:11.640 \ Graham Stoddart-Stones: Yeah. Add a feature, right? Now you can do your… your area. 664 \ 00:48:14.940 --> 00:48:15.780 \ Graham Stoddart-Stones: No. 665 \ 00:48:18.390 --> 00:48:20.970 \ Belinda Baker: Hold on, why is it going T? 666 \ 00:48:21.930 --> 00:48:23.250 \ Stuart Bacon: So, click on… 667 \ 00:48:23.710 --> 00:48:25.000 \ Graham Stoddart-Stones: The polygon. 668 \ 00:48:25.000 --> 00:48:26.220 \ Stuart Bacon: An ad feature. 669 \ 00:48:27.300 --> 00:48:31.330 \ Graham Stoddart-Stones: Alright, just now go to your area that you wanted to outline on that road. 670 \ 00:48:31.590 --> 00:48:32.500 \ Belinda Baker: Okay. 671 \ 00:48:46.660 --> 00:48:47.590 \ Belinda Baker: Well, this is what… 672 \ 00:48:47.590 --> 00:48:52.819 \ Graham Stoddart-Stones: You just save that now, give it a name and save it, so give it your 2A name, or whatever it was. 673 \ 00:48:54.560 --> 00:48:55.640 \ Graham Stoddart-Stones: And save it. 674 \ 00:48:55.950 --> 00:48:58.979 \ Graham Stoddart-Stones: Now, when you're doing anything for me like this. 675 \ 00:48:59.160 --> 00:49:03.660 \ Graham Stoddart-Stones: First of all, let's close down the left-hand column, so click on the X at the top. 676 \ 00:49:05.060 --> 00:49:06.000 \ Graham Stoddart-Stones: And… 677 \ 00:49:06.110 --> 00:49:25.990 \ Graham Stoddart-Stones: the technique that, we always suggest is that you do it roughly first, in the back of the envelope type thing, like you've just done, and then you go in, and if you want to make it accurate, you can do it at a much larger scale. It's much easier to do on a larger scale. Stuart, you've got a little test that enables that thing to come back up. 678 \ 00:49:26.900 --> 00:49:27.940 \ Graham Stoddart-Stones: What was the thing? 679 \ 00:49:27.940 --> 00:49:33.560 \ Stuart Bacon: So, if you just move the map 680 \ 00:49:33.980 --> 00:49:37.310 \ Stuart Bacon: Drag the map away and back again. 681 \ 00:49:37.880 --> 00:49:43.749 \ Graham Stoddart-Stones: Now, if you click on your red bit, Anywhere in the red bit. 682 \ 00:49:44.940 --> 00:49:48.040 \ Graham Stoddart-Stones: And you bring up that record, click on it. 683 \ 00:49:48.400 --> 00:49:48.730 \ Belinda Baker: Yeah. 684 \ 00:49:48.730 --> 00:49:49.670 \ Graham Stoddart-Stones: Yeah. See what… 685 \ 00:49:49.670 --> 00:49:51.670 \ Stuart Bacon: Click on Maps Test Polygon. 686 \ 00:49:52.760 --> 00:49:58.130 \ Graham Stoddart-Stones: And there's your area of that red bit. It's therefore your 12… 687 \ 00:49:58.470 --> 00:50:03.019 \ Graham Stoddart-Stones: 5 square meters. Now, if you wanted to get it more accurate. 688 \ 00:50:03.590 --> 00:50:07.519 \ Graham Stoddart-Stones: just for argument's sake, you would… I would make it much larger, zoom in. 689 \ 00:50:08.730 --> 00:50:21.459 \ Graham Stoddart-Stones: Yeah, that's right. And now, if you click on the pencil icon at the top left of the left column, it puts you into edit mode, and now you can tidy this up to be much more precise if you want to. 690 \ 00:50:22.130 --> 00:50:28.730 \ Graham Stoddart-Stones: So it's just… the bigger scale you're in, the easier it is to line things up. Here, there you go, you've got the hang of this, yeah. 691 \ 00:50:28.730 --> 00:50:29.510 \ Belinda Baker: Yeah. 692 \ 00:50:29.510 --> 00:50:36.300 \ Graham Stoddart-Stones: And all the time you're doing this, the area that it measures is changing. So when you save, you'll get the new area. 693 \ 00:50:36.510 --> 00:50:37.910 \ Graham Stoddart-Stones: Listed for you. 694 \ 00:50:38.920 --> 00:50:40.059 \ Belinda Baker: Very clever. 695 \ 00:50:40.300 --> 00:50:41.699 \ Graham Stoddart-Stones: It is, it's very sweet. 696 \ 00:50:41.960 --> 00:50:44.160 \ Graham Stoddart-Stones: Little part of the picture, really. 697 \ 00:50:45.060 --> 00:50:49.600 \ John Roberts: The only thing I would add is it works with a polygon and with a line. 698 \ 00:50:52.580 --> 00:50:53.000 \ Stuart Bacon: Yeah. 699 \ 00:50:53.000 --> 00:50:59.319 \ Belinda Baker: Okay, that's brilliant. So, and I've… what I've done is I've set up two layers, so I can go back and delete a layer if I don't want it, can't I? 700 \ 00:50:59.320 --> 00:51:00.570 \ Graham Stoddart-Stones: Red, yes. 701 \ 00:51:00.980 --> 00:51:01.570 \ Belinda Baker: Okay. 702 \ 00:51:01.570 --> 00:51:03.830 \ Graham Stoddart-Stones: So, do you want me to show you how to do that? 703 \ 00:51:03.830 --> 00:51:04.809 \ Belinda Baker: Yes, please. 704 \ 00:51:04.810 --> 00:51:10.169 \ Graham Stoddart-Stones: So if you go into shut down this, save it, and shut it down on the X at the top. 705 \ 00:51:11.140 --> 00:51:15.120 \ Graham Stoddart-Stones: And now, if you go to the cogwheel in the top right corner. 706 \ 00:51:16.710 --> 00:51:17.310 \ Belinda Baker: That one. 707 \ 00:51:17.310 --> 00:51:19.150 \ Graham Stoddart-Stones: Yeah, go into administration. 708 \ 00:51:19.800 --> 00:51:28.480 \ Graham Stoddart-Stones: and wait for the layers to show up. They're just downloading from the internet. They'll just pop up in a second. There you go. Now you can click on your map's test line. 709 \ 00:51:28.940 --> 00:51:32.359 \ Graham Stoddart-Stones: And delete it with the bucket at the top, there you go, yep. 710 \ 00:51:33.990 --> 00:51:38.270 \ Graham Stoddart-Stones: And you have to type the word delete in, because they don't want you to do it by accident. 711 \ 00:51:40.260 --> 00:51:41.229 \ Graham Stoddart-Stones: It's good. 712 \ 00:51:41.920 --> 00:51:43.199 \ Graham Stoddart-Stones: And now it's gone. 713 \ 00:51:44.620 --> 00:51:47.700 \ John Roberts: The only thing I would say, Belinda, is… 714 \ 00:51:48.300 --> 00:51:53.530 \ John Roberts: On my layers, I've got a test polygon, test point, and a test line. 715 \ 00:51:53.760 --> 00:51:54.380 \ Belinda Baker: Hmm. 716 \ 00:51:54.380 --> 00:51:59.419 \ John Roberts: And before I do any… if I'm not sure of something, I'll use one of those to test it. 717 \ 00:52:00.390 --> 00:52:00.810 \ Belinda Baker: Okay. 718 \ 00:52:00.810 --> 00:52:05.059 \ John Roberts: It saved… it saved me having to create another layer again. 719 \ 00:52:05.860 --> 00:52:06.490 \ John Roberts: Yeah. 720 \ 00:52:06.490 --> 00:52:07.040 \ Belinda Baker: No, I see. 721 \ 00:52:07.040 --> 00:52:11.590 \ John Roberts: They stay there all the time, and I can just play with those as and when I want to. 722 \ 00:52:12.290 --> 00:52:12.630 \ Graham Stoddart-Stones: So… 723 \ 00:52:12.630 --> 00:52:22.029 \ Belinda Baker: Oh, I see, so basically, if you want to go in and do… I can go in what I've just done, and then if I want to go and do a measurement somewhere else, I can use the same layer. Exactly, yeah. 724 \ 00:52:22.030 --> 00:52:23.180 \ Graham Stoddart-Stones: As a new feature. 725 \ 00:52:23.180 --> 00:52:25.239 \ Belinda Baker: Yeah, yeah, that works. Yeah, I can see that. 726 \ 00:52:25.240 --> 00:52:29.479 \ Graham Stoddart-Stones: So, if you now go back to the log out and log back in again. 727 \ 00:52:30.590 --> 00:52:31.569 \ Belinda Baker: Where do I do that? 728 \ 00:52:31.840 --> 00:52:34.189 \ Graham Stoddart-Stones: Top right, the right-hand icon. 729 \ 00:52:34.720 --> 00:52:35.689 \ Belinda Baker: That one, yeah. 730 \ 00:52:35.690 --> 00:52:36.720 \ John Roberts: Yeah. 731 \ 00:52:36.940 --> 00:52:38.540 \ Graham Stoddart-Stones: Now log back in again. 732 \ 00:52:41.340 --> 00:52:43.599 \ John Roberts: He's just making you type the password, that's what he's doing. 733 \ 00:52:43.600 --> 00:52:46.710 \ Belinda Baker: I know, and I just, you know… 734 \ 00:52:49.310 --> 00:52:50.050 \ Graham Stoddart-Stones: And… 735 \ 00:52:51.650 --> 00:53:01.070 \ Graham Stoddart-Stones: So the point is that now you'll see it's disappeared, that you… it doesn't get in the way of you, but if you go into your Parish layers and turn on the map test polygon, it'll pop up. 736 \ 00:53:03.050 --> 00:53:05.520 \ Graham Stoddart-Stones: You probably need to zoom in a bit to see it. 737 \ 00:53:05.520 --> 00:53:06.370 \ Belinda Baker: Yeah. 738 \ 00:53:06.880 --> 00:53:09.419 \ Stuart Bacon: Yeah, you can see it down the bottom, though, it is… 739 \ 00:53:09.420 --> 00:53:10.410 \ Belinda Baker: This is the… 740 \ 00:53:10.990 --> 00:53:16.600 \ Graham Stoddart-Stones: So, your question of how do I get rid of it is just to say, click on the layer and it'll disappear. 741 \ 00:53:17.480 --> 00:53:18.259 \ Stuart Bacon: Because you don't have to… 742 \ 00:53:18.260 --> 00:53:18.930 \ John Roberts: click. 743 \ 00:53:19.800 --> 00:53:21.250 \ John Roberts: Click on that object. 744 \ 00:53:22.050 --> 00:53:24.090 \ John Roberts: If you click on the red object. 745 \ 00:53:26.350 --> 00:53:29.279 \ John Roberts: Matt Test… Matt Test Polygon. 746 \ 00:53:30.460 --> 00:53:32.880 \ Belinda Baker: And then I can just… See that? 747 \ 00:53:32.880 --> 00:53:33.980 \ John Roberts: My… no. 748 \ 00:53:33.980 --> 00:53:34.730 \ Belinda Baker: Yeah, sorry. 749 \ 00:53:34.730 --> 00:53:36.370 \ John Roberts: Click, click on the red object. 750 \ 00:53:39.080 --> 00:53:42.229 \ John Roberts: And it'll come up… map, that's it. Click there. 751 \ 00:53:43.560 --> 00:53:45.890 \ John Roberts: And there's a dustbin in the middle at the top. 752 \ 00:53:46.600 --> 00:53:49.010 \ Belinda Baker: Okay, well, I'm not going to press that, because I'm going to go back and measure it. 753 \ 00:53:49.010 --> 00:53:56.459 \ Graham Stoddart-Stones: Yeah, that's fine. But then, as you say, if you want to do this in a different part of your parish, you just go and add a new feature in that layer. 754 \ 00:53:56.600 --> 00:53:59.009 \ Belinda Baker: Okay, that works, yeah, brilliant. 755 \ 00:53:59.250 --> 00:54:00.540 \ Belinda Baker: Thank you very much! 756 \ 00:54:00.850 --> 00:54:02.020 \ Graham Stoddart-Stones: Our pleasure. 757 \ 00:54:03.990 --> 00:54:05.349 \ Belinda Baker: And for sure. 758 \ 00:54:05.350 --> 00:54:07.369 \ Graham Stoddart-Stones: Do you have any other questions? 759 \ 00:54:07.910 --> 00:54:10.390 \ Belinda Baker: I don't think so. 760 \ 00:54:10.610 --> 00:54:12.659 \ Graham Stoddart-Stones: You've got 6 minutes of our time. 761 \ 00:54:12.950 --> 00:54:15.580 \ Belinda Baker: Yeah, glass cutting. What do I use it for? 762 \ 00:54:16.640 --> 00:54:21.629 \ Graham Stoddart-Stones: It's usually used for setting up areas that you might ask a contractor to mow. 763 \ 00:54:21.630 --> 00:54:23.979 \ Belinda Baker: Oh, so exactly what I was just doing, actually. 764 \ 00:54:23.980 --> 00:54:29.239 \ Graham Stoddart-Stones: Yes, so he then knows what square in each ridge he's got to mow, and he knows where they are. 765 \ 00:54:29.560 --> 00:54:33.410 \ Belinda Baker: Yeah, that's exactly why I need it. 766 \ 00:54:33.410 --> 00:54:35.920 \ Graham Stoddart-Stones: Has anyone told you about public maps yet? 767 \ 00:54:36.640 --> 00:54:37.490 \ Belinda Baker: No. 768 \ 00:54:37.630 --> 00:54:52.430 \ Graham Stoddart-Stones: So, if you are trying to share this information with your contractor, particularly if you have several contractors, you can go into a feature called Public Maps, which will then put whatever you choose 769 \ 00:54:52.780 --> 00:55:03.740 \ Graham Stoddart-Stones: in a website-type feature that you can send the URL to your contractors, and they can look it up, and they can see everything that you're showing in that particular map. 770 \ 00:55:03.930 --> 00:55:12.990 \ Graham Stoddart-Stones: For themselves, so they can get the measurements, they can get the locations, they can get the square meterage, and so forth, so they know precisely where they're going and what they're doing. 771 \ 00:55:12.990 --> 00:55:20.849 \ Belinda Baker: Okay, cause funnily enough, funnily enough, guys, I'm gonna do a contract… For some football pitches. 772 \ 00:55:21.340 --> 00:55:22.410 \ Belinda Baker: For here. 773 \ 00:55:22.410 --> 00:55:23.170 \ Graham Stoddart-Stones: Yep. 774 \ 00:55:24.150 --> 00:55:24.880 \ Belinda Baker: going? 775 \ 00:55:24.880 --> 00:55:26.880 \ Graham Stoddart-Stones: We're in an ideal situation now. 776 \ 00:55:27.700 --> 00:55:33.860 \ Graham Stoddart-Stones: So you can use your polygon layer, your test polygon layer, you can outline the football pitch. 777 \ 00:55:34.120 --> 00:55:34.810 \ Belinda Baker: Yep. 778 \ 00:55:36.890 --> 00:55:38.720 \ Graham Stoddart-Stones: And… Michelle. 779 \ 00:55:38.720 --> 00:55:40.460 \ Belinda Baker: Fortune isn't here because it's not built yet. 780 \ 00:55:41.180 --> 00:55:44.850 \ Graham Stoddart-Stones: But then, actually, if it's something. 781 \ 00:55:44.850 --> 00:55:45.590 \ Belinda Baker: Oh, it is, isn't it? 782 \ 00:55:45.590 --> 00:55:50.549 \ Graham Stoddart-Stones: If it's come up. Yeah, if you're going to share that with people, then you'd probably want to do a separate layer. 783 \ 00:55:50.720 --> 00:55:51.080 \ Belinda Baker: Yeah. 784 \ 00:55:51.080 --> 00:55:56.690 \ Graham Stoddart-Stones: you don't see the other stuff, but that's fine. Just create a new layer and do the polygon around the football pitch. 785 \ 00:55:57.810 --> 00:55:59.770 \ Graham Stoddart-Stones: Which you can do now if you want to. 786 \ 00:56:00.300 --> 00:56:03.920 \ Belinda Baker: And what… okay, how do I do that, what you've been talking about, doing the, 787 \ 00:56:04.400 --> 00:56:04.740 \ Graham Stoddart-Stones: So. 788 \ 00:56:04.740 --> 00:56:05.280 \ Belinda Baker: me. 789 \ 00:56:05.490 --> 00:56:09.519 \ Graham Stoddart-Stones: So, just go and create a new layer, so go up to the top where it says Create. 790 \ 00:56:11.190 --> 00:56:11.980 \ Belinda Baker: You… 791 \ 00:56:11.980 --> 00:56:18.409 \ Graham Stoddart-Stones: A new layer, yeah. And this is going to be mowing contracts, or something like that, football pitch mowing contract, or whatever. 792 \ 00:56:21.070 --> 00:56:21.710 \ Belinda Baker: Yep. 793 \ 00:56:24.050 --> 00:56:25.419 \ Graham Stoddart-Stones: Make it a polygon. 794 \ 00:56:25.710 --> 00:56:26.760 \ Belinda Baker: Polygonite. 795 \ 00:56:26.760 --> 00:56:40.060 \ Graham Stoddart-Stones: Yep, and you can click on next. It's always a good thing to put something in this description, because in 6 months or a year's time, you'll come back and say, what the hell did I create that for? And this is just your way of reminding yourself. 796 \ 00:56:40.820 --> 00:56:44.079 \ Graham Stoddart-Stones: So you want to click on the plus sign to add a name. 797 \ 00:56:44.440 --> 00:56:46.970 \ Graham Stoddart-Stones: And you… I would be the guy… Oh, before you… before you… 798 \ 00:56:46.980 --> 00:56:48.610 \ Stuart Bacon: Yeah, hang on, so before you click finish… 799 \ 00:56:48.610 --> 00:56:49.740 \ Graham Stoddart-Stones: Turn it again. 800 \ 00:56:50.480 --> 00:56:59.039 \ Graham Stoddart-Stones: If you would, click on the plus sign again, Belinda, and change the name on the second row to, say, Contractor. 801 \ 00:57:01.240 --> 00:57:06.780 \ Graham Stoddart-Stones: And then you can always come back and add more columns later, should you want to. 802 \ 00:57:06.780 --> 00:57:08.360 \ Stuart Bacon: Added another one. 803 \ 00:57:09.060 --> 00:57:10.930 \ Stuart Bacon: For size… 804 \ 00:57:12.340 --> 00:57:13.260 \ Graham Stoddart-Stones: Size? 805 \ 00:57:13.500 --> 00:57:14.070 \ Stuart Bacon: Yeah. 806 \ 00:57:14.760 --> 00:57:18.640 \ Stuart Bacon: Because football pitches are not a universal size. 807 \ 00:57:18.870 --> 00:57:27.259 \ Stuart Bacon: Whether it's… if you're looking at youth football pitches, they're smaller than men's football pitches. 808 \ 00:57:27.450 --> 00:57:28.200 \ Graham Stoddart-Stones: Okay. 809 \ 00:57:28.200 --> 00:57:35.280 \ Stuart Bacon: So you can differentiate and sort of analyze as to what type of size you're looking for. 810 \ 00:57:35.730 --> 00:57:36.260 \ Stuart Bacon: So if you. 811 \ 00:57:36.260 --> 00:57:40.980 \ Graham Stoddart-Stones: If you click once more on the plus, Belinda, and change the bottom one to size. 812 \ 00:57:42.990 --> 00:57:44.700 \ Graham Stoddart-Stones: And then click on Finish. 813 \ 00:57:47.410 --> 00:57:53.429 \ Graham Stoddart-Stones: And then just wait for it to appear in your Parish layers. There it is. Now go into it, and add a feature. 814 \ 00:57:56.070 --> 00:57:58.510 \ Graham Stoddart-Stones: And now outline your football pitch. 815 \ 00:57:58.510 --> 00:58:00.780 \ Stuart Bacon: No, no, don't. Don't. 816 \ 00:58:01.120 --> 00:58:01.900 \ Graham Stoddart-Stones: Doomed? 817 \ 00:58:02.330 --> 00:58:04.059 \ John Roberts: No, I know SC. 818 \ 00:58:04.060 --> 00:58:04.460 \ Stuart Bacon: Huge. 819 \ 00:58:04.460 --> 00:58:06.019 \ John Roberts: I know where Stuart's going. 820 \ 00:58:06.020 --> 00:58:07.530 \ Graham Stoddart-Stones: Okay, you gonna do this? 821 \ 00:58:07.740 --> 00:58:09.070 \ Graham Stoddart-Stones: The snap, too. 822 \ 00:58:09.730 --> 00:58:13.800 \ Stuart Bacon: No, no, I wasn't gonna do Snap, I was gonna do the instant draw. 823 \ 00:58:14.190 --> 00:58:15.320 \ Graham Stoddart-Stones: Okay? Yeah. 824 \ 00:58:16.020 --> 00:58:20.040 \ Stuart Bacon: So, I think you've clicked somewhere, have you? 825 \ 00:58:20.040 --> 00:58:20.910 \ Belinda Baker: Yeah, there. 826 \ 00:58:21.530 --> 00:58:25.430 \ Stuart Bacon: Yeah, so, click on the… click on the X. 827 \ 00:58:26.340 --> 00:58:30.250 \ Stuart Bacon: In feature editor. Let's do this one again, so click Continue. 828 \ 00:58:32.240 --> 00:58:36.629 \ Stuart Bacon: Right, let's go onto your football pitch, click on the tick there. 829 \ 00:58:37.040 --> 00:58:38.640 \ Stuart Bacon: And go to Add Feature. 830 \ 00:58:39.700 --> 00:58:50.340 \ Stuart Bacon: Now, underneath where it says, football pitch, and the select a layer thing, you've got 5 icons. Yeah. The fourth one, the square there. 831 \ 00:58:51.260 --> 00:58:55.320 \ Stuart Bacon: If you click on that, And… 832 \ 00:58:55.910 --> 00:59:04.290 \ Stuart Bacon: It brings up, sort of, your options for football pitches, and sets the correct sizes and whatever. If you click on the drop-down list. 833 \ 00:59:05.880 --> 00:59:16.900 \ Stuart Bacon: This is sort of… it's not just football pitches, but there are a number of other things there, so you can scroll up and down and see the types of sizes 834 \ 00:59:17.240 --> 00:59:20.979 \ Stuart Bacon: Different things of different shapes that it's got in there. 835 \ 00:59:21.360 --> 00:59:29.960 \ Stuart Bacon: Which are all quite useful. So, dependent on how you want to lay out your… football pitches. 836 \ 00:59:30.190 --> 00:59:37.719 \ Stuart Bacon: what type of pitches you want to, sort of, put onto the space. You can choose the appropriate, 837 \ 00:59:38.970 --> 00:59:42.279 \ Stuart Bacon: dicing here… And then that will… 838 \ 00:59:42.940 --> 00:59:44.180 \ Belinda Baker: So if I click that… 839 \ 00:59:44.500 --> 00:59:56.049 \ Stuart Bacon: Yeah. Yeah, if you want a full adult pitch, then it'll set the dimensions and whatever accordingly. So now, if you click on the space where you want to put it. 840 \ 00:59:57.990 --> 00:59:58.630 \ Belinda Baker: Yeah. 841 \ 01:00:00.840 --> 01:00:03.750 \ Stuart Bacon: Yep. And then you've got the red… 842 \ 01:00:05.260 --> 01:00:10.860 \ Stuart Bacon: Thing in the bottom right-hand corner, and you can orientate it, but you can only do that once. 843 \ 01:00:13.590 --> 01:00:20.740 \ Stuart Bacon: Once we click off… once we click off this… You can't reorientate the shape. 844 \ 01:00:21.480 --> 01:00:25.160 \ Belinda Baker: Oh, okay. That was, unfortunate then, so… 845 \ 01:00:25.360 --> 01:00:26.000 \ Graham Stoddart-Stones: Usually… 846 \ 01:00:26.000 --> 01:00:34.440 \ Stuart Bacon: I mean, you can still… you can still… while it's still red, got the red background and the dot there, you can still change it and orientate it, but once we, sort of. 847 \ 01:00:34.830 --> 01:00:37.290 \ Stuart Bacon: Finish saving that now. Okay. 848 \ 01:00:37.290 --> 01:00:40.970 \ Belinda Baker: It's not… it's not near enough to the pitch, to the side. 849 \ 01:00:40.970 --> 01:00:43.550 \ Stuart Bacon: So, move it around, it'll… 850 \ 01:00:45.160 --> 01:00:48.249 \ Belinda Baker: Okay, I don't know… That's it. 851 \ 01:00:54.430 --> 01:00:55.720 \ Graham Stoddart-Stones: You need to click on the red button. 852 \ 01:00:55.720 --> 01:00:59.539 \ Belinda Baker: Okay, yeah, you're right, Anissa, sorry, that's it. Right. 853 \ 01:01:00.900 --> 01:01:02.569 \ Belinda Baker: That's the first step. Up a little bit. 854 \ 01:01:04.050 --> 01:01:04.970 \ Belinda Baker: Sorry? 855 \ 01:01:04.970 --> 01:01:09.690 \ Stuart Bacon: Yeah, if you go… if you go turn that up a little bit, because it seems a bit of an angle to the houses. 856 \ 01:01:10.310 --> 01:01:14.269 \ Belinda Baker: Oh, it is, it's… it goes… okay, yeah, you're right, it's… 857 \ 01:01:14.270 --> 01:01:21.269 \ Stuart Bacon: So, click on the… click on the dot, Ugh, yeah, you keep creating… 858 \ 01:01:21.500 --> 01:01:25.620 \ Belinda Baker: I'm keeping… but I get what you mean, that's what I need to do. This is… 859 \ 01:01:26.560 --> 01:01:32.889 \ Stuart Bacon: But it's use… use the dot to turn it round, don't click… don't try and click on the… the shape. It's the dot that turns it. 860 \ 01:01:33.500 --> 01:01:34.270 \ Belinda Baker: Okay. 861 \ 01:01:36.820 --> 01:01:38.440 \ Graham Stoddart-Stones: So, you're not on the dot yet. 862 \ 01:01:38.440 --> 01:01:42.250 \ Stuart Bacon: Yeah, so… It… once you turn it. 863 \ 01:01:42.250 --> 01:01:43.300 \ Belinda Baker: Oh, we've got another one! 864 \ 01:01:44.340 --> 01:01:49.319 \ Stuart Bacon: You will do. Every time you click off the shape, it's creating a new one. 865 \ 01:01:49.550 --> 01:01:51.560 \ Belinda Baker: Okay, so how do I get rid of them all? 866 \ 01:01:52.080 --> 01:01:57.710 \ Stuart Bacon: Because we haven't saved anything yet, we're… yeah, it's only gonna save the last one. 867 \ 01:01:58.330 --> 01:02:05.670 \ Stuart Bacon: So, your things to move are the circle in the center of the rectangle. 868 \ 01:02:05.670 --> 01:02:06.260 \ Belinda Baker: Hmm. 869 \ 01:02:06.680 --> 01:02:17.930 \ Stuart Bacon: And the circle in the bottom right-hand corner that creates the orientation. So, the center one will move the location, and then orientate it round 870 \ 01:02:18.720 --> 01:02:19.989 \ Stuart Bacon: And whatever, so… 871 \ 01:02:19.990 --> 01:02:20.890 \ Belinda Baker: Okay. 872 \ 01:02:20.890 --> 01:02:21.810 \ Graham Stoddart-Stones: Bottom right. 873 \ 01:02:22.620 --> 01:02:24.570 \ Belinda Baker: Okay. 874 \ 01:02:24.570 --> 01:02:29.199 \ Graham Stoddart-Stones: Take the ones that are there, Belinda. Put your, 875 \ 01:02:29.780 --> 01:02:35.719 \ Graham Stoddart-Stones: Well, why don't you move that top square to the rough position where the field is going to be? 876 \ 01:02:37.140 --> 01:02:42.369 \ Graham Stoddart-Stones: Yeah, so that's… that's doing the orientation. Now you want to do the actual movement, which is that. 877 \ 01:02:42.370 --> 01:02:43.230 \ Belinda Baker: Oh, okay. 878 \ 01:02:43.230 --> 01:02:44.040 \ Graham Stoddart-Stones: There you go. 879 \ 01:02:44.380 --> 01:02:46.870 \ Belinda Baker: So then I want to be able to move it around. 880 \ 01:02:46.870 --> 01:02:48.099 \ Graham Stoddart-Stones: Yes, exactly. 881 \ 01:02:51.240 --> 01:02:55.420 \ Belinda Baker: So it's there. Right. There is one about there, which is about right. 882 \ 01:02:55.420 --> 01:02:55.850 \ Graham Stoddart-Stones: Okay. 883 \ 01:02:55.850 --> 01:03:02.130 \ Stuart Bacon: Yeah, so now if you click, if you click in the feature editor on the left and fill in the name… 884 \ 01:03:02.670 --> 01:03:07.080 \ Stuart Bacon: adult… name it Adult Pitch or something. 885 \ 01:03:07.080 --> 01:03:07.460 \ Belinda Baker: from pink. 886 \ 01:03:07.460 --> 01:03:08.070 \ Stuart Bacon: one. 887 \ 01:03:11.390 --> 01:03:12.040 \ Belinda Baker: Yup. 888 \ 01:03:12.880 --> 01:03:15.110 \ Graham Stoddart-Stones: And give it a size. Oops. 889 \ 01:03:15.430 --> 01:03:16.410 \ Belinda Baker: Grow size. 890 \ 01:03:16.410 --> 01:03:16.900 \ Graham Stoddart-Stones: Yeah. 891 \ 01:03:16.900 --> 01:03:17.980 \ Stuart Bacon: Yeah, I agree. 892 \ 01:03:18.300 --> 01:03:19.109 \ Graham Stoddart-Stones: Oh, you… 893 \ 01:03:19.670 --> 01:03:23.350 \ Stuart Bacon: So, yeah, just… Adult pitch. 894 \ 01:03:23.520 --> 01:03:26.190 \ Graham Stoddart-Stones: Yeah. Adult size, basically. Yeah. 895 \ 01:03:27.240 --> 01:03:29.480 \ Graham Stoddart-Stones: There you go, that's fine, now you can save it. 896 \ 01:03:36.190 --> 01:03:36.510 \ Belinda Baker: Hey! 897 \ 01:03:38.340 --> 01:03:41.229 \ Stuart Bacon: So, yeah, that was the last one that you did. 898 \ 01:03:42.420 --> 01:03:44.570 \ Belinda Baker: I think that was the first one I did, actually. 899 \ 01:03:44.740 --> 01:03:50.880 \ Graham Stoddart-Stones: Yeah, I agree. If you close down the left-hand column, The X at the top. 900 \ 01:03:50.880 --> 01:03:51.210 \ Belinda Baker: Hmm. 901 \ 01:03:53.870 --> 01:03:56.750 \ Stuart Bacon: Because we haven't saved that, that's disappeared. 902 \ 01:03:56.750 --> 01:03:58.170 \ Graham Stoddart-Stones: I thought you did save it. 903 \ 01:03:58.170 --> 01:03:58.800 \ Stuart Bacon: No. 904 \ 01:03:59.560 --> 01:04:00.990 \ Graham Stoddart-Stones: Hmm, really? 905 \ 01:04:00.990 --> 01:04:01.660 \ Stuart Bacon: Yeah. 906 \ 01:04:01.660 --> 01:04:04.279 \ Belinda Baker: I thought I did too. Well, let's have a look, is it not? 907 \ 01:04:04.280 --> 01:04:10.430 \ Graham Stoddart-Stones: I'm pretty sure if you move… you move the map a bit… Yeah, there it is. 908 \ 01:04:11.490 --> 01:04:13.119 \ Graham Stoddart-Stones: So if you click on that. 909 \ 01:04:15.470 --> 01:04:20.959 \ Graham Stoddart-Stones: And, yes, go into Football Pitch, and click on the pencil icon to edit it. 910 \ 01:04:22.260 --> 01:04:27.250 \ Graham Stoddart-Stones: Now you can move it to where you want to. I would go from the corners, move the corners rather than the sides. 911 \ 01:04:27.250 --> 01:04:31.880 \ Stuart Bacon: Yeah, but you… you lose the… you lose your guarantee on size, and… 912 \ 01:04:32.620 --> 01:04:37.600 \ Stuart Bacon: whatever, if you… when you start editing that. You've got to get… to keep the size. 913 \ 01:04:37.740 --> 01:04:42.160 \ Stuart Bacon: Arrangements, you've got to, sort of, redraw it and reposition it. 914 \ 01:04:42.900 --> 01:04:51.059 \ Belinda Baker: Okay, but I can go back and do that, I can understand what I've got to do now. So just having the word football pitch, it comes up with different sizes of the football… of a football pitch. 915 \ 01:04:51.060 --> 01:04:51.750 \ Graham Stoddart-Stones: Correct. 916 \ 01:04:52.000 --> 01:04:52.530 \ Stuart Bacon: Yeah. 917 \ 01:04:52.820 --> 01:04:59.980 \ Belinda Baker: Okay, because, yeah, before that, out here, I'm gonna have a children's… a young person's football pitch as well. 918 \ 01:05:00.130 --> 01:05:00.690 \ Graham Stoddart-Stones: Yep. 919 \ 01:05:01.300 --> 01:05:01.850 \ Stuart Bacon: Yeah, tell me… 920 \ 01:05:01.850 --> 01:05:02.930 \ Graham Stoddart-Stones: a lot smaller. 921 \ 01:05:03.130 --> 01:05:03.890 \ Belinda Baker: Hmm. 922 \ 01:05:04.090 --> 01:05:10.580 \ Graham Stoddart-Stones: There was a choice of a 5x5 pitch as well, which might be suitable for toddlers, or however small they're going. 923 \ 01:05:10.580 --> 01:05:12.710 \ Belinda Baker: No, I think it's 13 to 15. 924 \ 01:05:13.580 --> 01:05:15.340 \ Stuart Bacon: What you can do as well… 925 \ 01:05:15.490 --> 01:05:18.159 \ Stuart Bacon: If you click on the X in the feature editor. 926 \ 01:05:18.160 --> 01:05:18.970 \ Belinda Baker: Yep. 927 \ 01:05:20.410 --> 01:05:22.330 \ Stuart Bacon: And click continue. 928 \ 01:05:24.210 --> 01:05:27.870 \ Stuart Bacon: And click on the X again, in the top there. 929 \ 01:05:29.570 --> 01:05:32.349 \ Stuart Bacon: Come down to the cog on football pitch. 930 \ 01:05:32.350 --> 01:05:33.060 \ Belinda Baker: Yeah. 931 \ 01:05:33.750 --> 01:05:35.989 \ Stuart Bacon: And move across to Style. 932 \ 01:05:39.850 --> 01:05:46.060 \ Stuart Bacon: In the top left corner, it says Style Options… Style Type Single. 933 \ 01:05:47.790 --> 01:05:48.420 \ Belinda Baker: Yeah, yes. 934 \ 01:05:48.670 --> 01:05:59.360 \ Stuart Bacon: Yep. If you change that, By clicking on the dropdown, to class-based, 935 \ 01:06:01.520 --> 01:06:05.140 \ Stuart Bacon: You will be able to now, 936 \ 01:06:05.300 --> 01:06:08.849 \ Stuart Bacon: And change the class column from name… 937 \ 01:06:10.510 --> 01:06:11.649 \ Belinda Baker: class column. 938 \ 01:06:11.650 --> 01:06:16.130 \ Stuart Bacon: Second, second one down in your list, and change that to size. 939 \ 01:06:16.800 --> 01:06:17.950 \ Belinda Baker: Okay, size. 940 \ 01:06:19.050 --> 01:06:26.519 \ Stuart Bacon: Now, every pitch that you put on there, potentially you can set up as a different color. 941 \ 01:06:27.480 --> 01:06:28.410 \ Belinda Baker: Yes. 942 \ 01:06:28.410 --> 01:06:34.050 \ Stuart Bacon: So you can visually tell what type of… what size the, 943 \ 01:06:34.210 --> 01:06:41.300 \ Stuart Bacon: the pitches are. And if you change the label column, one, that you've just got your mouse hanging over at the moment. 944 \ 01:06:41.300 --> 01:06:42.070 \ Belinda Baker: Yeah. 945 \ 01:06:42.900 --> 01:06:49.030 \ Stuart Bacon: Then you can set that to… That can… 946 \ 01:06:49.140 --> 01:06:51.820 \ Stuart Bacon: That will display the size of the pitch. 947 \ 01:06:52.040 --> 01:06:59.580 \ Stuart Bacon: And whatever. Well, the detail that you've got in the size, box, and whatever. 948 \ 01:06:59.580 --> 01:07:00.230 \ Belinda Baker: Okay. 949 \ 01:07:00.230 --> 01:07:04.400 \ Stuart Bacon: On the, on the map, so if you click on that now… 950 \ 01:07:05.620 --> 01:07:06.660 \ Belinda Baker: Dick on size. 951 \ 01:07:06.660 --> 01:07:08.599 \ Stuart Bacon: Yeah, click on, click on Size. 952 \ 01:07:09.450 --> 01:07:13.610 \ Stuart Bacon: And then… This week. 953 \ 01:07:13.610 --> 01:07:16.590 \ Graham Stoddart-Stones: Let's say you could change the color to green for football pitch. 954 \ 01:07:17.940 --> 01:07:23.739 \ Graham Stoddart-Stones: just part of the teaching, Belinda, is if you go and click on the… where it says adult size red. 955 \ 01:07:24.150 --> 01:07:28.250 \ Graham Stoddart-Stones: Yeah. Click on the grid, exactly, and you now choose different colours. 956 \ 01:07:32.090 --> 01:07:32.880 \ Belinda Baker: Okay. 957 \ 01:07:32.880 --> 01:07:35.880 \ Graham Stoddart-Stones: You could have the world's first purple football pitch if you wanted. 958 \ 01:07:35.880 --> 01:07:38.039 \ Belinda Baker: No, I think it's what we want… 959 \ 01:07:39.080 --> 01:07:45.240 \ Belinda Baker: Actually, probably it should be a different color, really, since it contrasts the grass, but, but it is grass. Okay. 960 \ 01:07:45.720 --> 01:07:59.359 \ Stuart Bacon: Yeah, I mean, what you'd probably want to do, don't forget that they have a football pitch and they're green, in reality. It probably helps to have red, yellow, green, red, yellow, orange type, colours. 961 \ 01:07:59.510 --> 01:07:59.960 \ Belinda Baker: Yeah. 962 \ 01:07:59.960 --> 01:08:05.989 \ Stuart Bacon: For the different size… so that when we put in a pitch of a different size. 963 \ 01:08:06.220 --> 01:08:13.060 \ Stuart Bacon: Yeah. We can change the color, so if you click Save there, Right-hand corner. 964 \ 01:08:13.280 --> 01:08:16.640 \ Belinda Baker: Okay, boys, oh, you're in… everybody's in the way. Yep, got you. 965 \ 01:08:16.649 --> 01:08:17.189 \ Stuart Bacon: Yep. 966 \ 01:08:19.019 --> 01:08:31.209 \ Stuart Bacon: Now… so now that shows that that's an adult-sized pitch. So if you come back to the tick over the football pitch, layer on the left-hand side… 967 \ 01:08:32.109 --> 01:08:35.949 \ Stuart Bacon: And click on… yeah, no, because you were just on the… 968 \ 01:08:36.169 --> 01:08:38.309 \ Stuart Bacon: tab, not on the tick. So… 969 \ 01:08:38.310 --> 01:08:38.680 \ Belinda Baker: Okay. 970 \ 01:08:38.680 --> 01:08:40.440 \ Stuart Bacon: Again, and then move to the cog. 971 \ 01:08:41.260 --> 01:08:42.550 \ Stuart Bacon: Where the tick is. 972 \ 01:08:42.950 --> 01:08:45.150 \ Stuart Bacon: And go to Add Feature. 973 \ 01:08:45.590 --> 01:08:46.260 \ Belinda Baker: Yep. 974 \ 01:08:47.069 --> 01:08:51.339 \ Stuart Bacon: And then if we go to the square again on the icons. 975 \ 01:08:51.520 --> 01:08:52.270 \ Belinda Baker: Yep. 976 \ 01:08:52.450 --> 01:08:54.829 \ Stuart Bacon: And if we change the size. 977 \ 01:08:55.029 --> 01:09:01.029 \ Stuart Bacon: But changing the… that to, say… and any of the others, yep, 9x9. 978 \ 01:09:01.260 --> 01:09:02.040 \ Belinda Baker: Okay. 979 \ 01:09:02.689 --> 01:09:08.189 \ Stuart Bacon: And then, if we… 980 \ 01:09:09.830 --> 01:09:10.600 \ Graham Stoddart-Stones: Move the mouse. 981 \ 01:09:10.600 --> 01:09:15.140 \ Stuart Bacon: If you come across to the left-hand side and fill in the size option. 982 \ 01:09:15.620 --> 01:09:16.430 \ Belinda Baker: Yep. 983 \ 01:09:16.670 --> 01:09:18.469 \ Stuart Bacon: No… 984 \ 01:09:20.510 --> 01:09:22.779 \ Belinda Baker: Oh, I see, he puts, puts… no. 985 \ 01:09:23.939 --> 01:09:24.810 \ Graham Stoddart-Stones: Yeah. Cool. 986 \ 01:09:25.569 --> 01:09:28.969 \ Stuart Bacon: Why has that gone… I… oh, I know why that is, don't… yeah. 987 \ 01:09:31.239 --> 01:09:38.069 \ Stuart Bacon: fill in the name, and we'll sort the size out in a moment. I realize what we've messed up there. 988 \ 01:09:38.429 --> 01:09:40.569 \ Stuart Bacon: Yeah, kids 9v9. 989 \ 01:09:40.760 --> 01:09:41.460 \ Belinda Baker: Yep. 990 \ 01:09:42.569 --> 01:09:49.869 \ Stuart Bacon: A kid's pitch, yep. And then let's place a kid's pitch somewhere on the… on the space. 991 \ 01:09:50.180 --> 01:09:50.850 \ Belinda Baker: Yep. 992 \ 01:09:50.859 --> 01:09:52.989 \ Stuart Bacon: We don't have to… I mean, we can delete it. 993 \ 01:09:52.990 --> 01:09:53.310 \ Belinda Baker: Fair. 994 \ 01:09:53.380 --> 01:09:56.420 \ Stuart Bacon: do later. Yeah, orientate that as you wish. 995 \ 01:09:56.650 --> 01:09:57.350 \ Belinda Baker: Hmm. 996 \ 01:09:58.690 --> 01:10:02.479 \ Graham Stoddart-Stones: circle to the bottom right. There you go. Yep. There you go. 997 \ 01:10:03.560 --> 01:10:04.979 \ Graham Stoddart-Stones: And then perhaps we move… 998 \ 01:10:04.980 --> 01:10:06.199 \ Stuart Bacon: And then if we save that… 999 \ 01:10:06.200 --> 01:10:07.420 \ Graham Stoddart-Stones: Yeah, right. 1000 \ 01:10:09.490 --> 01:10:10.400 \ Belinda Baker: Oh, okay. 1001 \ 01:10:10.890 --> 01:10:18.000 \ Stuart Bacon: So, that'll… that'll come in there, and now if we add in another of a different size… 1002 \ 01:10:18.400 --> 01:10:22.499 \ Belinda Baker: Well, I only want those two. I'm sorry, girl, I might have to go, because my son's about to… 1003 \ 01:10:22.500 --> 01:10:23.330 \ Stuart Bacon: Okay. 1004 \ 01:10:23.670 --> 01:10:31.239 \ Belinda Baker: So, but I get what you're saying. That's how I can set it up, and the right sizes, to send… to give it to my contractor. 1005 \ 01:10:31.620 --> 01:10:32.190 \ Stuart Bacon: Yeah. 1006 \ 01:10:32.690 --> 01:10:40.160 \ Stuart Bacon: Yeah, and if we… if we change the styling, then you change the color of those with it, and yeah, it makes it all look… 1007 \ 01:10:40.160 --> 01:10:40.610 \ Belinda Baker: Yeah, yeah. 1008 \ 01:10:40.610 --> 01:10:41.200 \ Stuart Bacon: Yeah. 1009 \ 01:10:42.610 --> 01:10:43.020 \ Belinda Baker: Okay. 1010 \ 01:10:44.000 --> 01:10:48.000 \ Graham Stoddart-Stones: If you stop sharing your screen, Belinda… 1011 \ 01:10:48.760 --> 01:10:50.929 \ Graham Stoddart-Stones: It just gives me the chance to say. 1012 \ 01:10:51.770 --> 01:10:53.609 \ Graham Stoddart-Stones: Thank you all, hope you've had a good… 1013 \ 01:10:53.970 --> 01:10:56.400 \ Belinda Baker: I have, thank you very much, it's very helpful. Loads a lot. 1014 \ 01:10:56.480 --> 01:10:58.030 \ Graham Stoddart-Stones: We'll see you next time. 1015 \ 01:10:58.030 --> 01:10:58.860 \ Belinda Baker: Yes, thank you very much. 1016 \ 01:10:58.860 --> 01:11:03.339 \ Graham Stoddart-Stones: Very hard, everybody, and we've lost John already, but Stuart, thank you very much for your help. 1017 \ 01:11:03.570 --> 01:11:04.780 \ Graham Stoddart-Stones: Seriously? 1018 \ 01:11:07.040 --> 01:11:09.029 \ Graham Stoddart-Stones: Right. Bye-bye, Belinda. ***