> For the complete documentation index, see [llms.txt](https://chagos.gitbook.io/parish-online/llms.txt). Markdown versions of documentation pages are available by appending `.md` to page URLs; this page is available as [Markdown](https://chagos.gitbook.io/parish-online/parish-online-banter-sessions/260410-10apr26-session-26-15.md).

# 260410 - 10Apr26 - session 26-15

Introduction to Parish Online for a first-timer

{% embed url="<https://youtu.be/PtYXu60MoBM>" %}

**Video Timeline** (min:sec):

Note:   first few minutes of original video deleted whilst sorting out a screen issue at Steve's and communications with Debbie

00:00 - 03:44 Steve Robertson introduces himself and shares screen

03:44 - 10:36 Introduction to Assets and Maintenance - add a new Bin, add an attachment

10:36 - 11:50 Table View and Export

10:50 - 13:45 add a second bin

13:45 - 14:11 how other councillors will see data entries

14:11 - 20:50 discovering what prior entries had been made in Parish Online (using Table View), and how to edit them

20:50 - 23:15 How to send map data to others - using Print&#x20;

23:15 - 34:40 Create a new layer (line) - footpaths, add allowed values, add feature - a new path

34:40 - 40:00 Style the layer - footpaths in different colours

40:00 - 46:45 Create second layer (point) to add stile/gate details to the paths

46:45 - 49:30 Using different map types and layers - eg overhead photography

49:30 - 51:40 Banter

51:40 - 57:56 (end) Demo of other facilities within Parish Online using Stuart's parish examples - public maps

***

### Meeting Summary:  14Apr26

Apr 10, 2026 02:00 PM London ID: 897 5877 7706

### Quick recap

This meeting was a training session focused on helping Stephen, a new member of a Parish Council in Leicestershire, learn how to use the Parish Online system to map and manage council assets. Stuart provided detailed guidance on how to plot various assets including bins, benches, and rights of way, demonstrating the process of adding features, setting up new layers, and customizing styles and colors. The session covered creating a footpaths layer with different classifications (public rights of way, bridle ways, and permissive routes) and adding associated features like gates and styles along the paths. Stephen learned how to use both map and aerial photography views to accurately locate and map assets, and how to save and export the data for sharing with other council members and external organizations.

### Next steps

* Stephen: Continue plotting and updating council assets (bins, benches, gates, styles, etc.) in Parish Online, including adding photographs and details as evidence.
* Stephen: Create and populate new layers in Parish Online for footpaths, bridleways, and associated features (e.g., gates, styles, missing gates, railway sleepers), using the correct types and attributes as demonstrated.
* Stephen: Update and correct the colors and types for different footpath categories in Parish Online to match local or national conventions as needed.
* Stephen: Add new feature types (e.g., cattle grid, bridges, silver railway sleepers) to the footpath features layer as required for the village.
* Stephen: Return to Parish Online at a later date to add photographs and additional details to asset and feature entries.
* Stephen: Attend future Friday support meetings as needed for further questions or assistance with Parish Online.

### Summary

#### New Member Introduction Meeting

The meeting began with introductions, where Stephen, who is new to the group, joined from South Leicestershire. There were technical difficulties with Stephen's screen going blank, which the group tried to troubleshoot. Stuart, who was supposed to chair the meeting, joined late due to traffic and apologized for the delay. The meeting appeared to be just starting when technical issues interrupted the flow, with participants suggesting Stephen try a different device to resolve his screen problem.

#### Parish Online Technical Support Session

Stephen, a Parish Council member, reached out for help with using Parish Online, particularly for plotting council assets like rights of way and styles. He was experiencing technical difficulties with saving information and screen sharing. Stuart and Angie guided Stephen through the screen sharing process, confirming that using a Mac should not present significant differences compared to a Windows PC. The conversation ended with Stephen successfully sharing his screen, allowing Stuart to assist further with his specific needs in using the platform.

#### Asset Mapping System Setup Process

Stuart guided Stephen through the process of adding assets and maintenance items to a mapping system, specifically focusing on how to input VIN information for bins. They discussed the required fields including name, type, and description, with Stuart explaining that basic information is sufficient even if specific details like purchase dates are unknown. The conversation also covered the importance of adding photographs in the attachments section as evidence for future reference.

#### Mapping System Feature Management Training

Stuart guided Stephen through the process of adding and managing features in a mapping system, focusing on adding bins and benches. He explained how to save and access the data later by using the Assets and Maintenance layer and table view options. Stuart also demonstrated how to export data to a spreadsheet and provided instructions for adding new features like benches, including filling in details like inscription and type. The discussion ended with Stephen asking about sharing the map with other councillors, though the answer was not provided in the transcript.

#### System Layer Controls Demonstration

Stuart demonstrated how to use the system's layer controls to view and edit different types of data, including right-of-way routes and local green spaces. He showed Stephen how to turn layers on and off, view existing data through table view, and edit specific items using the pencil icon. They discovered that while the system had existing layers, some data was missing, which explained previous issues with contractors.

#### Parish Online Feature Editor Guidance

Stuart provided guidance to Stephen on using the feature editor in Parish Online, explaining how to move existing items like benches and bins by clicking where they should be rather than where they currently are. He also demonstrated how to email or print maps by using the print function at the top of the interface, including options to add a legend and north arrow. The discussion concluded with Stuart showing how to turn off local green spaces and create a footpath layer since none existed in Stephen's current plan.

#### Mapping System Footpath Layer Setup

Stuart guided Stephen through creating a new footpath layer in a mapping system, selecting a line geometry type instead of points or polygons for practical purposes. They discussed filling in a description for the layer to help future users understand its purpose. Stuart also explained the process of adding fields to the layer, emphasizing the importance of including category titles and details for better organization.

#### Path Management System Setup Discussion

Stuart and Stephen discussed setting up a system for managing different types of paths, including public right-of-way and bridle ways. They added fields for type and notes to allow for differentiation and documentation of issues. The team also explored how to draw and name footpaths in the system, with Stuart explaining that features could be edited and adjusted as needed.

#### Mapping System Style Configuration

Stuart and Stephen discussed setting up and styling layers for footpaths and public rights of way in a mapping system. They configured the style settings to differentiate between different types of routes, including changing colors and widths. Stuart suggested using established conventions for colors to ensure compatibility with county standards, and they adjusted the green color for public rights of way to make it more visible. The team also discussed the option to adjust line widths and preview the changes before finalizing the styles.

#### Footpath Features Mapping System Setup

Stuart guided Stephen through creating a new layer called "Footpath Features" in a mapping system, demonstrating how to add different types of footpath elements like gates and styles. They discussed using aerial photography layers to accurately locate and map these features, with Stuart suggesting this approach would be useful for sharing with public rights-of-way officers. The session concluded with Stuart offering ongoing support through weekly Friday meetings, and Stephen mentioned plans to add AED locations to the map in the future.

***

#### Audio-transcript:

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Stuart Bacon: Yes, we can see Paris Online in the top right-hand corner now, so if you fill your screen with that…

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Stephen Robertson: Right.

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Stephen Robertson: Right.

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Stuart Bacon: And then, there we go, we can see that.

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Stephen Robertson: Right.

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Angie Bamford: Woohoo!

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Stephen Robertson: That's good.

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Stuart Bacon: We're off to a start.

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Stuart Bacon: So, you're wanting to plot assets and things…

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Stephen Robertson: And rights of, yeah, right, right, well, mate, assets and, and, rights of way where stiles and gates will want to replace.

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Stuart Bacon: Okay. Well, the easy way to plot your assets for things like VINs and whatever is on where your mouse is at the moment, just below that is assets and maintenance there.

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Stephen Robertson: Right.

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Stuart Bacon: So if you click on that one, and then you can…

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Stuart Bacon: go through each of these categories and fill in, the relevant items and whatever you've got for your area. So if you want to put a bin, let's click on bins, and…

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Stephen Robertson: Yup.

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Stuart Bacon: Bring the layer up, then click on the cog to the right of that when you're over it.

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Stuart Bacon: And in the menu that appears on the right of that, click Add Feature.

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Stephen Robertson: Yep.

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Stuart Bacon: Now… If, on your map, if you scroll, if you zoom in.

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Stuart Bacon: To where you've got a bin.

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Stephen Robertson: Let me see.

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Stephen Robertson: I like that one, yep.

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Stuart Bacon: And just keep scrolling in a bit.

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Stephen Robertson: Keep going in more,

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Angie Bamford: As much as you can.

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Stuart Bacon: Close as you can, makes it, yeah, good.

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Stephen Robertson: Okay.

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Stuart Bacon: So now… If you… Put your mouse where the bin is, and…

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Stephen Robertson: There's one there.

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Stuart Bacon: Click to sort of point that.

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Stephen Robertson: Yep, that's what I've got you.

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Stuart Bacon: We've got to fill in the, the details on the left-hand side.

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Stephen Robertson: Okay.

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Stuart Bacon: So.

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Stephen Robertson: If I don't know the pizza Wobs, I mean, I don't know the date it was purchased, it's…

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Stuart Bacon: I mean, as long as you've got a, name, type.

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Stuart Bacon: And a description of location, you should be fine. Name. So…

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Stephen Robertson: Type.

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Stephen Robertson: Right?

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Stuart Bacon: Yeah, and they're the top 3 fields on the… on the left there.

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Stephen Robertson: Right, so I say name…

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Stuart Bacon: If we fill that in as BIN.

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Stephen Robertson: I'll call Flat Lane. Lane, because that's what he calls it, type, .

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Stuart Bacon: And then you've got categories open, there.

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Stuart Bacon: And whatever is you click on… sorry, if you…

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Stephen Robertson: Man.

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Stephen Robertson: Oh, I should've put flatline there, really, shouldn't I?

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Stephen Robertson: I, name, oh, I'm showing that.

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Stephen Robertson: I'll call it, number one.

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Stephen Robertson: Yep. Right.

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Stuart Bacon: We've got multiple screens opening here.

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Stephen Robertson: I'm not quite sure how.

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Stuart Bacon: Seems to be… yeah, you caught something on the left-hand side of the screen, I think, as you moved your mouse, and it activated another screen.

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Stephen Robertson: Alright.

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Stephen Robertson: This white thing keeps coming up.

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Stephen Robertson: Yeah.

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Stuart Bacon: So…

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Stephen Robertson: So, can you… you can only see white now, can you?

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Stuart Bacon: And then you can see white on the right, and your browser on the left-hand side, two-thirds of the screen.

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Stephen Robertson: Right, yeah.

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Stephen Robertson: So, untitled, I don't want Untitled on there, do I?

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Stephen Robertson: Get rid of that.

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Stephen Robertson: Don't want Untitled on there, get rid of that.

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Stephen Robertson: Get rid of that.

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Stephen Robertson: It's not going.

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Stephen Robertson: Sorry.

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Stephen Robertson: So… When I've done this…

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Stuart Bacon: Well, we can see, anyway. So, if you scroll down, you can see the types of fields there that exist.

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Stephen Robertson: Yep.

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Stuart Bacon: And if you keep going down a little bit.

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Stephen Robertson: Yep.

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Stuart Bacon: At the bottom there, you've got the attachments section. Yep.

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Stuart Bacon: It's usually… desirable.

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Stuart Bacon: If… once we've created these, to come back into them at a later stage, and then put a photograph in as evidence of what it's like, so that when somebody's checking it from the office, they can see what the bin looks like, and… yeah.

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Stephen Robertson: Yep, yep, that's exactly what we want to do, yeah, brilliant.

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Stuart Bacon: Yep. So if you click Save now…

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Stephen Robertson: I don't know if anything's happened.

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Stuart Bacon: I don't think I…

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Stephen Robertson: I know, yeah.

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Stuart Bacon: Right. So now you're saying, now you.

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Stephen Robertson: Pretty simple one.

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Stuart Bacon: sort of number 1 appear there. Yeah. So if we zoom out, you're in the position now where you can add in the number 2.

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Stephen Robertson: Alright.

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Stephen Robertson: And repeat the process.

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Stuart Bacon: Yes.

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Stephen Robertson: And, and, similar things should happen then for,

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Stephen Robertson: Benches, and then other things on there.

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Stuart Bacon: Yeah, yeah, exactly. Similar, similar process. What you'll see is, the icon that appears and whatever for the VIN.

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Stephen Robertson: Yep.

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Stuart Bacon: Would obviously change for one full…

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Stephen Robertson: bench for bench.

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Stuart Bacon: I mentioned whatever under the appropriate category. Right, okay. And we can't, sort of, add them in. They're predefined by the system.

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Stephen Robertson: Right, so what… assuming I've gone through this… I don't know how many bins we've got in the village, 20, or whatever it is, I'll go through and do all 20 bins.

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Stephen Robertson: At the end of it all.

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Stephen Robertson: how do I get that? How do I save that and get back into it at some future point?

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Stuart Bacon: But wouldn't…

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Stuart Bacon: when… so, if you click on the X on the feature editor at the top left-hand, column.

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Stephen Robertson: Yep. Yep. Done that now, yep.

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Stephen Robertson: You go back to this… yep.

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Stuart Bacon: So, now you'll find, that if you…

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Stuart Bacon: Yeah, you can see there the list of different categories and whatever that are open. Because bins ticked, you can see that. If you click on bins again, on the left-hand side there, that'll be almost like when you log in afresh next time.

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Stephen Robertson: Right.

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Stuart Bacon: So all you gotta do, come in, open the assets and maintenance layer, click on the…

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Stephen Robertson: to do that.

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Stuart Bacon: What types you want, and that then will show you

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Stuart Bacon: what exists, within that layer. If you're then in a point where

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Stuart Bacon: You've perhaps got a couple of things close together.

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Stuart Bacon: On that menu, you've got table view.

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Stephen Robertson: Yeah, yeah, got that, yeah.

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Stuart Bacon: And if we click on that, that brings up, like, a spreadsheet of all of the.

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Stephen Robertson: That's it, okay.

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Stuart Bacon: items you've developed in that layer.

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Stephen Robertson: Alright.

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Stuart Bacon: You can actually export if you want to, if you've got another, sort of, purpose for using the data.

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Stephen Robertson: Right.

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Stuart Bacon: I see. Yeah, you won't need to,

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Stuart Bacon: In the top right-hand corner of that, you need to expand it to full screen.

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Stuart Bacon: Of the table view window, the white one at the bottom.

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Stephen Robertson: Alright, what's on…

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Stuart Bacon: So you've got the… Not that one, yeah.

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Stephen Robertson: Yep, yep.

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Stuart Bacon: Yeah, click on the box, and then in the bottom right-hand corner, that brings up the export button to be able to do that to the spreadsheet, but that's perhaps a little bit…

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Stuart Bacon: Too much for…

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Stephen Robertson: Today, yeah, yeah. Right, so go back.

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Stuart Bacon: Okay, so to come out of that, click on the X in the top right-hand corner.

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Stuart Bacon: Yep. And then…

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Stephen Robertson: So if I want to add… sorry, you're Stuart, aren't you, yes. If I want to add a bench to this one now, I…

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Stuart Bacon: Yeah, if we… it's a similar process, if you click on the benches.

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Stephen Robertson: Yep.

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Stephen Robertson: Click on the…

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Stuart Bacon: And click Add Feature.

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Stephen Robertson: feature, and I'd have to do at least the top three.

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Stephen Robertson: Yeah, same one.

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Angie Bamford: When you know any morning places, you can fill it in later.

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Stephen Robertson: Yeah.

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Stephen Robertson: Little lane, for argument's sake.

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Stephen Robertson: Inscription, I'm gonna go change this little one.

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Stuart Bacon: But… Sorry, your option there, Jubilee, is that the inscription on the bench?

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Stephen Robertson: Yeah, it is, yeah. Screenshot Bench.

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Stuart Bacon: Yes, okay.

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Stephen Robertson: Oh, I see, I'm typing things in, so it's.

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Angie Bamford: Perfect, your views are dropped down.

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Stephen Robertson: Metal park bench, yeah.

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Stephen Robertson: Okay.

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Stephen Robertson: I actually haven't put where it is, have I?

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Stephen Robertson: lose that.

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Stuart Bacon: If you zoom in, it's perhaps a bit easier than from such a…

303
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Stephen Robertson: Okay.

304
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Stephen Robertson: Actually, I've got it slightly wrong there.

305
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Stephen Robertson: It's actual fact, you're right. Zoom in. So I'll turn that off.

306
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Stuart Bacon: So just, just click them where you want it to be, don't worry about where it's showing at the moment, just click where it should be, and it'll move to the spot for you.

307
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Stephen Robertson: Right, okay.

308
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Stephen Robertson: Yep.

309
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Stuart Bacon: Yep, and then you can click save when you're happy with the location.

310
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Stephen Robertson: Right.

311
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Stephen Robertson: Okay.

312
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Stuart Bacon: On the ledger bench.

313
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Stephen Robertson: Right.

314
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Stephen Robertson: Brilliant. So, you'd be most helpful not to announce another thing, so, if… how do I get other councillors to view this? Because I've done this, how…

315
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Stuart Bacon: Yeah, no, when, so, when they log in.

316
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Stuart Bacon: They too will just follow the, the option, to sort of look at the layers, and they can see what you've done.

317
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Stephen Robertson: Alright.

318
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Stuart Bacon: Presuming you are set up with your own access.

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Stephen Robertson: I have my own access, yeah.

320
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Stephen Robertson: Yeah, it's got my name, srobertson at 31, and it's got a code after it.

321
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Stuart Bacon: Okay, yeah, no, no, so every council's got their own, so yeah, no, that makes… that makes life a lot easier, and you can see, who's done what, and whatever. No, that's… that's superb.

322
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Stephen Robertson: Right.

323
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Stuart Bacon: Yeah, no, so now,

324
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Stuart Bacon: Yeah, that would be how you would do any of those asset types, and

325
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Stuart Bacon: You can carry on to your… Don't talk.

326
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Stephen Robertson: Thank you.

327
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Stuart Bacon: Based in whatever of those.

328
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Stephen Robertson: So, how would I go about, shang doing,

329
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Stephen Robertson: A route, say, a right-of-way route.

330
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Stuart Bacon: A right-of-way route, well, that would be, potentially, a couple of layers. So if we… if we close out the feature editor that we've got open at the moment…

331
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Stephen Robertson: As this clicked up here, yep.

332
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Stuart Bacon: Yep.

333
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Stuart Bacon: And then, if we… Turn off the benches and bins there for the moment.

334
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Stephen Robertson: So I'll go… what do I do?

335
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Stuart Bacon: on each of those.

336
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Stephen Robertson: Okay, click out, click out, okay.

337
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Stuart Bacon: And that turns the tick off, and that's turned them off as well.

338
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Stephen Robertson: Right, I'm with it, okay, brilliant.

339
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Stuart Bacon: And you might as well minimize the assets and maintenance layer as well.

340
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Stuart Bacon: Yeah, and if we come up to parish layers.

341
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Stephen Robertson: That's these green one, green ones.

342
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Stuart Bacon: No, no, the… it's the top corner.

343
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Stephen Robertson: Oh, yeah, yeah, yeah.

344
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Stuart Bacon: If we open that up, have you got anything there currently for footpaths, is what I'm looking for.

345
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Stuart Bacon: Oh, gentlemen…

346
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Stephen Robertson: So, because we re-signed to it, it looks now to me as if…

347
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00:23:22.530 --> 00:23:25.179
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Stephen Robertson: The previous things that I've done years ago.

348
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Stephen Robertson: are on there, because it's got our, our.

349
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Stuart Bacon: Yeah, everything will still be there that was put in years ago for your neighbourhood plan and whatever. All you've got to do is turn on and off the layers that you want to see at the time, so you could choose any of these layers.

350
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Stuart Bacon: You can click on, and it'll turn them on, and show you exactly what is already there.

351
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Stephen Robertson: Right, I'm just looking for curiosity, though, because this is… this has been an issue for us all, this.

352
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Stuart Bacon: Yep, so that's… that's showing. Yeah. So if you,

353
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Stuart Bacon: If you just zoom out a little…

354
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Stuart Bacon: We'll be able to see where any of that info.

355
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Stephen Robertson: It doesn't look like anything yet, does it?

356
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00:24:09.550 --> 00:24:10.240
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Stephen Robertson: Huh.

357
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Stuart Bacon: Tell you what, let's go into… go into the lair, hover over the tick again on, the verge mowing scope.

358
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Stephen Robertson: Yep.

359
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Stuart Bacon: And if you click on the cog.

360
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Stephen Robertson: Yep.

361
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Stuart Bacon: I'll go to table view.

362
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00:24:24.920 --> 00:24:27.120
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Stuart Bacon: That'll tell you whether there's anything in the layer.

363
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Stephen Robertson: There isn't anything okay, Rob.

364
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Stuart Bacon: No. Okay.

365
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Stephen Robertson: Right.

366
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Stuart Bacon: So the layer exists, but it's not got any data in it.

367
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Stephen Robertson: Right.

368
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Stuart Bacon: So we can close this…

369
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Angie Bamford: Amazing.

370
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Stephen Robertson: That's why I had a problem with the contractor.

371
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Stephen Robertson: All second round.

372
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Angie Bamford: Pill it in, Steve.

373
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Stephen Robertson: Yeah, oh yeah.

374
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Stuart Bacon: But.

375
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Stephen Robertson: Okay.

376
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Stuart Bacon: Yeah.

377
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Stephen Robertson: I thought that might solve a problem, but obviously it hasn't.

378
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\
Stephen Robertson: So if I click out of that, we go back…

379
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00:24:57.610 --> 00:24:59.030
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Stuart Bacon: Yeah.

380
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\
Stephen Robertson: Right, and click on that tick there. That takes me off that one.

381
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00:25:04.260 --> 00:25:06.070
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Stuart Bacon: That takes you off that layer. Yeah.

382
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00:25:06.070 --> 00:25:08.760
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Stephen Robertson: Yeah, and it might do, I don't,

383
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00:25:10.840 --> 00:25:13.559
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Stephen Robertson: For argument's sake, community service food is?

384
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00:25:13.710 --> 00:25:14.940
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Stuart Bacon: Local green spaces?

385
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00:25:14.940 --> 00:25:16.839
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Angie Bamford: Yeah, green space is always a good one.

386
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00:25:17.020 --> 00:25:18.410
\
Stephen Robertson: Is it right? Okay.

387
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00:25:18.700 --> 00:25:19.639
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Angie Bamford: There you go.

388
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00:25:20.500 --> 00:25:21.220
\
Stephen Robertson: Right.

389
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00:25:23.830 --> 00:25:26.989
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Stephen Robertson: You know, they're not anymore, there's a lot of bloody houses on them.

390
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Angie Bamford: Summer.

391
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00:25:30.540 --> 00:25:32.790
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Stephen Robertson: How special thing on Sammy's part, I think.

392
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00:25:33.510 --> 00:25:38.529
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Angie Bamford: Always, away. Can you protect my green space? There, there's a development going on.

393
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00:25:40.140 --> 00:25:40.700
\
Stephen Robertson: And…

394
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Stuart Bacon: You can amend… you can amend those layers as necessary and whatever, just click on the layer.

395
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00:25:47.210 --> 00:25:56.049
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Stuart Bacon: And then, like, click on the item, so if you want… if you say one of them's changed.

396
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Stephen Robertson: Yeah.

397
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00:25:58.910 --> 00:26:03.280
\
Stephen Robertson: Yeah, this one, I hate she's got loads of houses on it now. Yeah, okay.

398
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Stuart Bacon: Yeah, so, if you needed to change that, if we click on H for the moment.

399
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00:26:10.000 --> 00:26:12.840
\
Stuart Bacon: Yeah, and then click on Local Green Space.

400
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00:26:13.700 --> 00:26:14.300
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Stuart Bacon: On the light.

401
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00:26:14.300 --> 00:26:15.040
\
Stephen Robertson: Yeah, yeah.

402
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00:26:15.040 --> 00:26:15.660
\
Stuart Bacon: Yep.

403
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00:26:16.160 --> 00:26:17.520
\
Stephen Robertson: Anytime, okay.

404
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00:26:17.520 --> 00:26:22.059
\
Stuart Bacon: That brings up the detail for that space, and if you want to edit that, the pencil…

405
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00:26:22.260 --> 00:26:24.220
\
Stuart Bacon: In the top left corner.

406
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00:26:24.220 --> 00:26:24.820
\
Stephen Robertson: Yep.

407
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00:26:25.720 --> 00:26:29.910
\
Stuart Bacon: Opens the item so that you can.

408
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00:26:29.910 --> 00:26:33.859
\
Stephen Robertson: So if I did the line down there… And do that.

409
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00:26:34.220 --> 00:26:36.780
\
Stephen Robertson: That's not accurately, but this front bit's…

410
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00:26:37.430 --> 00:26:39.740
\
Stephen Robertson: That front bit is where this house is now.

411
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00:26:40.470 --> 00:26:43.439
\
Stephen Robertson: That thing's still there, but that's now houses.

412
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00:26:44.210 --> 00:26:45.130
\
Stuart Bacon: Okay.

413
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00:26:46.740 --> 00:26:52.370
\
Stuart Bacon: You could do that. I mean, is the… the bit…

414
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00:26:52.370 --> 00:26:55.559
\
Stephen Robertson: I'm not gonna change it, I'm gonna leave this as it is, because it's not my thing, but yeah.

415
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00:26:55.560 --> 00:27:02.220
\
Stuart Bacon: Yeah, so, yeah, you can redraw that and amend that to suit the.

416
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00:27:02.220 --> 00:27:03.259
\
Stephen Robertson: food, whatever, yeah.

417
\
00:27:03.260 --> 00:27:05.739
\
Stuart Bacon: Yeah, the current situation.

418
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00:27:06.100 --> 00:27:11.819
\
Stuart Bacon: And if we don't want to save what you're doing, if you just click on the X at the top of the feature editor.

419
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00:27:12.320 --> 00:27:16.039
\
Stuart Bacon: Then that'll get you out of that without having to save changes.

420
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00:27:16.040 --> 00:27:17.960
\
Stephen Robertson: Yeah, I can't see a feature in it, I'm losing it now.

421
\
00:27:19.140 --> 00:27:24.090
\
Stephen Robertson: Yeah, so that'll say… Right.

422
\
00:27:24.330 --> 00:27:24.720
\
Stuart Bacon: Oh my gosh.

423
\
00:27:25.050 --> 00:27:25.860
\
Stuart Bacon: Continue.

424
\
00:27:25.860 --> 00:27:31.270
\
Stephen Robertson: Can you, because I don't want to change, that's right. Instead of going back to where it was, that's right. I'm with you, right? Okay.

425
\
00:27:32.610 --> 00:27:39.440
\
Stuart Bacon: So, yeah, that would be the general rule of thumb for amending any of the, any of the.

426
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00:27:39.440 --> 00:27:40.170
\
Stephen Robertson: Awesome stuff, but…

427
\
00:27:40.170 --> 00:27:43.639
\
Stuart Bacon: in the layers, when they already exist.

428
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00:27:44.200 --> 00:27:44.820
\
Stephen Robertson: Right.

429
\
00:27:45.010 --> 00:27:45.980
\
Stephen Robertson: That's brilliant.

430
\
00:27:46.230 --> 00:27:51.579
\
Stuart Bacon: So if you put a bench in the wrong place and want to move it, again, it would be the similar sort of approach that you…

431
\
00:27:52.060 --> 00:27:52.610
\
Stephen Robertson: No, but…

432
\
00:27:52.610 --> 00:27:53.839
\
Stuart Bacon: do that, and then…

433
\
00:27:54.140 --> 00:28:00.409
\
Stuart Bacon: Click where it should be, rather than where it is, and save, and it'll move it to that location.

434
\
00:28:00.820 --> 00:28:05.820
\
Stephen Robertson: Right, so when… That's right, I'm simply hogging this, I don't want Angie or anyone else any questions, but…

435
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00:28:05.880 --> 00:28:09.279
\
Angie Bamford: No, no, no, no. I've done my neighbourhood plan.

436
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00:28:09.280 --> 00:28:10.430
\
Stephen Robertson: If,

437
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00:28:12.480 --> 00:28:20.170
\
Stephen Robertson: the bench and the bin I put on before, right, if I wanted to email that to somebody.

438
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00:28:21.310 --> 00:28:23.519
\
Stephen Robertson: How… how could I… can I do that? Or…

439
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00:28:23.520 --> 00:28:29.910
\
Stuart Bacon: Well, you've got options. You can, if they're a Parish Online user.

440
\
00:28:30.880 --> 00:28:34.590
\
Stuart Bacon: Yep. On whatever, then,

441
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00:28:34.950 --> 00:28:42.010
\
Stuart Bacon: they can log in from your account and whatever, and see what you've got. You've just got to tell them what layer to look for.

442
\
00:28:42.010 --> 00:28:42.960
\
Stephen Robertson: Okay.

443
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00:28:42.960 --> 00:28:43.560
\
Stuart Bacon: Yep.

444
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00:28:43.730 --> 00:28:49.739
\
Stuart Bacon: And they can do it. You can, you can print it at the top there.

445
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00:28:51.460 --> 00:28:51.790
\
Stephen Robertson: Yeah.

446
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00:28:51.790 --> 00:29:02.419
\
Stuart Bacon: And that… where you've got the blue bar at the top there, if you click on print, you can either print that as a, a picture or a PDF.

447
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00:29:02.560 --> 00:29:06.539
\
Stuart Bacon: And set that size to whatever appropriate…

448
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00:29:06.540 --> 00:29:07.310
\
Stephen Robertson: Fritz, yeah, yeah.

449
\
00:29:07.310 --> 00:29:13.320
\
Stuart Bacon: Yeah, so you zoom in to wherever you want it and get the scale appropriate to what you're doing.

450
\
00:29:13.320 --> 00:29:14.539
\
Stephen Robertson: Yep, I'm with it, yep.

451
\
00:29:16.040 --> 00:29:21.730
\
Stuart Bacon: And it's often useful to turn on,

452
\
00:29:21.840 --> 00:29:24.260
\
Stuart Bacon: Turn on the legend with that.

453
\
00:29:24.430 --> 00:29:28.160
\
Stuart Bacon: So that people understand what it is, all the colours mean, and…

454
\
00:29:28.160 --> 00:29:29.080
\
Stephen Robertson: Oh yeah, yeah, yeah.

455
\
00:29:29.080 --> 00:29:44.839
\
Stuart Bacon: Yeah, and stick a north arrow on so that, yeah, when you're sending it to, the county council or, yeah, Harbour District or whatever, yeah, then you can, get that sort of info across them a bit more easily.

456
\
00:29:46.480 --> 00:29:52.900
\
Stuart Bacon: Right. And yeah, if you just… when you click print at the bottom there, that just… it's like when you print anything on your computer.

457
\
00:29:52.900 --> 00:29:53.280
\
Stephen Robertson: Right.

458
\
00:29:53.280 --> 00:29:57.889
\
Stuart Bacon: Yeah, it'll just bring up the print, function on your printer.

459
\
00:29:58.260 --> 00:30:02.879
\
Stephen Robertson: That's brilliant. I think you've been most helpful. I think, rather than…

460
\
00:30:03.350 --> 00:30:07.529
\
Stuart Bacon: Where's gonna… Through sorting out your footpaths, we can do that as well.

461
\
00:30:08.200 --> 00:30:08.990
\
Stephen Robertson: Okay.

462
\
00:30:10.540 --> 00:30:15.689
\
Stuart Bacon: So again, if we come out of print, if we close the print down at the top there.

463
\
00:30:15.690 --> 00:30:18.050
\
Stephen Robertson: Yeah, close the parish. Close this town?

464
\
00:30:18.050 --> 00:30:18.800
\
Stuart Bacon: Blair? Yep.

465
\
00:30:18.800 --> 00:30:19.570
\
Stephen Robertson: Yep.

466
\
00:30:20.220 --> 00:30:26.490
\
Stephen Robertson: So, I'm seeing if I can work out, so, it's these, it stays…

467
\
00:30:26.490 --> 00:30:28.259
\
Stuart Bacon: local green spaces.

468
\
00:30:28.260 --> 00:30:28.890
\
Stephen Robertson: Yep.

469
\
00:30:30.370 --> 00:30:38.350
\
Stuart Bacon: And now, we… because we've looked, and we know there isn't a footpath slayer in what you've got.

470
\
00:30:38.800 --> 00:30:40.570
\
Stuart Bacon: We can create one.

471
\
00:30:41.000 --> 00:30:41.750
\
Stephen Robertson: Alright.

472
\
00:30:42.550 --> 00:30:44.470
\
Stuart Bacon: So, at the very top.

473
\
00:30:44.470 --> 00:30:47.649
\
Alastair boyd: And you need to get, like, half over the packet, and it rolls.

474
\
00:30:47.650 --> 00:30:49.980
\
Stuart Bacon: Part of where you've got your.

475
\
00:30:49.980 --> 00:30:50.780
\
Alastair boyd: That's me!

476
\
00:30:50.780 --> 00:30:53.629
\
Stuart Bacon: option. If we click on Create.

477
\
00:30:54.540 --> 00:30:55.890
\
Stephen Robertson: Oh, there, okay, yep.

478
\
00:30:56.190 --> 00:30:56.790
\
Stuart Bacon: Yep.

479
\
00:30:57.300 --> 00:31:00.599
\
Stuart Bacon: And we're creating a new layer.

480
\
00:31:00.600 --> 00:31:01.240
\
Stephen Robertson: Right?

481
\
00:31:02.510 --> 00:31:03.959
\
Stephen Robertson: So why did this…

482
\
00:31:04.320 --> 00:31:05.990
\
Stuart Bacon: Title this one, Footpaths.

483
\
00:31:05.990 --> 00:31:06.760
\
Stephen Robertson: Yep.

484
\
00:31:12.910 --> 00:31:13.570
\
Stephen Robertson: Yep.

485
\
00:31:13.570 --> 00:31:14.730
\
Stuart Bacon: And next…

486
\
00:31:14.730 --> 00:31:15.320
\
Stephen Robertson: Yep.

487
\
00:31:16.840 --> 00:31:25.589
\
Stuart Bacon: now we have to determine the… the style in which we want to, sort of, show the information.

488
\
00:31:26.830 --> 00:31:29.120
\
Stuart Bacon: The footpaths, generally.

489
\
00:31:29.260 --> 00:31:38.859
\
Stuart Bacon: They're not going to be a point layer, because it's more information than that. And for practicality purposes, a…

490
\
00:31:39.140 --> 00:31:44.259
\
Stuart Bacon: polygon is perhaps a little bit overkill. So, if we go with a line there.

491
\
00:31:44.830 --> 00:31:46.180
\
Stephen Robertson: Should I write lines?

492
\
00:31:46.180 --> 00:31:48.620
\
Stuart Bacon: Geometry type, and the drop-down box there.

493
\
00:31:48.620 --> 00:31:49.929
\
Stephen Robertson: Oh, I think I'm talking, okay, okay.

494
\
00:31:49.930 --> 00:31:50.980
\
Stuart Bacon: Yep.

495
\
00:31:51.320 --> 00:31:55.850
\
Stuart Bacon: That gives us the three options, so we can choose that as a line.

496
\
00:31:55.850 --> 00:31:58.080
\
Stephen Robertson: Yeah, Kate, William, and next, yep.

497
\
00:31:58.080 --> 00:32:08.459
\
Stuart Bacon: And then, now, before you click next, fill in the description, so that when you… when somebody comes back to it in the future, it's always good practice to, sort of, give

498
\
00:32:08.570 --> 00:32:19.509
\
Stuart Bacon: the layer… a little bit of a description as to the type of thing that, this is. So, for your footpath layer, this is likely to say something along the lines of.

499
\
00:32:19.740 --> 00:32:22.140
\
Stuart Bacon: put paths with Inglemorton Parish.

500
\
00:32:22.140 --> 00:32:23.930
\
Stephen Robertson: Yeah, yeah, yeah, we do, yep.

501
\
00:32:23.930 --> 00:32:26.400
\
Stuart Bacon: So if you fill that… if you fill that in now.

502
\
00:32:27.080 --> 00:32:27.860
\
Stephen Robertson: Yep.

503
\
00:32:28.960 --> 00:32:31.099
\
Stuart Bacon: Nope, sorry, you're changing the type.

504
\
00:32:31.100 --> 00:32:31.730
\
Stephen Robertson: Oh.

505
\
00:32:31.730 --> 00:32:36.449
\
Stuart Bacon: Oh, Steven at the moment, so change that back to line, and then click in the box.

506
\
00:32:36.650 --> 00:32:37.090
\
Stephen Robertson: Next.

507
\
00:32:37.090 --> 00:32:38.580
\
Stuart Bacon: No, no, no, no, no.

508
\
00:32:38.580 --> 00:32:40.620
\
Stephen Robertson: No, go back.

509
\
00:32:40.620 --> 00:32:42.109
\
Stuart Bacon: Bottom left, bottom left.

510
\
00:32:42.300 --> 00:32:42.850
\
Stephen Robertson: Yep.

511
\
00:32:43.750 --> 00:32:44.640
\
Stephen Robertson: So…

512
\
00:32:44.640 --> 00:32:46.770
\
Stuart Bacon: Where it says, set your layers description.

513
\
00:32:46.770 --> 00:32:47.090
\
Stephen Robertson: Yeah.

514
\
00:32:47.090 --> 00:32:48.879
\
Stuart Bacon: In the box underneath that.

515
\
00:32:49.050 --> 00:32:50.839
\
Stephen Robertson: Underneath it, I see, right.

516
\
00:32:50.990 --> 00:32:51.690
\
Stephen Robertson: Alright.

517
\
00:32:52.090 --> 00:32:52.980
\
Stephen Robertson: That's why I'm too.

518
\
00:32:52.980 --> 00:32:54.299
\
Stuart Bacon: Just up a little bit.

519
\
00:32:55.370 --> 00:32:55.950
\
Stuart Bacon: Tony.

520
\
00:32:55.950 --> 00:32:57.949
\
Stephen Robertson: Alright, yeah, yeah, yeah, yeah, yeah, yeah.

521
\
00:32:58.890 --> 00:33:00.320
\
Stephen Robertson: Right,

522
\
00:33:09.330 --> 00:33:11.190
\
Stephen Robertson: Yep. Then next.

523
\
00:33:11.190 --> 00:33:11.730
\
Stuart Bacon: Yeah.

524
\
00:33:12.250 --> 00:33:12.990
\
Stephen Robertson: Right.

525
\
00:33:14.380 --> 00:33:17.719
\
Stuart Bacon: Now, this is the element where…

526
\
00:33:18.760 --> 00:33:27.850
\
Stuart Bacon: we add in all the different fields, that your layer creates. So you saw when we filled in,

527
\
00:33:28.300 --> 00:33:42.470
\
Stuart Bacon: Oh, we just looked at the open space, where it had only got that one field, which was the letter description, whereas when we'd looked at the benches and the bins, there were a lot more items to fill in there. So we…

528
\
00:33:42.580 --> 00:33:48.719
\
Stuart Bacon: this is where we create the options. Right, okay. So you want to click on the plus in the top right.

529
\
00:33:50.240 --> 00:33:52.920
\
Stuart Bacon: Because as a bare minimum, it needs a name.

530
\
00:33:54.770 --> 00:33:56.000
\
Stuart Bacon: Excellent.

531
\
00:33:57.210 --> 00:34:01.470
\
Stuart Bacon: So this, this is just the category title, this is not the detail.

532
\
00:34:01.470 --> 00:34:02.070
\
Stephen Robertson: Right.

533
\
00:34:02.070 --> 00:34:03.090
\
Stuart Bacon: And whatever.

534
\
00:34:03.240 --> 00:34:07.630
\
Stuart Bacon: So, yeah, the…

535
\
00:34:08.040 --> 00:34:10.910
\
Stephen Robertson: So, like, paths and tracks, or something like that.

536
\
00:34:11.159 --> 00:34:20.699
\
Stuart Bacon: Well, no, I mean, name… I think name is sufficient. Then we can add in a,

537
\
00:34:21.529 --> 00:34:24.749
\
Stuart Bacon: Add in another field, so click on the plus again.

538
\
00:34:28.489 --> 00:34:36.409
\
Stuart Bacon: And for this one, we changed name to, troubleshine.

539
\
00:34:38.809 --> 00:34:44.299
\
Stuart Bacon: I don't think, type.

540
\
00:34:44.830 --> 00:34:45.540
\
Stephen Robertson: Type.

541
\
00:34:45.909 --> 00:34:46.429
\
Stuart Bacon: Yep.

542
\
00:34:48.830 --> 00:34:49.350
\
Stephen Robertson: Dang.

543
\
00:34:49.350 --> 00:34:54.099
\
Stuart Bacon: And then we can go into the allowed values on the right-hand side of that.

544
\
00:34:54.100 --> 00:34:54.480
\
Stephen Robertson: Yeah.

545
\
00:34:54.489 --> 00:34:56.509
\
Stuart Bacon: Let's got the second one down.

546
\
00:34:57.429 --> 00:35:00.399
\
Stuart Bacon: the type, yep, and click on Add.

547
\
00:35:01.989 --> 00:35:06.489
\
Stuart Bacon: And you can set predetermined,

548
\
00:35:07.919 --> 00:35:14.079
\
Stuart Bacon: sort of answers for those, fields and whatever when you fill it in. So you could… you could go with…

549
\
00:35:14.469 --> 00:35:17.289
\
Stuart Bacon: P-R-O-W, for public right of way.

550
\
00:35:17.290 --> 00:35:17.790
\
Stephen Robertson: Yep.

551
\
00:35:19.680 --> 00:35:21.270
\
Stuart Bacon: ad.

552
\
00:35:21.460 --> 00:35:27.209
\
Stuart Bacon: on the top, just to the right-hand side there, but then at… sticking another one in.

553
\
00:35:27.210 --> 00:35:27.900
\
Stephen Robertson: Yeah.

554
\
00:35:27.900 --> 00:35:29.500
\
Stuart Bacon: a permissive route.

555
\
00:35:29.730 --> 00:35:30.750
\
Stephen Robertson: Yep, yep.

556
\
00:35:33.660 --> 00:35:35.500
\
Stephen Robertson: Nope. No good spot.

557
\
00:35:38.350 --> 00:35:41.820
\
Stephen Robertson: Yep, and a bridal way, something like that, yeah.

558
\
00:35:41.820 --> 00:35:42.260
\
Stuart Bacon: Yeah, yeah.

559
\
00:35:42.390 --> 00:35:43.470
\
Stephen Robertson: Yeah, yeah.

560
\
00:35:44.980 --> 00:35:47.269
\
Stephen Robertson: When I go away. That's how you split it.

561
\
00:35:48.380 --> 00:35:49.560
\
Stephen Robertson: Right, I'm with you.

562
\
00:35:49.790 --> 00:35:51.320
\
Stephen Robertson: I've got the cliffness, yep.

563
\
00:35:51.490 --> 00:36:00.130
\
Stuart Bacon: Yeah. Because that… that gives us an ability to, differentiate within the LAM in a moment's time.

564
\
00:36:00.360 --> 00:36:01.020
\
Stephen Robertson: Yeah.

565
\
00:36:01.660 --> 00:36:03.679
\
Stuart Bacon: Because what I'd like to do is…

566
\
00:36:03.970 --> 00:36:10.020
\
Stuart Bacon: Whether they're accurate or not, we can just put on a few examples, and then… .

567
\
00:36:10.020 --> 00:36:12.770
\
Stephen Robertson: This… We've got this,

568
\
00:36:13.170 --> 00:36:14.879
\
Stephen Robertson: This is an issue with us as well.

569
\
00:36:17.850 --> 00:36:18.240
\
Stuart Bacon: Okay.

570
\
00:36:18.240 --> 00:36:23.190
\
Stephen Robertson: It's a… it's a… Bridal way open to all traffic.

571
\
00:36:24.430 --> 00:36:25.980
\
Stuart Bacon: Yes, okay.

572
\
00:36:26.090 --> 00:36:28.180
\
Stuart Bacon: Yeah, so if we confirm those.

573
\
00:36:28.560 --> 00:36:29.200
\
Stephen Robertson: Yep.

574
\
00:36:30.010 --> 00:36:39.150
\
Stuart Bacon: And then… Let's add another one, add another field.

575
\
00:36:40.210 --> 00:36:40.780
\
Stephen Robertson: There you go.

576
\
00:36:40.780 --> 00:36:43.269
\
Stuart Bacon: No, no, no, on the plus on the top right.

577
\
00:36:43.630 --> 00:36:44.269
\
Stephen Robertson: Oh, yeah.

578
\
00:36:44.560 --> 00:36:45.110
\
Stuart Bacon: Yep.

579
\
00:36:45.450 --> 00:36:49.160
\
Stuart Bacon: And instead of name, let's change it to notes.

580
\
00:36:54.540 --> 00:36:55.110
\
Stephen Robertson: Yep.

581
\
00:36:55.300 --> 00:36:56.330
\
Stuart Bacon: And then finish.

582
\
00:36:56.780 --> 00:37:00.020
\
Stuart Bacon: And then that gives you the ability to just keep a…

583
\
00:37:00.180 --> 00:37:11.880
\
Stuart Bacon: a running record of any issues or whatever. And we can go back in and change them in the future. That's not, sort of, a dead-set scenario.

584
\
00:37:12.710 --> 00:37:13.450
\
Stephen Robertson: Yeah.

585
\
00:37:13.450 --> 00:37:13.870
\
Stuart Bacon: It's not.

586
\
00:37:13.870 --> 00:37:18.460
\
Stephen Robertson: It's not frozen, it can be amended on an ongoing basis, what you're telling me.

587
\
00:37:18.590 --> 00:37:19.130
\
Stuart Bacon: Yeah, yeah.

588
\
00:37:19.130 --> 00:37:20.300
\
Angie Bamford: I will be amended.

589
\
00:37:21.280 --> 00:37:21.810
\
Stephen Robertson: room.

590
\
00:37:21.810 --> 00:37:29.310
\
Stuart Bacon: So now, on the left-hand side there, where you've got your list of layers, if we scroll down…

591
\
00:37:29.510 --> 00:37:35.940
\
Stuart Bacon: To the bottom of the parish layers, you'll see that's where your footpaths layer.

592
\
00:37:36.210 --> 00:37:37.970
\
Stuart Bacon: It's just above addresses.

593
\
00:37:39.110 --> 00:37:42.679
\
Angie Bamford: You'll always put the newest one… you'll always put the newest one at the bottom.

594
\
00:37:44.890 --> 00:37:48.150
\
Stuart Bacon: So if you now… if you now click on footpaths.

595
\
00:37:48.390 --> 00:37:50.450
\
Stephen Robertson: Yeah, and that again, the nugget thingy?

596
\
00:37:50.450 --> 00:37:54.000
\
Stuart Bacon: And then we can, go in, click and add a feature.

597
\
00:37:57.750 --> 00:38:05.819
\
Stuart Bacon: And then we can draw in a footpath where one currently exists.

598
\
00:38:06.050 --> 00:38:09.390
\
Stephen Robertson: Right? So, do I use a pencil advocate?

599
\
00:38:09.390 --> 00:38:14.800
\
Stuart Bacon: Yeah, so, just use your mouse, and then click.

600
\
00:38:15.540 --> 00:38:16.070
\
Stephen Robertson: I'm finished.

601
\
00:38:16.070 --> 00:38:18.480
\
Stuart Bacon: The route of the footpath, where…

602
\
00:38:18.620 --> 00:38:21.229
\
Stuart Bacon: Right. From start to end, and whatever of a…

603
\
00:38:21.580 --> 00:38:23.340
\
Stuart Bacon: Right. I have an example for Pat.

604
\
00:38:23.900 --> 00:38:24.580
\
Stephen Robertson: Right.

605
\
00:38:40.610 --> 00:38:41.160
\
Stuart Bacon: Yep.

606
\
00:38:41.260 --> 00:38:43.529
\
Stuart Bacon: And then when you're done, double-click.

607
\
00:38:49.210 --> 00:38:52.239
\
Stephen Robertson: Yeah, I mean, it's just rough to give me the idea of it, but yeah.

608
\
00:38:52.240 --> 00:38:52.860
\
Angie Bamford: Yep.

609
\
00:38:53.600 --> 00:38:55.059
\
Angie Bamford: You can always go and change it.

610
\
00:38:55.340 --> 00:38:56.030
\
Stephen Robertson: Yeah.

611
\
00:38:56.030 --> 00:38:58.820
\
Angie Bamford: The closer you zoom in, the more accurate you can find it.

612
\
00:38:58.820 --> 00:39:01.310
\
Stephen Robertson: Oh, Astro, yes, yes, yeah, I'll just do the general one.

613
\
00:39:01.520 --> 00:39:04.129
\
Stephen Robertson: Yeah, okay, I'll just stop it there, I'm gonna…

614
\
00:39:05.560 --> 00:39:08.820
\
Stuart Bacon: So now, if we give it a name, and fill in the details on the left.

615
\
00:39:09.050 --> 00:39:15.160
\
Stephen Robertson: Okay, I know it's Y94.

616
\
00:39:16.150 --> 00:39:19.609
\
Stephen Robertson: Okay. Alright, there's a prowl to write away.

617
\
00:39:19.960 --> 00:39:21.609
\
Stephen Robertson: notes, don't, don't need…

618
\
00:39:21.610 --> 00:39:27.939
\
Stuart Bacon: Scotty notes you can think of at the minute, that's fine, you don't have to fill it in, it's just there as an option if you need it.

619
\
00:39:28.390 --> 00:39:30.060
\
Stuart Bacon: We can save that.

620
\
00:39:33.060 --> 00:39:38.840
\
Stephen Robertson: Stu, if I wanted to say, for instance, I know there's an issue over the style that's there.

621
\
00:39:38.980 --> 00:39:42.790
\
Stephen Robertson: So, if I want to put a photograph of that, can I do that?

622
\
00:39:42.790 --> 00:39:44.450
\
Angie Bamford: Yeah, put it in the attachments.

623
\
00:39:44.630 --> 00:39:49.129
\
Stuart Bacon: We can, but, let me come back to that one in a moment.

624
\
00:39:49.130 --> 00:39:49.769
\
Stephen Robertson: Okay, right, fine.

625
\
00:39:49.770 --> 00:39:57.700
\
Stuart Bacon: At the moment, what the… the way… the way we're setting the lair up at the moment, this is just for the footpaths.

626
\
00:39:57.700 --> 00:39:58.679
\
Stephen Robertson: Yeah, okay.

627
\
00:39:58.680 --> 00:40:02.680
\
Stuart Bacon: We'll need to set up a separate layer to go with it.

628
\
00:40:03.060 --> 00:40:10.120
\
Stuart Bacon: For the styles and gates and anything, to do with that. So if we save…

629
\
00:40:10.410 --> 00:40:11.599
\
Stuart Bacon: for the moment.

630
\
00:40:11.760 --> 00:40:12.380
\
Stephen Robertson: Right.

631
\
00:40:13.100 --> 00:40:17.049
\
Stephen Robertson: So, and the fact that that came up blue, can I change the colours of those?

632
\
00:40:17.050 --> 00:40:18.730
\
Stuart Bacon: Yeah, yeah, yeah, no, we'll do that in a moment.

633
\
00:40:18.730 --> 00:40:19.919
\
Stephen Robertson: That's coming right next, you know?

634
\
00:40:19.920 --> 00:40:29.539
\
Stuart Bacon: It just comes up blue, because that's the… the additive, item you're… Working on, okay. Yeah, they all come up blue when we're done.

635
\
00:40:29.650 --> 00:40:30.790
\
Stephen Robertson: Oh, okay.

636
\
00:40:31.850 --> 00:40:38.420
\
Stuart Bacon: So… Have we got, nearby to this one?

637
\
00:40:38.600 --> 00:40:42.030
\
Stuart Bacon: One of a different type of footpath.

638
\
00:40:43.910 --> 00:40:46.470
\
Stuart Bacon: That you want… that you could quickly just plot.

639
\
00:40:47.430 --> 00:40:56.010
\
Stephen Robertson: Well, that, that, from there, Bottom Mill Lane, that's, that's the boat, that's the, so, yeah.

640
\
00:40:56.010 --> 00:40:58.710
\
Stuart Bacon: If you want to stick that one in, then,

641
\
00:40:58.960 --> 00:41:01.559
\
Stuart Bacon: Put your boat in, and we can.

642
\
00:41:01.810 --> 00:41:05.670
\
Stephen Robertson: So, to do this, do I… Yeah, that's right, yeah.

643
\
00:41:13.130 --> 00:41:17.349
\
Stephen Robertson: goes all the way, but that's sufficient for now to get the drift to it. Sorry, double click.

644
\
00:41:18.230 --> 00:41:25.409
\
Stephen Robertson: Right, so go back… To… Yeah, I've done that sufficiently to get the idea of it.

645
\
00:41:25.410 --> 00:41:27.140
\
Stuart Bacon: So now, now change your type.

646
\
00:41:28.340 --> 00:41:30.660
\
Stuart Bacon: I'll give it a name and change the type.

647
\
00:41:30.660 --> 00:41:31.909
\
Stephen Robertson: Yeah, Kate.

648
\
00:41:34.490 --> 00:41:36.980
\
Stuart Bacon: Has the road got a name, or… Nope.

649
\
00:41:36.980 --> 00:41:38.830
\
Stephen Robertson: It's just no longer as flatline.

650
\
00:41:39.320 --> 00:41:39.980
\
Stuart Bacon: Okay.

651
\
00:41:42.260 --> 00:41:43.690
\
Stephen Robertson: And it's a vote.

652
\
00:41:44.270 --> 00:41:47.409
\
Stephen Robertson: Yeah. So then save, that should come up red.

653
\
00:41:47.880 --> 00:41:50.340
\
Stuart Bacon: Save that, and that too will come up red.

654
\
00:41:50.340 --> 00:41:50.960
\
Stephen Robertson: Yep.

655
\
00:41:51.290 --> 00:41:54.119
\
Stuart Bacon: So, everything at the moment that you're putting in.

656
\
00:41:54.120 --> 00:41:54.570
\
Stephen Robertson: Yep.

657
\
00:41:54.570 --> 00:41:57.480
\
Stuart Bacon: We'll come up looking exactly the same.

658
\
00:41:58.000 --> 00:41:58.600
\
Stephen Robertson: Right.

659
\
00:41:59.040 --> 00:42:05.269
\
Stuart Bacon: But if you want to change the colours so that a different type of root is…

660
\
00:42:05.660 --> 00:42:06.739
\
Stephen Robertson: That's the blue color, yeah.

661
\
00:42:06.740 --> 00:42:11.389
\
Stuart Bacon: We can manage that. So, if you click on the X on the feature editor.

662
\
00:42:14.180 --> 00:42:20.180
\
Stuart Bacon: Yep. And we scroll down to see, footpaths on the left-hand side here.

663
\
00:42:20.320 --> 00:42:28.339
\
Stuart Bacon: Where tick is… Yep. If you click on the cog, I'm going to style.

664
\
00:42:28.340 --> 00:42:29.170
\
Stephen Robertson: Okay.

665
\
00:42:31.660 --> 00:42:34.510
\
Stuart Bacon: This is where we can change the style of how the layers…

666
\
00:42:34.510 --> 00:42:35.070
\
Stephen Robertson: Alright.

667
\
00:42:35.490 --> 00:42:40.879
\
Stuart Bacon: And what goes on. So what we want to do is, because we've got,

668
\
00:42:41.290 --> 00:42:44.229
\
Stuart Bacon: Potential that you want to change the color, so that.

669
\
00:42:44.230 --> 00:42:44.689
\
Stephen Robertson: One of them.

670
\
00:42:44.690 --> 00:42:47.770
\
Stuart Bacon: A boat is yellow, and a,

671
\
00:42:47.930 --> 00:42:52.899
\
Stuart Bacon: a public right-of-way is green or something. Yep. Then…

672
\
00:42:53.630 --> 00:43:01.300
\
Stuart Bacon: On the left-hand side, under your style options, if we change that from single, It's a card spiced.

673
\
00:43:02.170 --> 00:43:02.740
\
Stephen Robertson: Yep.

674
\
00:43:05.020 --> 00:43:12.360
\
Stuart Bacon: And then… The class column, if we change that from name to Type.

675
\
00:43:15.370 --> 00:43:18.800
\
Stuart Bacon: Because that's where you're choosing what it is that…

676
\
00:43:18.800 --> 00:43:19.619
\
Stephen Robertson: Or else I'm a teacher.

677
\
00:43:19.620 --> 00:43:21.530
\
Stuart Bacon: Sort of make the differentiation.

678
\
00:43:21.880 --> 00:43:32.280
\
Stuart Bacon: Nope. And it will then… When you get the… When you get the label.

679
\
00:43:32.610 --> 00:43:39.660
\
Stuart Bacon: That comes up, click on the label column, and I would say, potentially, you would want the name of that, would you, rather than the…

680
\
00:43:40.190 --> 00:43:41.450
\
Stuart Bacon: The class type?

681
\
00:43:42.810 --> 00:43:43.310
\
Stephen Robertson: Mmm.

682
\
00:43:43.310 --> 00:43:53.480
\
Stuart Bacon: where you said the footpath, was it Y94? Yep. Y94 for that, and, whatever, for the…

683
\
00:43:54.070 --> 00:43:58.390
\
Stuart Bacon: Fort Pass, rather than public right-of-way.

684
\
00:43:58.760 --> 00:43:59.410
\
Stephen Robertson: Right.

685
\
00:43:59.710 --> 00:44:04.529
\
Stuart Bacon: Yeah. So if we change that to name, then that will be what it shows as the label.

686
\
00:44:05.110 --> 00:44:05.750
\
Stephen Robertson: Yep.

687
\
00:44:07.010 --> 00:44:15.240
\
Stuart Bacon: And now… If we keep scrolling down to look at classes.

688
\
00:44:15.490 --> 00:44:16.610
\
Stephen Robertson: Oh, I see, yeah.

689
\
00:44:17.710 --> 00:44:25.349
\
Stuart Bacon: This is where we change the, sort of, how the lines look, and whatever. So…

690
\
00:44:26.810 --> 00:44:31.759
\
Stuart Bacon: for public rights-of-way, I would change that to a light green.

691
\
00:44:32.790 --> 00:44:34.370
\
Stuart Bacon: So if you click on the color.

692
\
00:44:35.730 --> 00:44:36.370
\
Stephen Robertson: Okay.

693
\
00:44:36.370 --> 00:44:41.379
\
Stuart Bacon: On the red… so, that's the bride of the way, so they're pink, aren't they?

694
\
00:44:41.580 --> 00:44:42.240
\
Stephen Robertson: Yeah.

695
\
00:44:42.240 --> 00:44:45.289
\
Stuart Bacon: So if we go with…

696
\
00:44:45.480 --> 00:44:47.890
\
Stuart Bacon: I'd go up a bit.

697
\
00:44:48.070 --> 00:44:50.169
\
Stuart Bacon: Chill up from where you are, I think.

698
\
00:44:50.470 --> 00:44:52.740
\
Stuart Bacon: Yep. Oh, no, the next one down.

699
\
00:44:53.580 --> 00:44:54.240
\
Stephen Robertson: Right.

700
\
00:44:54.880 --> 00:44:56.929
\
Stuart Bacon: Yeah, and save that.

701
\
00:44:58.060 --> 00:45:10.990
\
Stuart Bacon: Then public right-of-way change to… A luminescent green, so… I think it… yeah…

702
\
00:45:12.610 --> 00:45:15.860
\
Stuart Bacon: I think last year, it would be the second one, next one to the right.

703
\
00:45:17.360 --> 00:45:18.420
\
Stuart Bacon: Yeah, that one.

704
\
00:45:19.000 --> 00:45:19.670
\
Stephen Robertson: Right.

705
\
00:45:19.700 --> 00:45:20.890
\
Stuart Bacon: Unsave.

706
\
00:45:22.340 --> 00:45:28.449
\
Stuart Bacon: Permissive roots probably are pale blue.

707
\
00:45:29.200 --> 00:45:33.810
\
Stuart Bacon: Trying to remember, county's… details.

708
\
00:45:33.810 --> 00:45:35.980
\
Stephen Robertson: Oh, they have the convention, and I say, right, you can't…

709
\
00:45:36.830 --> 00:45:42.369
\
Stephen Robertson: We can do our own, of course, but it'd be better to keep it in keeping with the existing convention, wouldn't it, of course, yeah.

710
\
00:45:42.370 --> 00:45:46.260
\
Stuart Bacon: Yeah, yeah, because then if you share the details with the county or whatever, if they're looking.

711
\
00:45:46.260 --> 00:45:48.219
\
Stephen Robertson: They'll, they'll know, they'll…

712
\
00:45:48.220 --> 00:45:52.850
\
Stuart Bacon: It just keeps life a lot easier for them to, sort of, follow the logic.

713
\
00:45:53.190 --> 00:45:53.790
\
Stephen Robertson: Yeah.

714
\
00:45:54.280 --> 00:45:54.790
\
Stephen Robertson: Okay.

715
\
00:45:54.790 --> 00:45:58.920
\
Stuart Bacon: And… Hope you'll watch it right then, okay?

716
\
00:46:02.720 --> 00:46:04.520
\
Stephen Robertson: One with you, right, that's brilliant.

717
\
00:46:07.870 --> 00:46:11.339
\
Angie Bamford: You can change the width, how wide you want that line to be as well.

718
\
00:46:11.340 --> 00:46:12.940
\
Stephen Robertson: Of course, yes, yes, yeah.

719
\
00:46:14.460 --> 00:46:15.840
\
Angie Bamford: Classic line, or…

720
\
00:46:19.180 --> 00:46:20.209
\
Stephen Robertson: Thank you, too.

721
\
00:46:22.100 --> 00:46:24.650
\
Stephen Robertson: Who stands out that bit more, yeah, when we did, but…

722
\
00:46:24.650 --> 00:46:26.550
\
Angie Bamford: I'll show you on your preview what it'll look like.

723
\
00:46:26.980 --> 00:46:27.600
\
Stephen Robertson: Yeah.

724
\
00:46:29.010 --> 00:46:33.799
\
Stuart Bacon: So, whoops with… Where have we gone?

725
\
00:46:34.000 --> 00:46:37.050
\
Stephen Robertson: Yeah, no Y94 there. Flat lane, yep.

726
\
00:46:38.180 --> 00:46:39.260
\
Stephen Robertson: Yeah.

727
\
00:46:39.890 --> 00:46:41.640
\
Stephen Robertson: Can't really see the green, because it's going across the.

728
\
00:46:41.640 --> 00:46:50.570
\
Stuart Bacon: No, so we might want to go back in and make it a little bit darker, so if you click on the tick again, and make that the, the cog, or go back to style…

729
\
00:46:50.760 --> 00:46:51.360
\
Stephen Robertson: Yep.

730
\
00:46:53.170 --> 00:46:54.430
\
Stephen Robertson: scroll down.

731
\
00:46:54.430 --> 00:46:55.230
\
Angie Bamford: Sound them up.

732
\
00:46:55.440 --> 00:46:56.320
\
Stephen Robertson: Oh, yeah, yeah.

733
\
00:46:56.530 --> 00:47:01.080
\
Stephen Robertson: And that was right away. It was that, wasn't it? So click on that, make it a darker green.

734
\
00:47:01.300 --> 00:47:06.990
\
Stuart Bacon: Slightly, yeah, I go about 2 down from where you are, from the one that you got selected.

735
\
00:47:07.670 --> 00:47:09.390
\
Stephen Robertson: Oh, I see two down for that one, okay.

736
\
00:47:09.390 --> 00:47:09.950
\
Stuart Bacon: Yes.

737
\
00:47:11.990 --> 00:47:14.449
\
Angie Bamford: And you can make that wider as well, so it's stand out a bit.

738
\
00:47:14.880 --> 00:47:17.659
\
Stuart Bacon: You probably want to make all of them about 2 width.

739
\
00:47:21.150 --> 00:47:23.440
\
Stuart Bacon: So, right-of-way and boat.

740
\
00:47:24.660 --> 00:47:25.360
\
Stuart Bacon: Oh.

741
\
00:47:26.300 --> 00:47:27.929
\
Stephen Robertson: It's going to show me the… yeah.

742
\
00:47:28.070 --> 00:47:28.620
\
Stuart Bacon: Yeah.

743
\
00:47:29.160 --> 00:47:31.470
\
Stephen Robertson: Yeah, I see. Dustin, yeah, I'm with you.

744
\
00:47:33.430 --> 00:47:35.150
\
Stephen Robertson: Now, Y94?

745
\
00:47:35.500 --> 00:47:38.500
\
Stephen Robertson: I know, flatline thingies, yep, brilliant, okay.

746
\
00:47:38.500 --> 00:47:39.020
\
Stuart Bacon: Yep.

747
\
00:47:39.240 --> 00:47:45.870
\
Stuart Bacon: So that'll bring those up. And then… what I was thinking is…

748
\
00:47:46.620 --> 00:47:49.909
\
Stuart Bacon: That's done your location of your…

749
\
00:47:50.040 --> 00:47:54.029
\
Stuart Bacon: Your footpaths and the roots. But for your,

750
\
00:47:54.830 --> 00:47:57.520
\
Stuart Bacon: For your styles, they're just a point.

751
\
00:47:57.720 --> 00:48:01.390
\
Stuart Bacon: So, if we go in and create another layer.

752
\
00:48:02.330 --> 00:48:04.039
\
Stephen Robertson: So, I'm going to full price again, yes?

753
\
00:48:04.040 --> 00:48:06.659
\
Stuart Bacon: No, no, no, if we go to the very top to create.

754
\
00:48:07.540 --> 00:48:08.880
\
Stephen Robertson: Yeah.

755
\
00:48:08.880 --> 00:48:09.540
\
Stuart Bacon: Yep.

756
\
00:48:10.710 --> 00:48:11.290
\
Stephen Robertson: Right?

757
\
00:48:11.290 --> 00:48:12.890
\
Stuart Bacon: And create a new layer.

758
\
00:48:14.300 --> 00:48:16.200
\
Stephen Robertson: So I'm just writing this down for my own…

759
\
00:48:16.200 --> 00:48:17.389
\
Stuart Bacon: Yeah, no, no, that's fine.

760
\
00:48:18.850 --> 00:48:20.620
\
Stephen Robertson: New layer, okay.

761
\
00:48:21.710 --> 00:48:24.439
\
Stuart Bacon: And call it Footpath Features.

762
\
00:48:32.840 --> 00:48:33.490
\
Stuart Bacon: And…

763
\
00:48:33.490 --> 00:48:34.910
\
Stephen Robertson: Next, next step.

764
\
00:48:36.300 --> 00:48:40.150
\
Stephen Robertson: They're not there, well, styles. Styles and dates.

765
\
00:48:40.150 --> 00:48:41.500
\
Angie Bamford: Do you want the time.

766
\
00:48:41.670 --> 00:48:45.740
\
Stuart Bacon: features along the… the footpath, I think. Yeah.

767
\
00:48:46.480 --> 00:48:48.510
\
Stuart Bacon: Items along the footpath.

768
\
00:48:57.710 --> 00:49:02.889
\
Stuart Bacon: And if we change the geometry type at the top, to… a point.

769
\
00:49:04.270 --> 00:49:05.430
\
Stephen Robertson: Policy, yep.

770
\
00:49:06.790 --> 00:49:08.689
\
Stuart Bacon: And click next.

771
\
00:49:10.730 --> 00:49:17.159
\
Stuart Bacon: And then… We need to add in a couple of…

772
\
00:49:17.390 --> 00:49:23.650
\
Stuart Bacon: Tiers of detail on this one, so click on the plus on the top right there a couple of times.

773
\
00:49:26.580 --> 00:49:33.259
\
Stuart Bacon: I'm… And change the second name to Type.

774
\
00:49:39.730 --> 00:49:42.010
\
Stuart Bacon: Do you want that with a capital T?

775
\
00:49:42.010 --> 00:49:44.009
\
Stephen Robertson: Yeah, I just realized that, yes, I've done it, yeah.

776
\
00:49:46.220 --> 00:49:49.589
\
Stuart Bacon: And if we go to Add, to allow rowing, yep.

777
\
00:49:49.770 --> 00:49:57.660
\
Stuart Bacon: We can put in different things, so you've got, styles, games.

778
\
00:50:00.050 --> 00:50:03.799
\
Stephen Robertson: So, add, and then… I'm getting the drift of this now.

779
\
00:50:03.800 --> 00:50:04.570
\
Angie Bamford: Yay.

780
\
00:50:07.200 --> 00:50:08.200
\
Stephen Robertson: Yeah.

781
\
00:50:08.200 --> 00:50:09.420
\
Stuart Bacon: Missing gates.

782
\
00:50:10.770 --> 00:50:11.380
\
Stephen Robertson: Yep.

783
\
00:50:16.320 --> 00:50:21.960
\
Stuart Bacon: Yeah, and any other… yeah, we can go through…

784
\
00:50:21.960 --> 00:50:22.570
\
Stephen Robertson: Yeah, no.

785
\
00:50:22.570 --> 00:50:27.069
\
Stuart Bacon: A variety of different things, but… Yeah. And if we confirm that, then…

786
\
00:50:30.190 --> 00:50:32.020
\
Stuart Bacon: And… finish.

787
\
00:50:37.400 --> 00:50:46.360
\
Stuart Bacon: Have you got any stiles, gates, or whatever we could plot on that you could think of a location for at the moment on…

788
\
00:50:46.590 --> 00:50:47.360
\
Stephen Robertson: Yeah.

789
\
00:50:48.520 --> 00:50:51.709
\
Stephen Robertson: Is it… Where am I? There's one there, yeah.

790
\
00:50:53.890 --> 00:50:58.150
\
Stuart Bacon: So, no, sorry, click on the X at the moment, because we're not in the layer.

791
\
00:50:58.150 --> 00:50:59.110
\
Stephen Robertson: this X.

792
\
00:50:59.190 --> 00:51:00.010
\
Angie Bamford: Yep.

793
\
00:51:02.690 --> 00:51:09.439
\
Stuart Bacon: We've got to scroll down… And we're adding a feature in the layer that we're… Right, okay.

794
\
00:51:09.810 --> 00:51:10.970
\
Stephen Robertson: Are we announced?

795
\
00:51:10.970 --> 00:51:12.410
\
Stuart Bacon: And add a feature.

796
\
00:51:12.410 --> 00:51:14.300
\
Stephen Robertson: And I think, Janet, we want to point, yeah?

797
\
00:51:14.300 --> 00:51:17.430
\
Stuart Bacon: Zoom in a bit more on where you are, so you're…

798
\
00:51:17.430 --> 00:51:18.040
\
Stephen Robertson: Okay.

799
\
00:51:18.530 --> 00:51:19.829
\
Stephen Robertson: I know there's one there.

800
\
00:51:20.260 --> 00:51:21.870
\
Stuart Bacon: Yeah, put it on the line.

801
\
00:51:22.950 --> 00:51:26.859
\
Stuart Bacon: Because presumably, you walk through the gate to get through the footprint.

802
\
00:51:28.860 --> 00:51:29.640
\
Stephen Robertson: Yep.

803
\
00:51:29.640 --> 00:51:36.270
\
Stuart Bacon: And then we'll name that…

804
\
00:51:38.790 --> 00:51:52.290
\
Stuart Bacon: what, anything you want, and the type… I mean, it doesn't necessarily need a name. If it's not got a name, we can leave that one out. But if you set the type as, gait, or style, or whatever that is.

805
\
00:51:52.290 --> 00:51:53.710
\
Stephen Robertson: It's a straightforward gate.

806
\
00:51:55.710 --> 00:51:57.169
\
Stuart Bacon: And then we can click.

807
\
00:51:57.350 --> 00:51:58.190
\
Stuart Bacon: Safe.

808
\
00:51:59.110 --> 00:52:03.289
\
Stephen Robertson: Save. Right. Now this one, there's one there, that's a… this is a kissing gate.

809
\
00:52:03.660 --> 00:52:04.480
\
Stephen Robertson: Okay.

810
\
00:52:04.480 --> 00:52:06.000
\
Stuart Bacon: Let's add that one in.

811
\
00:52:06.160 --> 00:52:09.140
\
Stephen Robertson: So, style, kissing gate.

812
\
00:52:09.330 --> 00:52:09.940
\
Stuart Bacon: Yep.

813
\
00:52:09.940 --> 00:52:10.620
\
Stephen Robertson: That's nice.

814
\
00:52:10.800 --> 00:52:12.450
\
Stuart Bacon: If you, if you…

815
\
00:52:13.980 --> 00:52:20.170
\
Stuart Bacon: Let's just add, look at adding another one in, just randomly somewhere at the moment.

816
\
00:52:20.460 --> 00:52:21.130
\
Stephen Robertson: Okay.

817
\
00:52:21.740 --> 00:52:27.160
\
Stuart Bacon: Doesn't necessarily… we don't necessarily have to save it, but we can just sort of go through the process.

818
\
00:52:27.330 --> 00:52:28.190
\
Stephen Robertson: Right.

819
\
00:52:28.330 --> 00:52:31.279
\
Stuart Bacon: If you click on Type, I just want to show you…

820
\
00:52:32.390 --> 00:52:37.830
\
Stuart Bacon: something. Where we've created this list of predetermined options.

821
\
00:52:37.830 --> 00:52:38.610
\
Stephen Robertson: Yep.

822
\
00:52:38.610 --> 00:52:41.389
\
Stuart Bacon: There's a plus sign above it at the moment.

823
\
00:52:41.390 --> 00:52:42.140
\
Stephen Robertson: Yep.

824
\
00:52:42.340 --> 00:52:47.610
\
Stuart Bacon: If you click on that plus sign, that allows you to add in another option.

825
\
00:52:47.840 --> 00:52:54.380
\
Stuart Bacon: Right, okay. If you think of, something else in the future, like cattle grid or something that you wanted.

826
\
00:52:54.380 --> 00:52:55.579
\
Stephen Robertson: Oh, yeah, yeah, of course, yeah.

827
\
00:52:55.750 --> 00:52:59.759
\
Stuart Bacon: Put down so you can record where they are and whatever.

828
\
00:52:59.760 --> 00:53:05.219
\
Stephen Robertson: Well, I see there's another feature, we've got sort of a railway slate, but across trenches before them or after them.

829
\
00:53:06.680 --> 00:53:09.099
\
Stuart Bacon: Okay, yeah, bridges and things, yeah.

830
\
00:53:11.480 --> 00:53:11.910
\
Angie Bamford: I'm listening.

831
\
00:53:11.910 --> 00:53:12.429
\
Stephen Robertson: It's quite right.

832
\
00:53:14.170 --> 00:53:17.870
\
Stuart Bacon: I've done them to, as you see, necessary.

833
\
00:53:17.870 --> 00:53:18.950
\
Stephen Robertson: Yeah, okay.

834
\
00:53:19.440 --> 00:53:21.809
\
Stephen Robertson: So if I wrote, for instance, sleepers here.

835
\
00:53:22.050 --> 00:53:22.600
\
Stuart Bacon: Yep.

836
\
00:53:25.030 --> 00:53:26.439
\
Stephen Robertson: Alright, save that.

837
\
00:53:28.260 --> 00:53:33.009
\
Stuart Bacon: And then that adds that in as a new value to your list, so that when you click on your drop-down.

838
\
00:53:34.180 --> 00:53:34.920
\
Stephen Robertson: M.

839
\
00:53:35.700 --> 00:53:38.670
\
Stuart Bacon: And whatever, for the… the type.

840
\
00:53:38.990 --> 00:53:41.990
\
Stuart Bacon: That will now show 4 options instead of 3.

841
\
00:53:42.270 --> 00:53:42.940
\
Stephen Robertson: Yep.

842
\
00:53:44.580 --> 00:53:51.510
\
Stuart Bacon: So yeah, we… that's how to do that. One of the un…

843
\
00:53:51.900 --> 00:53:55.389
\
Stuart Bacon: I don't know if that's correct, if there are sleepers in that location, or if you want to just.

844
\
00:53:55.390 --> 00:53:57.989
\
Stephen Robertson: No, it's not that particular one, but there are elsewhere in the village, I know.

845
\
00:53:57.990 --> 00:54:04.280
\
Stuart Bacon: Okay, yeah, so if you want to click on the X on the feature editor at the moment for that one, on the top.

846
\
00:54:04.460 --> 00:54:05.040
\
Stephen Robertson: Yep.

847
\
00:54:06.120 --> 00:54:07.730
\
Stuart Bacon: And click continue.

848
\
00:54:09.520 --> 00:54:14.170
\
Stuart Bacon: One of the… One of the difficulties in doing…

849
\
00:54:14.570 --> 00:54:16.960
\
Stuart Bacon: Some of this is, at times.

850
\
00:54:17.280 --> 00:54:23.990
\
Stuart Bacon: A map is not always the best way to see where some of these features are. So, to help you.

851
\
00:54:24.290 --> 00:54:30.999
\
Stuart Bacon: We can change the view in which you're looking at for putting this information together.

852
\
00:54:31.610 --> 00:54:32.070
\
Stephen Robertson: Okay.

853
\
00:54:32.070 --> 00:54:37.449
\
Stuart Bacon: So, on the left-hand side, you've got,

854
\
00:54:38.070 --> 00:54:47.720
\
Stuart Bacon: in the green options, at the moment, we've got the public service PSGA layer, in use.

855
\
00:54:47.960 --> 00:54:52.330
\
Stuart Bacon: And that's just the map layer. If we click on that.

856
\
00:54:54.820 --> 00:54:58.409
\
Stuart Bacon: And open that up, and instead of the standard layer.

857
\
00:54:58.780 --> 00:54:59.410
\
Stephen Robertson: Yep.

858
\
00:55:00.140 --> 00:55:07.800
\
Stuart Bacon: If we change that to white, The third option down.

859
\
00:55:08.540 --> 00:55:10.150
\
Stephen Robertson: Yeah? Should I click on it, yeah?

860
\
00:55:10.150 --> 00:55:11.140
\
Stuart Bacon: Click on that one.

861
\
00:55:11.360 --> 00:55:13.220
\
Stuart Bacon: And turn the standard layer off.

862
\
00:55:14.300 --> 00:55:15.520
\
Stephen Robertson: So click on it to turn it off.

863
\
00:55:15.520 --> 00:55:17.399
\
Stuart Bacon: Yeah, click it off, just not on the cog.

864
\
00:55:17.540 --> 00:55:22.109
\
Stuart Bacon: Don't click on the code. Yep, somewhere else on the layer. And for…

865
\
00:55:22.250 --> 00:55:25.950
\
Stuart Bacon: Time being, that makes the page very white.

866
\
00:55:26.320 --> 00:55:29.700
\
Stuart Bacon: Oh, I see, right. If you then come down to aerial Photography.

867
\
00:55:31.410 --> 00:55:32.490
\
Stephen Robertson: Photography.

868
\
00:55:32.490 --> 00:55:35.120
\
Stuart Bacon: To tear down from where you are. Yep.

869
\
00:55:35.260 --> 00:55:37.499
\
Stuart Bacon: Oh, click on that one to open that.

870
\
00:55:37.810 --> 00:55:42.050
\
Stuart Bacon: category. And you can then look at

871
\
00:55:42.190 --> 00:55:52.070
\
Stuart Bacon: every… There's a category there for almost every year, where the layers were updated on an annual basis. So if you now have aerial Photography Latest.

872
\
00:55:52.400 --> 00:55:53.590
\
Stephen Robertson: Sweet, yep.

873
\
00:55:54.720 --> 00:55:57.590
\
Stuart Bacon: That will bring up,

874
\
00:55:57.860 --> 00:56:03.399
\
Stuart Bacon: Air photography for the site to make it a little easier, so you can actually see exactly where.

875
\
00:56:03.690 --> 00:56:04.140
\
Stephen Robertson: I think so.

876
\
00:56:04.140 --> 00:56:15.219
\
Stuart Bacon: It's located where, where the gate is, so he makes sure that as you draw in your line, it's actually exactly where they are, and you can,

877
\
00:56:15.890 --> 00:56:19.820
\
Stuart Bacon: you know, you can work your way around looking at that. And that…

878
\
00:56:20.340 --> 00:56:25.910
\
Stuart Bacon: Helps you, sort of, do that, as you… as you go.

879
\
00:56:26.160 --> 00:56:27.530
\
Stephen Robertson: Yep, that's brilliant.

880
\
00:56:28.970 --> 00:56:33.610
\
Stuart Bacon: If you then… Wanted to, sort of,

881
\
00:56:35.900 --> 00:56:45.659
\
Stuart Bacon: use that information in the future, you can quite happily share that again, doing the print or whatever to do that.

882
\
00:56:45.810 --> 00:56:52.290
\
Stuart Bacon: There are… There are some more advanced techniques, but…

883
\
00:56:52.290 --> 00:56:54.249
\
Stephen Robertson: I don't think we're going to cut it.

884
\
00:56:54.250 --> 00:56:57.430
\
Stuart Bacon: Day 2 or 3, and not push everything on you on day one.

885
\
00:56:57.430 --> 00:56:58.060
\
Stephen Robertson: Yeah. You know what I mean?

886
\
00:56:58.060 --> 00:56:58.810
\
Stuart Bacon: Genocide.

887
\
00:56:59.320 --> 00:57:01.209
\
Angie Bamford: Until next Friday, Steve.

888
\
00:57:01.210 --> 00:57:02.110
\
Stephen Robertson: I don't know.

889
\
00:57:02.110 --> 00:57:03.290
\
Angie Bamford: I'm trying to offer.

890
\
00:57:03.290 --> 00:57:10.219
\
Stephen Robertson: Yeah, I think you might. This is, this is most, most helpful, and I'm really, really appreciative.

891
\
00:57:10.880 --> 00:57:12.320
\
Stuart Bacon: Yeah, no worries at all.

892
\
00:57:12.880 --> 00:57:13.599
\
Stuart Bacon: I wouldn't…

893
\
00:57:14.020 --> 00:57:15.999
\
Stephen Robertson: Because they're having fun with this.

894
\
00:57:16.000 --> 00:57:16.550
\
Angie Bamford: Yeah!

895
\
00:57:16.770 --> 00:57:20.169
\
Angie Bamford: Tommy, she won't stop. You say, oh, just another, just another half hour.

896
\
00:57:20.170 --> 00:57:23.430
\
Stephen Robertson: That, that's it, yeah, yeah, I know. I've just.

897
\
00:57:23.430 --> 00:57:24.299
\
Angie Bamford: By the way.

898
\
00:57:24.300 --> 00:57:34.129
\
Stephen Robertson: I don't… my wife came back from swimming with my son. I was… when they went out, I was actually finished off doing some electrics that I've now held after.

899
\
00:57:34.340 --> 00:57:36.629
\
Stuart Bacon: Well, as long as she can turn the kettle on now, like.

900
\
00:57:36.630 --> 00:57:37.380
\
Stephen Robertson: In this case.

901
\
00:57:37.380 --> 00:57:39.110
\
Stuart Bacon: turn off, you're all right.

902
\
00:57:39.110 --> 00:57:39.740
\
Stephen Robertson: Yeah.

903
\
00:57:40.320 --> 00:57:49.239
\
Stephen Robertson: Yeah, there's just so much stuff. Another thing that I want to put on it, I'm getting some… we've got a couple of AEDs in the village, I'm trying to get another two in. So we've got the…

904
\
00:57:49.390 --> 00:57:53.799
\
Stephen Robertson: So within the whole of the village, we've recovered.

905
\
00:57:55.850 --> 00:58:00.050
\
Stephen Robertson: I mean, I'm sure I can draw circles on things, can't I, and that sort of thing, but

906
\
00:58:00.610 --> 00:58:06.830
\
Stephen Robertson: Yeah, brilliant, brilliant. You've given me lots of, lots of things to do, so I really appreciate it.

907
\
00:58:07.120 --> 00:58:12.280
\
Stuart Bacon: No worries. I mean, if you stop, if you stop sharing your screen.

908
\
00:58:12.830 --> 00:58:15.010
\
Stephen Robertson: Yep, how do I do that then.

909
\
00:58:15.920 --> 00:58:22.099
\
Stuart Bacon: It should be at the top, there's the red… the, red button, the…

910
\
00:58:25.950 --> 00:58:27.809
\
Stephen Robertson: Oh, I see, it says.

911
\
00:58:28.030 --> 00:58:31.700
\
Stuart Bacon: No, no, no, not on the browser, it'll be from the Zoom window.

912
\
00:58:33.770 --> 00:58:35.940
\
Stephen Robertson: Zoom's… Zoom's gone again.

913
\
00:58:38.730 --> 00:58:48.490
\
Stuart Bacon: So if you press the command button and change to, change your screen to the… Zoom window.

914
\
00:58:48.840 --> 00:58:54.659
\
Stephen Robertson: See, all these things keep coming up, I've got… I don't know what you can see here. All these untitled tabs keep coming up.

915
\
00:58:54.660 --> 00:58:56.220
\
Stuart Bacon: I have no idea what they are.

916
\
00:58:56.220 --> 00:58:58.049
\
Stephen Robertson: No, I don't know, they just,

917
\
00:58:58.210 --> 00:59:00.490
\
Stephen Robertson: Look, loads of them, both sides.

918
\
00:59:00.950 --> 00:59:05.370
\
Stuart Bacon: Oh, no, it's just swapping the same window from left to right as you move the browser.

919
\
00:59:05.370 --> 00:59:06.409
\
Stephen Robertson: That's true, yeah, of course it's.

920
\
00:59:06.410 --> 00:59:06.970
\
Stuart Bacon: Yeah.

921
\
00:59:07.990 --> 00:59:11.470
\
Stephen Robertson: Right, let's assume. Right.

922
\
00:59:11.470 --> 00:59:12.580
\
Angie Bamford: That's it, now stop sharing.

923
\
00:59:12.580 --> 00:59:15.320
\
Stephen Robertson: That's the tab, right, I'm with you, so stop sharing, okay.

924
\
00:59:15.690 --> 00:59:16.790
\
Stephen Robertson: Right, done that.

925
\
00:59:17.250 --> 00:59:23.180
\
Stephen Robertson: Those things I've done, will still be there, so… I hope…

926
\
00:59:23.180 --> 00:59:34.000
\
Stuart Bacon: At the moment, he's stopped us being able to look at your screen. Right, okay, right. So, yeah, no, you're fine on that one, that's no… no issue at all, and I'm just looking…

927
\
00:59:34.470 --> 00:59:39.870
\
Stuart Bacon: Wine, there you go.

928
\
00:59:40.360 --> 00:59:44.490
\
Stuart Bacon: Yeah, I've set up a similar…

929
\
00:59:45.050 --> 00:59:48.640
\
Stuart Bacon: Map, and whatever for footpaths, and…

930
\
00:59:49.080 --> 00:59:52.289
\
Stuart Bacon: the classes I've set up there, and colours.

931
\
00:59:52.920 --> 00:59:56.699
\
Stuart Bacon: were as such. And then we've got…

932
\
00:59:57.890 --> 01:00:05.110
\
Stuart Bacon: dotted lines for the footpaths, rather than solid ones. Right. And I've given all the official footpath names and…

933
\
01:00:05.970 --> 01:00:11.920
\
Stuart Bacon: whatever there, based on, the maps from Leicestershire County Council.

934
\
01:00:12.470 --> 01:00:13.090
\
Stephen Robertson: Right.

935
\
01:00:14.090 --> 01:00:27.860
\
Stephen Robertson: Yeah, because I know that their rights of way, from the, the, I went to Harlborough Library, or what they call it, the, the, basically the, the, the legal definitive one is in the local libraries. Their rights of way are pink.

936
\
01:00:28.800 --> 01:00:33.270
\
Stephen Robertson: On that map, True.

937
\
01:00:33.900 --> 01:00:34.980
\
Stephen Robertson: Seems weird.

938
\
01:00:36.690 --> 01:00:45.690
\
Stuart Bacon: I might have given you… I might have given you the wrong colours, and I think I've mixed up rights-of-way and Riddleways.

939
\
01:00:45.880 --> 01:00:51.159
\
Stuart Bacon: Right. So, yeah, I mean, you can easily change that in the style.

940
\
01:00:51.160 --> 01:00:51.480
\
Stephen Robertson: Yep.

941
\
01:00:51.480 --> 01:00:54.869
\
Stuart Bacon: as you, yeah, as you need to.

942
\
01:00:55.630 --> 01:01:05.340
\
Stuart Bacon: And then, yeah, we, I mean, we've overlaid things like…

943
\
01:01:05.770 --> 01:01:11.850
\
Stuart Bacon: yeah, that's speed limits, whatever. I'm trying to think of anything I've got that might be appropriate to…

944
\
01:01:12.120 --> 01:01:14.080
\
Stuart Bacon: footpaths.

945
\
01:01:22.620 --> 01:01:24.720
\
Angie Bamford: Put any information boards on your footpaths?

946
\
01:01:25.610 --> 01:01:28.639
\
Stuart Bacon: They're close by, yeah.

947
\
01:01:34.300 --> 01:01:45.530
\
Stuart Bacon: Yeah, you've got those,

948
\
01:01:45.820 --> 01:01:51.810
\
Stuart Bacon: But what I was also thinking of… I'm not gonna… sort of…

949
\
01:01:52.050 --> 01:01:57.860
\
Stuart Bacon: forward you with, doing so at the moment, but I've got a…

950
\
01:02:26.630 --> 01:02:27.320
\
Stuart Bacon: Yeah.

951
\
01:02:33.080 --> 01:02:33.920
\
Stuart Bacon: function.

952
\
01:02:39.370 --> 01:02:41.559
\
Stuart Bacon: There's an option there in the chat.

953
\
01:02:43.720 --> 01:02:44.340
\
Stephen Robertson: Yeah.

954
\
01:02:48.420 --> 01:03:07.499
\
Stuart Bacon: where you can see, sort of, one of the walking routes, and whatever around Croft Hill, done as a public map. So once you've created your map, you can determine, what information you want to share publicly.

955
\
01:03:07.720 --> 01:03:09.260
\
Stuart Bacon: Wow, so…

956
\
01:03:09.260 --> 01:03:10.600
\
Stephen Robertson: Or you can find our website.

957
\
01:03:10.890 --> 01:03:27.430
\
Stuart Bacon: Yeah, you can put on your website, if you've got, sort of, it works really well when you're, sort of, trying to give information to public rights-of-way officers at county and whatever as well, so that, they can see exactly what it is that you're,

958
\
01:03:27.980 --> 01:03:37.789
\
Stuart Bacon: you're doing with your lab, and yeah, what you've got, information-wise, as to where your issues are. So when they come out on site, rather than… because a… a printed

959
\
01:03:38.050 --> 01:03:43.020
\
Stuart Bacon: Map, isn't always great, at scale.

960
\
01:03:43.610 --> 01:03:47.749
\
Stuart Bacon: So, because they go round with their,

961
\
01:03:48.410 --> 01:03:59.940
\
Stuart Bacon: With their tablet and whatever. As they move around, they can zoom in on the area and where your issue is, and find it exactly, rather than it being… covering a huge area or whatever on a printed map.

962
\
01:04:00.430 --> 01:04:07.630
\
Stuart Bacon: Right. But that's… that's a step for Stage 3. Let's get Stage 1 figured out first. Yeah, yeah.

963
\
01:04:07.630 --> 01:04:12.750
\
Stephen Robertson: Yeah, yeah, thank you, thank you. So, I'm not a complete numpty, but I'm not as.

964
\
01:04:12.750 --> 01:04:17.930
\
Stuart Bacon: Not, not at all. Not, not, not at all, not, not meaning to, sort of come across in that way at all, but…

965
\
01:04:18.510 --> 01:04:24.809
\
Stuart Bacon: Yeah, it makes sense when you're learning a new system to take it step by step and not try to rush things too quick.

966
\
01:04:24.980 --> 01:04:29.370
\
Stephen Robertson: Yeah, brilliant. Thank you, I really appreciate it, and thank you, Angie, for being… allowing me to…

967
\
01:04:29.580 --> 01:04:31.020
\
Stephen Robertson: Color all the time.

968
\
01:04:31.060 --> 01:04:39.889
\
Angie Bamford: Good! Yeah, I've done my neighbourhood plan, so I'm just… I just come on here just to see if I can help out with anyone. But it's just school holidays, because I'm in education, so…

969
\
01:04:40.140 --> 01:04:42.290
\
Angie Bamford: I'm back… I'm back at work next week.

970
\
01:04:42.490 --> 01:04:45.610
\
Stephen Robertson: Very good. Oh, well, I don't have that, burden anymore.

971
\
01:04:45.610 --> 01:04:47.610
\
Angie Bamford: Oh, okay, he retired.

972
\
01:04:48.730 --> 01:04:50.090
\
Stephen Robertson: Yeah. Very young one.

973
\
01:04:50.090 --> 01:04:56.189
\
Stuart Bacon: I'm here every Friday, if you've got any questions or queries and want any help.

974
\
01:04:56.190 --> 01:04:57.610
\
Stephen Robertson: Right, brilliant, thank you.

975
\
01:04:57.610 --> 01:04:58.440
\
Stuart Bacon: When you turn.

976
\
01:04:58.440 --> 01:05:00.870
\
Stephen Robertson: Is it the same Zoom? I don't have to…

977
\
01:05:01.720 --> 01:05:06.369
\
Stephen Robertson: The email I got, the Zoom link is the same one every week, is it?

978
\
01:05:06.370 --> 01:05:07.090
\
Stuart Bacon: Yes.

979
\
01:05:07.090 --> 01:05:08.350
\
Stephen Robertson: Yeah, okay, what?

980
\
01:05:08.350 --> 01:05:16.109
\
Stuart Bacon: Well, it's the same login details, the, the link might ask you to re-register for that session.

981
\
01:05:16.480 --> 01:05:18.509
\
Stuart Bacon: Same details or whatever to log in, yeah.

982
\
01:05:18.710 --> 01:05:23.200
\
Stephen Robertson: Okay, right, thank you very much, really appreciate it, thank you. No problem. I'll bid you very well. Thank you, bye-bye.

983
\
01:05:23.200 --> 01:05:24.240
\
Stuart Bacon: Have a nice weekend.

984
\
01:05:24.510 --> 01:05:26.269
\
Stephen Robertson: Thank you, Angie. Bye. Bye, Angie.

985
\
01:05:31.250 --> 01:05:32.130
\
Stuart Bacon: Hey, Andre.